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Related Music Theory Alchemy

“I’m Still Standing” is a pop rock song by Elton John, from his 1983 album “Too Low For Zero”. The song is up-tempo, featuring energetic keyboard playing from Elton John, and has become one of his most enduring hits. The song is in the key of E Major.

Here’s the chord progression analysis of the coda and the full chord names with their roman numerals:

Elton John’s melody for “Your Song” is an elegant example of varied harmonization and creative chord usage. The verse chord progression is in the key of D Major, but employs the use of borrowed chords and modulation for enhancing musical flavour and interest.

The chord progression in the verse of “When You Die” by MGMT can be analyzed as a blend of traditional diatonic harmony and chromaticism. The song is in the key of G major with elements of modal interchange and a brief modulation to the relative minor key, E minor. The progression features a mix of both major and minor chords and gives the piece a sense of melancholy and uncertainty.

“Today” by The Smashing Pumpkins, was released in 1993 on their second album, “Siamese Dream.” The song is classic-’90s alternative rock with its layered guitars and emotionally raw lyrics. key is “E minor.”

The verse of “Megalomania” by Muse is characterized by distinctive harmonic progressions, dynamic contrasts, and notable melodic lines that are typical of the band’s alternative rock style. Throughout this verse, Muse uses common harmonic devices such as secondary dominants, diatonic and chromatic mediants, borrowed chords from parallel keys, and deceptive cadences to create a sense of tension and forward momentum.

Elton John – Im Still Standing – Verse 1

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Chord Progression

[‘E’, ‘A/E’, ‘B’, ‘E’, ‘F#m7/E’, ‘A/E’, ‘B’, ‘C#m’, ‘A’, ‘E’, ‘F#m/E’, ‘E’]

Chord Progression Analysis

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“`
E (‘I’),
A/E (‘IV/I’),
B (‘V’),
E (‘I’),
F#m7/E (‘ii7/I’),
A/E (‘IV/I’),
B (‘V’),
C#m (‘vi’),
A (‘IV’),
E (‘I’),
F#m7/E (‘ii7/I’),
E (‘I’)
“`

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Similar Chord Progressions

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One of pop music’s most famous examples of similar chord progressions might be “Don’t Stop Believing” by Journey:
“`
E (‘I’),
B (‘V’),
C#m (‘vi’),
A (‘IV’)
“`
Or even “Sweet Home Alabama” by Lynyrd Skynyrd:
“`
E (‘I’),
A (‘IV’),
B (‘V’)
“`
Note that these songs do not include the slash chords and inversions seen in “I’m Still Standing,” making them a bit less harmonically complex. However, their basic structure, emphasizing I-IV-V and vi chord relationships, is quite similar.

Musical Analysis

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The progression opens and closes with the E Major chord, clearly establishing the tonal center. The alternation between E and A/E highlights the I-IV pattern which is very common in pop/rock music. The V-I progressions in the sequence (B-E) add tension and release, keeping the song moving forward. The F#m7/E shows a bit more color, adding some complexity to the harmony. The progression from C#m (vi) to A (IV) is a fairly common one in pop music, often used after the V-I close of a phrase.

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Overall Analysis

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Generally, the chord progression follows the conventional guidelines of western music, utilizing strong resolution from B (V) to E (I). However, it also employs some harmony techniques very typical in pop/rock music, such as the use of slash chords and chord inversions (A/E, F#m7/E) to add harmonic interest. In addition, it incorporates chromatic mediant relationships (E to C#m) to create a sense of progression.

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Style Analysis

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This chord progression is quite typical for Elton John’s style. He often uses these sort of “common pop” chords in his songs, but with slight tweaks like slash chords and inversions to make them more interesting. He also incorporates the chromatic mediant (C#m) more frequently than most pop composers, adding a slight classical touch to his sound.

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Chords in the Verse 1 section of Im Still Standing by Elton John are:

[‘E’, ‘A/E’, ‘B’, ‘E’, ‘F#m7/E’, ‘A/E’, ‘B’, ‘C#m’, ‘A’, ‘E’, ‘F#m/E’, ‘E’]