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Related Music Theory Alchemy

The chorus of “Right Where It Belongs” by Nine Inch Nails is built upon a repeating four-chord progression of Gm-Bb-F-C. This song is in the key of Bb major (with two flats in the key signature, Bb and Eb). All the chords used in this song are derived from the Bb major scale, which makes this a diatonic chord progression. There is no borrowed or chromatic harmony in this song.

The song “Every Day is Exactly the Same” by Nine Inch Nails is in E minor key. The chord progression found in the chorus consists mainly of common chords found in the E minor key, along with a couple of borrowed chords from E major. The use of borrowed chords adds unique color and tension to the music.

“Here Comes The Sun” by The Beatles uses a D Major scale. The song primarily comprises chords built on the tonic or root note (D), which lends a consistent, grounded feel. This reflects the lyrics’ mood—contentment, renewed optimism, and a sense of homecoming with the arrival of the sun.

“Penny Lane” by The Beatles is a pop rock song released in 1967. Musically, the track displays characteristics of the “Baroque pop” style combine with psychedelic pop. The composition is multifaceted with complex chord progressions inspired by classical music, as well as elements of the British music hall style, specifically brass band influences throughout.

“While My Guitar Gently Weeps” is in the key of A minor and quite uniquely, the song borrows chords from parallel major and minor keys, as well as from modes like mixolydian. It is one of George Harrison’s contributions to the Beatles and showcases sophisticated harmonic techniques and an intricate chordal design, reflecting deeply on the influence of Eastern music and philosophies on his songwriting.

Nine Inch Nails – Right Where It Belongs – Verse 1

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Chord Progression

D, C, Bb, F, D, C, Bb, F, D, C, Bb, F, D, C, Bb, F, Gm

Chord Progression Analysis

D minor (‘i’), C major (‘bVII’), Bb major (‘bVI’), F major (‘III’), G minor (‘iv’)

Similar Chord Progressions

1. Radiohead – Karma Police: Am (‘i’), G (‘bVII’), D (‘IV’), Em (‘v’)
2. Muse – Hysteria: Bm (‘i’), A (‘bVII’), E (‘IV’), G (‘bIII’)
3. Smashing Pumpkins – 1979: G#m (‘i’), F# (‘bVII’), B (‘IV’), D#m (‘vi’)

These songs feature similar non-diatonic chord progressions with borrowed chords, creating their unique sense of tension and resolution. Note that the roman numerals are labeled according to the relative minor key.

Musical Analysis

The verse chord progression emphasizes the tonic chord, D minor, and the three major chords borrowed from the parallel major key, D major. This creates a sense of contrast between the minor and major chords. The progression moves from D minor to C major, then to Bb major, which is a common movement in minor key progressions. The F major chord adds a bright resolution before returning to D minor. The G minor chord at the end of the verse serves as a gateway to the chorus.

The chorus centers around a ii – IV – I – V progression in the key of F major, which uses G minor, Bb major, F major, and C major chords. This is a classic progression in many popular songs, providing a sense of resolution and forward motion.

Overall Analysis

“Right Where It Belongs” by Nine Inch Nails features a non-diatonic chord progression that creates a sense of tension and resolution. The progression makes use of borrowed chords from parallel keys, contributing to its distinctive sound. The overall key of the song is D minor.

Style Analysis

The style of “Right Where It Belongs” incorporates elements from alternative rock, electronic, and industrial genres, creating a dark and introspective mood. The use of electronic soundscapes and the haunting vocal delivery contribute to the song’s overall atmosphere.

Chords in the Verse 1 section of Right Where It Belongs by Nine Inch Nails are:

D, C, Bb, F, D, C, Bb, F, D, C, Bb, F, D, C, Bb, F, Gm