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“Right Where It Belongs” by Nine Inch Nails is a song characterized by its melodic and harmonic structure. It has a unique yet familiar sound, blending pop and alternative rock elements with its rich chord progression and powerful melody.

“Hurt”, written by Nine Inch Nails, exudes melancholy and despair through a slow progression that weaves intricate melodies between the chords. The tonality is primarily in B minor, but introduces D, E, A, and G chords throughout, indicating some mode mixture or borrowed chord use.

“Say It Ain’t So” by Weezer is a rock song, primarily falling within the alternative rock and power pop styles. The chord progression of Verse 1 is simple yet effective in creating a somber, introspective mood. It primarily utilizes diatonic chords of the C major key, with the E major chord borrowed from the parallel minor key (C minor).

Chord progression analysis with Roman numerals:
A minor (vi) – E major (V/vi) – F major (IV) – C major (I)

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Borrowed chord: E major (V/vi)
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The chord progression of Verse 1 from Radiohead’s “Motion Picture Soundtrack” features a fairly simple harmony with some unique embellishments. The common use of suspended chords and added extensions give the progression its distinctive atmosphere and modern sound.

“Can’t Buy Me Love” is a song in C Major. The Beatles were renowned for their use of a variety of chord progressions, and this song certainly lives up to that reputation. Although the progression in the verse primarily consists of the chords ‘C7’, ‘F7’, and ‘C’, it’s the way they are harmonically linked that makes it really interesting.

Nine Inch Nails – Right Where It Belongs – Verse 1

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Chord Progression

D, C, Bb, F, D, C, Bb, F, D, C, Bb, F, D, C, Bb, F, Gm

Chord Progression Analysis

D minor (‘i’), C major (‘bVII’), Bb major (‘bVI’), F major (‘III’), G minor (‘iv’)

Similar Chord Progressions

1. Radiohead – Karma Police: Am (‘i’), G (‘bVII’), D (‘IV’), Em (‘v’)
2. Muse – Hysteria: Bm (‘i’), A (‘bVII’), E (‘IV’), G (‘bIII’)
3. Smashing Pumpkins – 1979: G#m (‘i’), F# (‘bVII’), B (‘IV’), D#m (‘vi’)

These songs feature similar non-diatonic chord progressions with borrowed chords, creating their unique sense of tension and resolution. Note that the roman numerals are labeled according to the relative minor key.

Musical Analysis

The verse chord progression emphasizes the tonic chord, D minor, and the three major chords borrowed from the parallel major key, D major. This creates a sense of contrast between the minor and major chords. The progression moves from D minor to C major, then to Bb major, which is a common movement in minor key progressions. The F major chord adds a bright resolution before returning to D minor. The G minor chord at the end of the verse serves as a gateway to the chorus.

The chorus centers around a ii – IV – I – V progression in the key of F major, which uses G minor, Bb major, F major, and C major chords. This is a classic progression in many popular songs, providing a sense of resolution and forward motion.

Overall Analysis

“Right Where It Belongs” by Nine Inch Nails features a non-diatonic chord progression that creates a sense of tension and resolution. The progression makes use of borrowed chords from parallel keys, contributing to its distinctive sound. The overall key of the song is D minor.

Style Analysis

The style of “Right Where It Belongs” incorporates elements from alternative rock, electronic, and industrial genres, creating a dark and introspective mood. The use of electronic soundscapes and the haunting vocal delivery contribute to the song’s overall atmosphere.

Chords in the Verse 1 section of Right Where It Belongs by Nine Inch Nails are:

D, C, Bb, F, D, C, Bb, F, D, C, Bb, F, D, C, Bb, F, Gm