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Related Music Theory Alchemy

The chord progression in verse 4 of “Since I’ve Been Loving You” has a striking mix of diatonic chords and chromatic chords that borrow from different modes, creating a unique and expressive progression found in the blues rock style. The progression features a predominantly minor tonality, with some tension points provided by the dominant seventh and major seventh chords.

“Whole Lotta Love” by Led Zeppelin is a classic rock song that was released in 1969. The song features a signature riff that has become an iconic part of rock and roll history. The chorus of the song features a chord progression based on the alternating pattern of E and D Major chords, creating a groove that is both driving and catchy.

The chord progression in Verse 2 of “Get You” by Daniel Caesar features some interesting and often non-diatonic chords. It provides a smooth and lush sound that complements the rest of the song. This progression shows influences from R&B and neo-soul genres, which often use extended and borrowed chords.

“A Star Is Born – Shallow” by Misc Soundtrack uses common chords found in pop music and combines them in a fresh way. The progression makes use of diatonic chords and even includes a borrowed chord from the parallel minor key. It showcases a feasible balance of tension and resolution, often transitioning through a variety of chord inversions to add color and depth to the harmonies. The song moves around the circle of fifths, which allows for smooth transitions between keys.

“Time” by Pink Floyd is a progressive rock song that features an uncommon chord progression with some unique harmonic choices. The Verse 2 progression has a strong sense of tonal ambiguity and the chords often fluctuate between major and minor tonalities. This contributes to the emotional depth and complexity of the song, which is characteristic of Pink Floyd’s music.

Led Zeppelin – Since Ive Been Loving You – Verse 2

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Chord Progression

Cm, Fm, Cm, Fm, Cm, Gm, Ab, Fm, Cm/Eb, G7/D, Cm, Eb7, D7, Dbmaj7

Chord Progression Analysis

Cm (i) – Fm (iv) – Cm (i) – Fm (iv) – Cm (i) – Gm (v) – Ab (VI) – Fm (iv) – Cm/Eb (i6) – G7/D (V7b9/iv) – Cm (i) – Eb7 (VI7) – D7 (V7/N) – Dbmaj7 (bVII)

`Borrowed Chord: Ab (VI)`

Similar Chord Progressions

1. “While My Guitar Gently Weeps” by The Beatles
Am (i) – Am/G (i7) – Am/F# (ivor) – Am/F (i6) – G (VII) – C (III) – E (V) – Am (i)

2. “Stairway to Heaven” by Led Zeppelin (Verse)
Am (i) – Am(maj7) (i(maj7)) – Am7 (i7) – Am6 (i6) – D/F# (IVb5) – Fmaj7 (VI) – G (VII) – Am (i)

Although these chord progressions are not exactly the same as “Since I’ve Been Loving You,” they share some common features, such as the use of borrowed chords, secondary dominants, and the mixture of major and minor chords to create a distinctive and emotionally charged atmosphere.

Musical Analysis

The chord progression begins with a standard i – iv alternation in C minor, which is typical of the blues genre. This progression is repeated three times, establishing the melancholy atmosphere of the verse. The Gm chord, serving as the v, introduces a brief sense of tension before resolving to a borrowed Ab major chord, which provides a more colorful and unexpected twist to the harmony.

The progression then returns to Fm before moving to a first inversion Cm chord, with the Eb in the bass. This sets up the following secondary dominant chord, G7/D, which temporarily tonicizes the Fm chord, intensifying the song’s emotive quality.

The return to the Cm chord is quickly followed by an Eb7 chord, acting as the VI7 and continuing the sense of longing present throughout the tune. The D7 chord, in turn, operates as a secondary dominant to the following Dbmaj7, highlighting the chromatic movement between the two chords and adding more color to the harmony.

Overall Analysis

“Since I’ve Been Loving You” by Led Zeppelin is a slow blues ballad with a rich harmonic palette, featuring expressive guitar solos and a passionate, longing vocal performance. The song is characterized by its use of chromaticism, borrowed chords, and seventh chords, which contribute to its intense, bluesy atmosphere. The chord progression for Verse 2 displays a moody and introspective tone, which serves as the perfect backdrop for the plaintive lyrics and the emotional solos throughout the piece.

Style Analysis

“Since I’ve Been Loving You” showcases Led Zeppelin’s ability to blend blues and rock elements with more sophisticated harmonic choices, creating a unique and emotionally charged musical experience. The use of borrowed chords, secondary dominants, and chromaticism reflects the band’s willingness to explore beyond traditional rock and blues progressions, while maintaining the raw and powerful impact characteristic of their music.

Chords in the Verse 2 section of Since Ive Been Loving You by Led Zeppelin are:

Cm, Fm, Cm, Fm, Cm, Gm, Ab, Fm, Cm/Eb, G7/D, Cm, Eb7, D7, Dbmaj7