The song “Roads” by Portishead features a haunting yet melodic chord progression reminiscent of the minor key-oriented pop/rock of the 90’s. It combines chords from the key of A minor along with a borrowed chord from the parallel major key to create a moody, atmospheric soundscape typical of the trip-hop genre.
“The Rip” by Portishead is a classic example of the Trip-hop genre. It features simple, yet effective harmonic progressions that offer a melancholic tone which is widely utilized in this genre. The distinctiveness of this particular chord progression lies on its subtle shifting between minor and major tonalities, as well as its use of borrowed chords.
Verse 1
“The Rip” by Portishead is a classic example of the Trip-hop genre. It features simple, yet effective harmonic progressions that offer a melancholic tone which is widely utilized in this genre. The distinctiveness of this particular chord progression lies on its subtle shifting between minor and major tonalities, as well as its use of borrowed chords.
Verse 1
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Generally, the chord progression follows the conventional guidelines of western music, utilizing strong resolution from B (V) to E (I). However, it also employs some harmony techniques very typical in pop/rock music, such as the use of slash chords and chord inversions (A/E, F#m7/E) to add harmonic interest. In addition, it incorporates chromatic mediant relationships (E to C#m) to create a sense of progression.
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The chord progression in the verse of “Telepatia” by Kali Uchis showcases a mix of diatonic and chromatic harmony. The progression is built around the key of G Major and has a strong Latin and jazz-influenced sound. The use of extended chords like Gmaj7 and Em9 adds depth and sophistication to the harmony, while the non-diatonic B7 contributes to the tension and resolution.
“The Rip” by Portishead is a classic example of the Trip-hop genre. It features simple, yet effective harmonic progressions that offer a melancholic tone which is widely utilized in this genre. The distinctiveness of this particular chord progression lies on its subtle shifting between minor and major tonalities, as well as its use of borrowed chords.
Verse 1
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