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The chorus of “Right Where It Belongs” by Nine Inch Nails is built upon a repeating four-chord progression of Gm-Bb-F-C. This song is in the key of Bb major (with two flats in the key signature, Bb and Eb). All the chords used in this song are derived from the Bb major scale, which makes this a diatonic chord progression. There is no borrowed or chromatic harmony in this song.

“Every Day Is Exactly The Same” by Nine Inch Nails utilizes a unique four-chord cycle in its chorus – ‘E’, ‘A’, ‘C’, ‘G’. The song is in the key of E minor, and therefore, the functional analysis would interpret this progression as i-IV-bVI-III. The bVI and III are borrowed chords from the parallel major scale. This chord progression creates a moody atmosphere that aligns with the overall melancholic and introspective theme of the song.

“Bohemian Rhapsody” is a multi-genre masterpiece that incorporates elements of ballad, opera, and hard rock, showcasing Queen’s versatility and musical potential. The song is mainly in the key of Bb major, but it aggressively utilizes modulations, chromaticism, borrowed chords, and modally mixed chords. The given chord progression is from the verse that follows the opera section, here Queen offers an unusual, nuanced chord progression that complements the surrounding sections.

“Sour Times” by Portishead is largely written in the key of C# minor, with elements of modal interchange and chromaticism that contribute to its haunting, dark sound. The song exhibits a remarkable amount of harmonic complexity and non-diatonic harmony, which is a defining characteristic of the trip-hop genre. The piece makes use of intricate inversions and chromatic voice leading, along with a frequent use of sevenths and diminished chords for added tension.

“Kiss” by Prince is a classic example showcasing Prince’s unique and complex songwriting abilities. The song is written in the key of A major. The distinctive funk rock style is primarily expressed via dominant and suspended chords. This combined with Prince’s rhythmically tight and syncopated guitar playing gives the song its infectious groove.

Nine Inch Nails – Right Where It Belongs – Verse 2

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Chord Progression

D, C, Bb, F, D, C, Bb, F, D, C, Bb, F, D, C, Bb, F

Chord Progression Analysis

D Major (VI), C Major (V), Bb Major (IV), F Major (I), D Major (VI), C Major (V), Bb Major (IV), F Major (I), D Major (VI), C Major (V), Bb Major (IV), F Major (I), D Major (VI), C Major (V), Bb Major (IV), F Major (I)

Similar Chord Progressions

1. Radiohead – “Exit Music (For a Film)”: A minor (i), G Major (VII), D Major (IV), F Major (VI), A minor (i), G Major (VII), D Major (IV), F Major (VI)
2. The Beatles – “Yesterday”: F Major (I), E minor (vi/bIII), A Major (IV/V), D minor (vi), Bb Major (IV), C Major (V), F Major (I)

Both of these examples feature unconventional chord progressions and a mixture of major and minor chords in a non-standard order, evoking a similar sense of ambiguity and melancholy.

Musical Analysis

The verse features a IV-I-VI-V progression in F major, which lends a sense of continuous movement without fully resolving. This progression is unusual as it starts on the IV chord instead of the typical I or V chord and ends on the V. This gives it a floating and unresolved feeling, which complements the introspective lyrics and instrumentation. The repeated sequence of the four-chord loop creates a hypnotic effect, feeling both comfortable and slightly unsettling at the same time. The chorus, on the other hand, features a more familiar progression of vi-IV-I-V in F major, giving a sense of resolution to the listener before returning to the ambiguous verse progression.

Overall Analysis

“Right Where It Belongs” by Nine Inch Nails features a melancholic and somewhat unconventional chord progression that moves between different tonal centers. The base key can be identified as F major from the frequency of F major chords in the progression.

Style Analysis

“Right Where It Belongs” is characteristic of Nine Inch Nails with its electronic elements, sparse instrumentation, and dark themes. The chords move between major chords, but their progression and emphasis on non-resolving chords create a sense of unease. The song can be classified as alternative rock, industrial rock, or electronic.

Chords in the Verse 2 section of Right Where It Belongs by Nine Inch Nails are:

D, C, Bb, F, D, C, Bb, F, D, C, Bb, F, D, C, Bb, F