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“Your Song” by Elton John is an iconic pop ballad featuring a piano-driven accompaniment. Harmonically, the song displays rich and varied chord progressions within key of D major, though with a significant usage of borrowed chords and alterations that contribute to a unique and expressive harmonic language. There is a classical and cinematic air about this song establishing it as a flagship Elton John classic.

“Sorry Seems to Be the Hardest Word” by Elton John employs interesting chord progressions and borrows chords from other modes and keys, contributing to its melancholy, yet dynamically expressive mood. The song is set in E minor and uses basic chord progressions, some more sophisticated ones, and many borrowed chords.

The song “Yellow” by Coldplay uses a fairly standard pop/rock chord progression in the key of G major. It comprises three chords for the main progression: G Major (I), D Major (V), and Cmaj7 (IV7).

The song “Ceilings” by Lizzy McAlpine utilizes fairly simple, yet effective, chord changes that are quite common in popular music. This progression primarily takes place in the key of G major, but borrows chords from the parallel minor scale and adds extensions to the chords to add depth and color.

The piece “3’s and 7’s” by Queens of The Stone Age illustrates a fascinating blend of minor and major tonality, accented dissonances, and unexpected harmonic turns, which is characteristic of the band’s stoner rock and alternative metal style. The verse 2 chord progression is in A# minor and it sticks to a fairly repetitive three-chord progression of A#m – G# – F.

Elton John – Your Song – Verse 2

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Chord Progression

[‘D’, ‘Gmaj7’, ‘A/C#’, ‘F#m’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘Gmaj7’, ‘D’, ‘A’, ‘F#’, ‘Bm’, ‘D’, ‘Em7’, ‘G’, ‘A’, ‘D’, ‘Gmaj7’, ‘A/C#’, ‘F#m’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘Gmaj7’, ‘D’, ‘A’, ‘F#’, ‘Bm’, ‘D’, ‘Em7’, ‘G’, ‘D’]

Chord Progression Analysis

“`
– D Major (I)
– G Major 7th (IV7)
– A Major with C# in the bass (V6)
– F# Minor (iii)
– B Minor (vi)
– B Minor with A in the bass (vi6)
– B Minor with G# in the bass (vi♭6)
– G Major 7th (IV7)
– D Major (I)
– A Major (V)
– F# Major (♭III, borrowed from D Major’s parallel minor)
– B Minor (vi)
– D Major (I)
– E Minor 7th (ii7)
– G Major (IV)
– A Major (V)
– Repeats the above progression once more
“`

Similar Chord Progressions

The Beatles used some similar chord motion in their song “Something” where George Harrison cleverly mixed major and minor chords.

“`
– C Major (I)
– C Major 7th (I7)
– Ami7 (vi7)
– Ami7/G (vi7/5)
– D7 (V7/IV)
– F Major (IV)
– E Major (V/vi, borrowed chord/secondary dominant)
– A minor (vi)
– A minor/G (vi6)
– D7 (V7/IV)
– F Major (IV)
– C Major (I)
– E Major (V/vi, borrowed chord/secondary dominant)
– A minor (vi)
“`
Another song would be Stevie Wonder’s “Sir Duke” with its unique combination of chromatic movements and modal interchange.

“`
– B Major (I)
– G#m7 (vi7)
– D#m7 (iii7)
– E6 (IV6)
– B Major (I)
– F#7/A# (V7/V6)
– B Major/F# (I6)
– B Major (I)
– G#m7 (vi7)
– D#m7 (iii7)
– E6 (IV6)
– B Major (I)
– F#7/A# (V7/V6)
– B Major/F# (I6)
– B Major (I)
“`

These soulful chord progressions express a similar sense of emotional complexity and depth found in “Your Song”.

Musical Analysis

This progression features a conventional start with I (D Major), moving to IV7 (G Major 7th), a characteristic Elton John move. The sequence then becomes more complex by moving to complex chordal structures such as A Major over C# (indicating a secondary dominant), which resolves to the mediant chord (F# Minor). There is a descending bass line featured in B Minor, B Minor/A, and B Minor/G#, which provides a dramatic sense of motion.

Overall Analysis

“Your Song” is characterized by a varied and complex chord progression that helps to emphasize the emotional complexity of the lyrics. This is apparent in the progression used in Verse 2, which employs several techniques used frequently by Elton John. These include the use of secondary dominants, borrowed chords, modal mixture, and chromatic bass movements to add emotional color and reinforce the feeling of tension and resolution in the song’s narrative.

Style Analysis

Elton John’s style often includes grand expressions and a sense of yearning with his chord choices. For example, the borrowed F# Major (which is not part of the D Major scale) confers a particularly poignant and dramatic effect to the progression.

Chords in the Verse 2 section of Your Song by Elton John are:

[‘D’, ‘Gmaj7’, ‘A/C#’, ‘F#m’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘Gmaj7’, ‘D’, ‘A’, ‘F#’, ‘Bm’, ‘D’, ‘Em7’, ‘G’, ‘A’, ‘D’, ‘Gmaj7’, ‘A/C#’, ‘F#m’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘Gmaj7’, ‘D’, ‘A’, ‘F#’, ‘Bm’, ‘D’, ‘Em7’, ‘G’, ‘D’]