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Related Music Theory Alchemy

“Sorry Seems to Be the Hardest Word” by Elton John employs interesting chord progressions and borrows chords from other modes and keys, contributing to its melancholy, yet dynamically expressive mood. The song is set in E minor and uses basic chord progressions, some more sophisticated ones, and many borrowed chords.

“I Guess That’s Why They Call it the Blues” is a well-known hit by Elton John from the album “Too Low for Zero” released in 1983. The song is a blend of pop, rock and blues styles and showcases Elton John’s proficiency in blending different music genres. The verse uses a straightforward I-V-vi-IV progression which is a common progression in pop music.

The Chorus’s

The given chord progression is from Beck’s song “Sexx Laws” and runs as follows: B, G#, B, G#, B, G#, A, F#. This progression features chords mainly from the B Major key, but includes borrowed chords from the parallel minor key as well. The harmonic movement showcases Beck’s interesting approach to songwriting and shows some influence from the soul and funk genres.

“Come Together”, released by The Beatles in 1969 on their Abbey Road album, is a rock song known for its catchy bass-line, cryptic lyrics and iconic chorus. It’s written in D minor key, a common key in rock music. Across the progression, there is not only an interesting mix of different chords but also a novel use of borrowed chords that play a significant role in making the song mysterious, intriguing, and unique.

“Dont Stop Me Now” by Queen has a key of F major. The song takes you on a journey of a unique blend of chords and progression. Freddie Mercury and the entire band are known for their diverse songwriting abilities, apparent in ‘Don’t Stop Me Now’. The chord progression in Verse 2 hints a story-telling stalwart of pop music production – the major-to-relative-minor movement (I to vi), with some interesting additions of minor seven, major seven and diminished seventh chords, giving it a more sophisticated feel.

Elton John – Sorry Seems To Be The Hardest Word – Verse 2

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Chord Progression

[‘Em’, ‘Em7’, ‘Am’, ‘D’, ‘D7’, ‘G’, ‘F#m7-5’, ‘B7sus4’, ‘Em’, ‘Em7’, ‘Am’, ‘D’, ‘D7’, ‘G’, ‘D/F#’]

Chord Progression Analysis

Below is a listing of all the full chord names and their roman numerals in the progression given:

“`chord-block
Em (‘i’),
Em7 (‘i7’),
Am (‘iv’),
D (‘vii’),
D7 (‘VII7’),
G (‘III’),
F#m7-5 (‘ii°7’),
B7sus4 (‘v7sus4’),
Em (‘i’),
Em7 (‘i7’),
Am (‘iv’),
D (‘vii’),
D7 (‘VII7’),
G (‘III’),
D/F# (‘VII6/5’)
“`
G, D, and D7 are borrowed from the parallel major.

Similar Chord Progressions

1. The Beatles: “Let It Be”

Here also the chord progression moves between minor and major. The original key is C Major, but it frequently utilizes the parallel minor key of A minor for contrast. The progression is:

“`chord-block
C (‘I’),
G (‘V’),
Am (‘vi’),
F (‘IV’)
“`

2. Trouble by Coldplay:

Here the band also uses a variation of the i-iv-vii progression to great effect. The progression in E Minor is:

“`chord-block
Em7 (‘i7’),
Am7 (‘iv7’),
D/F# (‘VII6/5’)
“`

Musical Analysis

Elton John moves his progression back and forth between minor (i) and major (III), culminating in the transitional D/F# from the vii of Em to the III (G) of the key. This combination of tension (from the half-diminished F#m7b5 and sus4 chords) and resolution (from the major-minor transitions) forms the emotional core of the song. The use of the Em7 emphasizes the key center while the Am provides a smooth transition point.

Overall Analysis

“Sorry Seems to Be The Hardest Word” is in the key of E minor and shifts to the relative major (G major) at various points, it demonstrates Elton John’s mastery of the line between major and minor keys. It’s a melancholic song with a moderate tempo. The use of both minor and major chords in Elton John’s progression signifies the tension and release in the song’s melody and lyrics.

Style Analysis

John consistently utilizes ‘borrowed’ chords from parallel keys to add color and emotional weight to his progressions. His use of 7th and sus4 chords also helps to provide tension and drama that enhances the emotional impact of both the melodic and lyrical content. The use of the D/F# as a bass walk down transitioning chord is a common stylistic choice for Elton.

Chords in the Verse 2 section of Sorry Seems To Be The Hardest Word by Elton John are:

[‘Em’, ‘Em7’, ‘Am’, ‘D’, ‘D7’, ‘G’, ‘F#m7-5’, ‘B7sus4’, ‘Em’, ‘Em7’, ‘Am’, ‘D’, ‘D7’, ‘G’, ‘D/F#’]