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Related Music Theory Alchemy

The chorus of “Right Where It Belongs” by Nine Inch Nails is built upon a repeating four-chord progression of Gm-Bb-F-C. This song is in the key of Bb major (with two flats in the key signature, Bb and Eb). All the chords used in this song are derived from the Bb major scale, which makes this a diatonic chord progression. There is no borrowed or chromatic harmony in this song.

“Right Where It Belongs” by Nine Inch Nails is a song characterized by its melodic and harmonic structure. It has a unique yet familiar sound, blending pop and alternative rock elements with its rich chord progression and powerful melody.

“Brown Sugar” by The Rolling Stones is based in the key of C major. The verse has a simple and catchy chord progression that primarily revolves around the I and IV chords in the key, with brief excursions to the dominant and a borrowed chord from the parallel minor key. This structure contributes to the song’s bluesy and rock’n’roll sound.

The song “It’s A Fire” by Portishead features complex harmonic structures, distinguished by a fusion of pop, rock, and elements of jazz harmonies. The band, known for their trip-hop style, employ chromatically richer harmony and non-diatonic chord progressions in this piece. The chord progression of ‘It’s A Fire’ is consistent with this approach as we see the frequent use of suspended and minor chords alongside major ones, which creates a sense of unresolved tension. Borrowed chords, usually taken from the parallel minor or major key, are also used frequently to add stylistic color to the harmony.

“Purple Haze” by Jimi Hendrix is a classic rock song centered around the blues and psychedelic rock styles. The verse features an interesting and unconventional chord progression, which adds to the distinctive sound of the piece. The verse progression itself consists of four chords: E7#9, G, A, and E.

Nine Inch Nails – Right Where It Belongs – Verse 1

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Chord Progression

D, C, Bb, F, D, C, Bb, F, D, C, Bb, F, D, C, Bb, F, Gm

Chord Progression Analysis

D minor (‘i’), C major (‘bVII’), Bb major (‘bVI’), F major (‘III’), G minor (‘iv’)

Similar Chord Progressions

1. Radiohead – Karma Police: Am (‘i’), G (‘bVII’), D (‘IV’), Em (‘v’)
2. Muse – Hysteria: Bm (‘i’), A (‘bVII’), E (‘IV’), G (‘bIII’)
3. Smashing Pumpkins – 1979: G#m (‘i’), F# (‘bVII’), B (‘IV’), D#m (‘vi’)

These songs feature similar non-diatonic chord progressions with borrowed chords, creating their unique sense of tension and resolution. Note that the roman numerals are labeled according to the relative minor key.

Musical Analysis

The verse chord progression emphasizes the tonic chord, D minor, and the three major chords borrowed from the parallel major key, D major. This creates a sense of contrast between the minor and major chords. The progression moves from D minor to C major, then to Bb major, which is a common movement in minor key progressions. The F major chord adds a bright resolution before returning to D minor. The G minor chord at the end of the verse serves as a gateway to the chorus.

The chorus centers around a ii – IV – I – V progression in the key of F major, which uses G minor, Bb major, F major, and C major chords. This is a classic progression in many popular songs, providing a sense of resolution and forward motion.

Overall Analysis

“Right Where It Belongs” by Nine Inch Nails features a non-diatonic chord progression that creates a sense of tension and resolution. The progression makes use of borrowed chords from parallel keys, contributing to its distinctive sound. The overall key of the song is D minor.

Style Analysis

The style of “Right Where It Belongs” incorporates elements from alternative rock, electronic, and industrial genres, creating a dark and introspective mood. The use of electronic soundscapes and the haunting vocal delivery contribute to the song’s overall atmosphere.

Chords in the Verse 1 section of Right Where It Belongs by Nine Inch Nails are:

D, C, Bb, F, D, C, Bb, F, D, C, Bb, F, D, C, Bb, F, Gm