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Related Music Theory Alchemy

“Right Where It Belongs” by Nine Inch Nails features a non-diatonic chord progression that creates a sense of tension and resolution. The progression makes use of borrowed chords from parallel keys, contributing to its distinctive sound. The overall key of the song is D minor.

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“Every Day Is Exactly The Same” by Nine Inch Nails has an interesting chord progression, particularly in the bridge, which adopts a distinct pattern of E, A, C, G repeatedly. This song is classified under Industrial Rock and utilizes repetition impressively to create a sense of monotony and frustration, akin to the lyrical theme.

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“Closer” by Nine Inch Nails is a song in the key of B minor, although it freely borrows chords from the parallel major key. The song’s structure is as follows: Verse – Pre-Chorus – Chorus – Verse – Pre-Chorus – Chorus – Bridge – Chorus – Instrumental.

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The song “Jolene” by Dolly Parton sports a simple yet effective chord progression. The entire song is in the key of C major / A minor (they share the same key signature), with a clear preference for the darker minor tones over the light major tones. This song is a great example of the use of simple chord structures and progressions to evoke emotive sensations.

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The chorus of Taylor Swift’s “Guilty as Sin?” showcases a rich and dynamic chord progression that reflects the song’s emotional intensity and narrative depth. This progression, with its interplay of major, major seventh, and minor chords, provides a musical canvas that enhances the emotional weight of the lyrics, indicative of Swift’s sophisticated songwriting approach.

Nine Inch Nails – Right Where It Belongs – Chorus

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Chord Progression

[‘Gm’, ‘Bb’, ‘F’, ‘C’, ‘Gm’, ‘Bb’, ‘F’, ‘C’, ‘Gm’, ‘Bb’, ‘F’, ‘C’, ‘Gm’, ‘Bb’, ‘F’, ‘C’, ‘Gm’, ‘Bb’, ‘F’, ‘C’]

Chord Progression Analysis

Here’s a breakdown of the specific chord names and their corresponding Roman numerals:

G minor (vi) – Bb Major (I) – F Major (V) – C Major (V/ii)

“`code
Chord Function:
G minor – Tonic parallel
Bb Major – Tonic
F Major – Dominant
C Major – Dominant of the ii (Secondary dominant)
“`

Similar Chord Progressions

There are a number of artists and songs that use similar four-chord progressions:

1. “I Will Follow You Into the Dark” by Death Cab for Cutie also uses a vi-I-V-IV chord progression in the key of C major:

Am (vi) – C (I) – G (V) – F (IV)

2. “No Woman, No Cry” by Bob Marley uses a I-V-vi-IV progression in the key of C major:

C (I) – G (V) – Am (vi) – F (IV)

3. “Don’t Stop Believin’” by Journey also uses a I-V-vi-IV progression, but in the key of E major:

E (I) – B (V) – C#m (vi) – A (IV)

Each of these songs are in different genres from “Right Where It Belongs,” but all rely on similar four-chord progressions for their harmonic foundations.

Musical Analysis

The repeated four-chord progression creates a loop effect that is hypnotic in nature and is often characteristic of Nine Inch Nails’s music. This progression is also notable for the use of a secondary dominant (C Major, the V/ii), which briefly modulates the key center to ii (C minor) before the progression loops back to vi (Gm).

Overall Analysis

The chorus of “Right Where It Belongs” by Nine Inch Nails is built upon a repeating four-chord progression of Gm-Bb-F-C. This song is in the key of Bb major (with two flats in the key signature, Bb and Eb). All the chords used in this song are derived from the Bb major scale, which makes this a diatonic chord progression. There is no borrowed or chromatic harmony in this song.

Style Analysis

The style of this song is typical of the industrial rock genre, with a strong reliance on synthesized sounds and heavy drum beats for its instrumentation. The chord progression itself, while relatively simple, represents the darker and more melancholic musical aesthetic that Nine Inch Nails is known for, with its use of minor and major chords.

Chords in the Chorus section of Right Where It Belongs by Nine Inch Nails are:

[‘Gm’, ‘Bb’, ‘F’, ‘C’, ‘Gm’, ‘Bb’, ‘F’, ‘C’, ‘Gm’, ‘Bb’, ‘F’, ‘C’, ‘Gm’, ‘Bb’, ‘F’, ‘C’, ‘Gm’, ‘Bb’, ‘F’, ‘C’]