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Related Music Theory Alchemy

The modality of the song “Yet Again” by Grizzly Bear is primarily in A minor, which makes it a piece in the minor modality. This song uses several traditional progression elements, but intermixes them with unexpected changes, especially the shift from E minor to F major, and the chromatic shift from G major to B flat major.

Verse 2 of Grizzly Bear’s “Yet Again” presents a straightforward harmonic progression that is common in pop and indie rock music. This series of chords is mainly built around the key of A minor, and uses diatonic chords (those that naturally occur within the key) of this key. The recurring sequence (Am, G, C, F, F, Em, C, Dm) indicates a strong sense of familiarity and predictability, characteristic of many pop/rock anthologies.

“And I Love Her” is a masterful composition by The Beatles that beautifully demonstrates their ability to mix pop songwriting with complexities of harmonic journey. The song is in the key of E Major, which is unique for being a popular song written by the Beatles in a major key. The main repeating chord progression of the Verse 3 is a progression that modulates between F# minor (the relative minor of A Major, which is the subdominant of E Major), and C# minor (the relative minor of E Major, the original key). The progression’s use of E6 at the end, which is a borrowed chord from the parallel minor (E minor), adds a unique flavor of sixth interval. Finally, it concludes on E6, a somewhat uncommon way to ground a song within a major key.

“Strawberry Fields Forever” by The Beatles is a significant example of their high level of technical composition skills. This track, which is played in the key of A Major, incorporates variations in the conventional chord progressions by using borrowed chords and shifting harmonic and melodic structures, showcasing their profound understanding of music theory and ability to use those ideas creatively.

“The Wind Cries Mary” by Jimi Hendrix is a classic example of the blending of blues, rock, and pop elements that characterizes Hendrix’s unique style. The chord progression in Verse 3 demonstrates Hendrix’s use of non-diatonic chords and chromatic harmony, while maintaining a strong sense of tonality and harmonic progression. The unconventional chord progression and the expressive guitar work contribute to the song’s lasting appeal.

Grizzly Bear – Yet Again – VERSE 3

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Chord Progression

[‘Am’, ‘G’, ‘C’, ‘F’, ‘F’, ‘Em’, ‘Am’, ‘Dm’, ‘Am’, ‘G’, ‘C’, ‘F’, ‘F’, ‘Em’, ‘Am’, ‘Dm’, ‘Am’, ‘G’, ‘C’, ‘F’, ‘F’, ‘Em’, ‘Am’, ‘Dm’]

Chord Progression Analysis

This is the chord progression for Verse 3:
“`
– A minor (‘i’)
– G major (‘VII’)
– C major (‘III’)
– F major (‘VI’)
– F major (‘VI’)
– E minor (‘v’)
– A minor (‘i’)
– D minor (‘iv’)
– A minor (‘i’)
– G major (‘VII’)
– C major (‘III’)
– F major (‘VI’)
– F major (‘VI’)
– E minor (‘v’)
– A minor (‘i’)
– D minor (‘iv’)
– A minor (‘i’)
– G major (‘VII’)
– C major (‘III’)
– F major (‘VI’)
– F major (‘VI’)
– E minor (‘v’)
– A minor (‘i’)
– D minor (‘iv’)
“`
Borrowed chord:
“` D minor (‘iv’) is a borrowed chord from the parallel key (A minor) “`

Similar Chord Progressions

1. Radiohead – Paranoid Android [“Em, G, D, Am”]
“`
– E minor (‘i’)
– G major (‘III’)
– D major (‘VII’)
– A minor (‘iv’)
“`

2. Smashing Pumpkins – 1979 [“G, D, C, C”]
“`
– G major (‘I’)
– D major (‘V’)
– C major (‘IV’)
– C major (‘IV’)
“`

These songs show similar use of the minor i chord, and also employ sequences of III, VII, and IV chords. They share a similar exploratory, haunting quality with “Yet Again”.

Musical Analysis

In A minor, the primary chords are Am, Dm, Em (i, iv, V). Here, we see those primary chords present, along with chords borrowed from the parallel major (A major)—those chords being C, F, G which are III, VI, and VII respectively. The presence of ‘VII’ (G major) and ‘VI’ (F major) chords add a mixolydian flavor to the song. The repeating sequence of ‘III-VI-VI-V’ contributes to the haunting feeling of the progression.

Overall Analysis

“Yet Again” by Grizzly Bear uses a repetitive verse structure that has a fairly common, major-oriented progression, but develops interest by alternating the exact sequence of chords that it employs. This gives the song a haunting but familiar atmosphere. The mixture of minor and major chords, along with the presence of a borrowed chord, creates tension and release within each verse.

Style Analysis

Grizzly Bear’s style is often characterized by complex harmonic structures and detailed arrangements. Their use of dynamics and layering in “Yet Again” is typical of their oeuvre and creates a sense of space, depth, and emotional resonance. The progression and construction of the song reflect influences from both classic rock and progressive pop, marrying simplicity in song structure with a complex and emotionally charged harmonic language.

Chords in the Verse 3 section of Yet Again by Grizzly Bear are:

[‘Am’, ‘G’, ‘C’, ‘F’, ‘F’, ‘Em’, ‘Am’, ‘Dm’, ‘Am’, ‘G’, ‘C’, ‘F’, ‘F’, ‘Em’, ‘Am’, ‘Dm’, ‘Am’, ‘G’, ‘C’, ‘F’, ‘F’, ‘Em’, ‘Am’, ‘Dm’]