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Related Music Theory Alchemy

The chord progression “[‘Em’, ‘Am’, ‘D’]” from the outro of Weezer’s “The Good Life” is a simple, yet effective progression in the key of E minor. It demonstrates a melancholic feel common to alternative rock and power-pop music genres of the 1990s. The chords in this progression are borrowed from the E natural minor scale.

“Weezer – Island In The Sun (Bridge)” is a relatively simple yet melodically impactful chord progression that utilizes a mixture of major and minor chords. The song is in the key of G major, and the bridge follows a (V – I) D-G progression initially, before moving to the IV (C) and ii (Am) chords. The harmonic rhythm of the bridge creates a sense of resolution and adds emotional depth to the song.

The chord progression of “Beast Of Burden” by The Rolling Stones from verse 3 appears to be a standard pop/rock progression with a bit of melodic flavor. It features the chords of E major, B major, C# minor, and A major.

The song is in the key of E Major as that’s the chord the progression starts and ends with, and most of the chords are from the E major scale. There are no borrowed chords, and the progression is repetitive, maintaining a loop throughout most of the song.

Let’s move on to the detailed chord progression analysis, chord names, and their roman numerals.

“Eleanor Rigby” is known for its unusual and innovative use of the Aeolian mode, otherwise known as the natural minor scale, which is reflected in the chord progression Em – C. The song incorporates string arrangements and has a narrative, storytelling style. Unlike most pop and rock songs of the time, it does not contain drums or guitars. The chord utilization is simple with only two chords used throughout, Em and C, but it nevertheless creates a unique and haunting soundscape.

“Landslide” by The Smashing Pumpkins is a subtly complicated piece of music. At first glance, the chord progression may seem simple, but it actually incorporates a number of rich musical techniques that give the song its iconic depth and emotional resonance. The song follows a simple yet powerful chord progression and relies heavily on the interplay between the root C major chord, the G6, and the Am minor. There is a recurring theme of returning to the G6, which creates tension and suggests feelings of melancholy or introspection.

Weezer – The Good Life – Verse 3

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Chord Progression

G, D, Am, E, G, D, Am, E, G, D, Am, E, G, D, Am, E, G, D, Am, B7

Chord Progression Analysis

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G major (I) – D major (V) – A minor (ii) – E major (V/vi) – G major (I) – D major (V) – A minor (ii) – E major (V/vi) – G major (I) – D major (V) – A minor (ii) – E major (V/vi) – G major (I) – D major (V) – A minor (ii) – E major (V/vi) – G major (I) – D major (V) – A minor (ii) – B7 (V/vi°)

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E major (V/vi) is borrowed from the parallel minor (G minor)
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Similar Chord Progressions

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1. Radiohead – “Creep”:
G major (I) – B major (V/vi) – C major (IV) – C minor (iv)

2. Oasis – “Wonderwall”:
C major (IV) – E major (V/vi) – A minor (ii) – G major (I) – D major (V) – E major (V/vi) – F# minor (iii) – D major (V)

3. The Beatles – “Something”:
C major (I) – C major 7 (I7) – C7 (I7) – F major (IV) – E major (V/vi) – A minor (vi) – A minor 7 (vi7) – D7 (V7)

All three songs feature similar elements like borrowed chords (E major as V/vi) or the use of diatonic chords in their progressions.

Musical Analysis

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The progression uses a combination of diatonic chords and a borrowed chord to create a sense of tension and resolution. The E major chord (V/vi) is borrowed from the parallel minor key (G minor) and serves as a secondary dominant, intensifying the resolution to the following G major chord (I). The E major chord can also be seen as a chromatic mediant relationship with the A minor (ii) chord, adding more color and interest to the progression. The D major (V) and A minor (ii) chords provide a sense of stability in the progression, anchoring it in the key of G major.

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Overall Analysis

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The given chord progression is from the verse 3 of the song “The Good Life” by Weezer. The song is in the key of G major and features a mix of diatonic chords from the G major scale and a borrowed chord from the parallel minor (G minor).

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Style Analysis

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The song “The Good Life” by Weezer is part of their alternative rock style, which is known for its power chords and catchy melodies. The chord progression features a mix of diatonic and borrowed chords, contributing to a rich and engaging harmonic landscape. This use of borrowed chords and secondary dominants is common in various genres like rock, pop, and jazz, giving music a sense of tension, surprise, and depth.

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Chords in the Verse 3 section of The Good Life by Weezer are:

G, D, Am, E, G, D, Am, E, G, D, Am, E, G, D, Am, E, G, D, Am, B7