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Related Music Theory Alchemy

“Since I’ve Been Loving You” by Led Zeppelin is a slow-tempo blues-rock song featuring a sophisticated and expressive chord progression that falls predominantly within the C minor key, standing out from the more traditional blues structures. The chords in the verse display a creative use of borrowed chords and chromaticism, contributing to the song’s moody and emotionally-evocative atmosphere. The progression is less common in rock music, which is what makes it characteristic of Led Zeppelin’s innovative musical explorations.

The outro of “Kashmir” by Led Zeppelin features a simple alternating chord progression between G major and A major, which creates tension by avoiding a resolution to the tonic or dominant chords. This makes the progression sound unstable, yet well defined as it repeats. The recurring ascending motion creates a sense of lift throughout the outro, while the lack of a true resolution maintains a feeling of unease. This progression is notable for its simplicity, as well as how it invokes a modal sound that is characteristic of the mixolydian mode often used in rock music.

“Comfortably Numb” is a song by Pink Floyd from their 1979 album, The Wall. It is written in the key of D major and has a slow, dreamy tempo. The second verse of the song features a chord progression that is a blend of major and minor chords, giving the song a sense of melancholy mixed with a calming atmosphere. It also deviates from the typical pop/rock chord progressions, signifying Pink Floyd’s distinct sound and innovative use of harmony.

“Honky Tonk Women” is a classic blues-infused rock and roll track, like many songs by The Rolling Stones. The guitar riffs and solo (though not discussed here) clearly show blues influence in their use of the pentatonic scale and common blues licks.

The chord progression used for verse 2 is a typical example of a classic rock chord progression, with a key center around G, utilizing the dominant chords of the key in a I-IV-I-V-IV-I-IV-I progression.

“Sorry Seems to Be The Hardest Word” is in the key of E minor and shifts to the relative major (G major) at various points, it demonstrates Elton John’s mastery of the line between major and minor keys. It’s a melancholic song with a moderate tempo. The use of both minor and major chords in Elton John’s progression signifies the tension and release in the song’s melody and lyrics.

Led Zeppelin – Since Ive Been Loving You – Verse 2

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Chord Progression

Cm, Fm, Cm, Fm, Cm, Gm, Ab, Fm, Cm/Eb, G7/D, Cm, Eb7, D7, Dbmaj7

Chord Progression Analysis

Cm (i) – Fm (iv) – Cm (i) – Fm (iv) – Cm (i) – Gm (v) – Ab (VI) – Fm (iv) – Cm/Eb (i6) – G7/D (V7b9/iv) – Cm (i) – Eb7 (VI7) – D7 (V7/N) – Dbmaj7 (bVII)

`Borrowed Chord: Ab (VI)`

Similar Chord Progressions

1. “While My Guitar Gently Weeps” by The Beatles
Am (i) – Am/G (i7) – Am/F# (ivor) – Am/F (i6) – G (VII) – C (III) – E (V) – Am (i)

2. “Stairway to Heaven” by Led Zeppelin (Verse)
Am (i) – Am(maj7) (i(maj7)) – Am7 (i7) – Am6 (i6) – D/F# (IVb5) – Fmaj7 (VI) – G (VII) – Am (i)

Although these chord progressions are not exactly the same as “Since I’ve Been Loving You,” they share some common features, such as the use of borrowed chords, secondary dominants, and the mixture of major and minor chords to create a distinctive and emotionally charged atmosphere.

Musical Analysis

The chord progression begins with a standard i – iv alternation in C minor, which is typical of the blues genre. This progression is repeated three times, establishing the melancholy atmosphere of the verse. The Gm chord, serving as the v, introduces a brief sense of tension before resolving to a borrowed Ab major chord, which provides a more colorful and unexpected twist to the harmony.

The progression then returns to Fm before moving to a first inversion Cm chord, with the Eb in the bass. This sets up the following secondary dominant chord, G7/D, which temporarily tonicizes the Fm chord, intensifying the song’s emotive quality.

The return to the Cm chord is quickly followed by an Eb7 chord, acting as the VI7 and continuing the sense of longing present throughout the tune. The D7 chord, in turn, operates as a secondary dominant to the following Dbmaj7, highlighting the chromatic movement between the two chords and adding more color to the harmony.

Overall Analysis

“Since I’ve Been Loving You” by Led Zeppelin is a slow blues ballad with a rich harmonic palette, featuring expressive guitar solos and a passionate, longing vocal performance. The song is characterized by its use of chromaticism, borrowed chords, and seventh chords, which contribute to its intense, bluesy atmosphere. The chord progression for Verse 2 displays a moody and introspective tone, which serves as the perfect backdrop for the plaintive lyrics and the emotional solos throughout the piece.

Style Analysis

“Since I’ve Been Loving You” showcases Led Zeppelin’s ability to blend blues and rock elements with more sophisticated harmonic choices, creating a unique and emotionally charged musical experience. The use of borrowed chords, secondary dominants, and chromaticism reflects the band’s willingness to explore beyond traditional rock and blues progressions, while maintaining the raw and powerful impact characteristic of their music.

Chords in the Verse 2 section of Since Ive Been Loving You by Led Zeppelin are:

Cm, Fm, Cm, Fm, Cm, Gm, Ab, Fm, Cm/Eb, G7/D, Cm, Eb7, D7, Dbmaj7