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“Right Where It Belongs” by Nine Inch Nails features a non-diatonic chord progression that creates a sense of tension and resolution. The progression makes use of borrowed chords from parallel keys, contributing to its distinctive sound. The overall key of the song is D minor.

The song “Hurt” by Nine Inch Nails mainly consists of a six-chord progression (Bm, G, D, A, Bm, G), repeating four times in the chorus. The sixth repetition alters the ending (Bm, G, A, B), and the key of the song is B Minor.

** The Beatles are well known for their creative and unusual use of chords and harmonies. In “Lucy in The Sky With Diamonds”, there is a clear example of their innovative harmonic vocabulary. They employ a variety of common, borrowed, and chromatic mediant chords to create a remarkable soundscape that complements the psychedelic theme of the song.

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The given chord progression for Tyler, The Creator’s “Gone Gone” verse 2 is primarily in the key of Bb major with a mixture of chords from other modes. The progression displays a combination of diatonic and borrowed chords, exhibiting the stylistic blending commonly found in modern music such as jazz, R&B, and hip-hop.

“When Doves Cry” by Prince shows the artist’s flair for the unusual. While the song is primarily in A minor, Prince takes liberties with creating unexpected shifts in harmony, which gives the song its unique character. The song revolves around five chords: Am, G, Em, F, and G, repeated throughout the verse. This circular progression offers a sense of continuity, yet Prince’s interpretation and arrangement create a sense of unpredictability.

Nine Inch Nails – Right Where It Belongs – Verse 2

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Chord Progression

D, C, Bb, F, D, C, Bb, F, D, C, Bb, F, D, C, Bb, F

Chord Progression Analysis

D Major (VI), C Major (V), Bb Major (IV), F Major (I), D Major (VI), C Major (V), Bb Major (IV), F Major (I), D Major (VI), C Major (V), Bb Major (IV), F Major (I), D Major (VI), C Major (V), Bb Major (IV), F Major (I)

Similar Chord Progressions

1. Radiohead – “Exit Music (For a Film)”: A minor (i), G Major (VII), D Major (IV), F Major (VI), A minor (i), G Major (VII), D Major (IV), F Major (VI)
2. The Beatles – “Yesterday”: F Major (I), E minor (vi/bIII), A Major (IV/V), D minor (vi), Bb Major (IV), C Major (V), F Major (I)

Both of these examples feature unconventional chord progressions and a mixture of major and minor chords in a non-standard order, evoking a similar sense of ambiguity and melancholy.

Musical Analysis

The verse features a IV-I-VI-V progression in F major, which lends a sense of continuous movement without fully resolving. This progression is unusual as it starts on the IV chord instead of the typical I or V chord and ends on the V. This gives it a floating and unresolved feeling, which complements the introspective lyrics and instrumentation. The repeated sequence of the four-chord loop creates a hypnotic effect, feeling both comfortable and slightly unsettling at the same time. The chorus, on the other hand, features a more familiar progression of vi-IV-I-V in F major, giving a sense of resolution to the listener before returning to the ambiguous verse progression.

Overall Analysis

“Right Where It Belongs” by Nine Inch Nails features a melancholic and somewhat unconventional chord progression that moves between different tonal centers. The base key can be identified as F major from the frequency of F major chords in the progression.

Style Analysis

“Right Where It Belongs” is characteristic of Nine Inch Nails with its electronic elements, sparse instrumentation, and dark themes. The chords move between major chords, but their progression and emphasis on non-resolving chords create a sense of unease. The song can be classified as alternative rock, industrial rock, or electronic.

Chords in the Verse 2 section of Right Where It Belongs by Nine Inch Nails are:

D, C, Bb, F, D, C, Bb, F, D, C, Bb, F, D, C, Bb, F