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The chorus maintains a feeling of resolution and tension by alternating between the IV (F major) and V (G major) chords, while the vi (A minor) to V/vi (E major) progression provides a smooth transition back to the IV chord (F major).

In terms of borrowed chords, the E Major is a borrowed chord.
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E major (V/vi)
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“Buddy Holly” is a song by Weezer with an upbeat, pop-rock feel. It exists in the key of A major and showcases a recurring chord progression in its verse consisting of F#m, E/G#, and A.

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The given chord progression is from the verse 3 of the song “The Good Life” by Weezer. The song is in the key of G major and features a mix of diatonic chords from the G major scale and a borrowed chord from the parallel minor (G minor).

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“The Wind Cries Mary” by Jimi Hendrix is a classic example of the blending of blues, rock, and pop elements that characterizes Hendrix’s unique style. The chord progression in Verse 3 demonstrates Hendrix’s use of non-diatonic chords and chromatic harmony, while maintaining a strong sense of tonality and harmonic progression. The unconventional chord progression and the expressive guitar work contribute to the song’s lasting appeal.

“Viva la Vida” by Coldplay is predominantly in the key of G Major, and the main chord progression is a four-chord loop: C, D, G, Em, which repeats throughout the song. The chord progression creates a highly emotional, triumphant atmosphere which reflects the lyrics and overall theme of the song. The use of the B minor chord, the flattened third, later in the song adds some depth and complexity to the harmonic structure and provides a relief from the repetition of the main progression.

Weezer – California Kids – Verse 3

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Chord Progression

C, C/B, Am, G, F, G, C

Chord Progression Analysis

C (I) – C/B (I6) – Am (vi) – G (V) – F (IV) – G (V) – C (I)

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Borrowed Chords: None in this progression
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Similar Chord Progressions

1. The Beatles – “Let it Be”
Chord progression: C (I) – G (V) – Am (vi) – F (IV) – C (I) – G (V) – F (IV) – C (I)
2. Oasis – “Wonderwall”
Chord progression: C (IV, in the original key of G Major) – Em7 (vi) – G (I) – D (V)

Please note that the above similar chord progressions are not in the C major key but share a resemblance in terms of common chord movements and structure to the one in “California Kids.”

Musical Analysis

The progression starts with the tonic chord C (I) and transitions to C/B (I6), which features the same C major chord but with a B in the bass. This chromatic bass motion adds a smooth transition to the next chord, Am (vi). Following the vi chord, the piece progresses to G (V), leading to a strong IV – V – I movement with F (IV) and G (V) before resolving back to the tonic, C (I). This resolution provides a sense of closure while maintaining forward momentum through the verse.

Overall Analysis

The chord progression of the Verse 3 in the song “California Kids” by Weezer features a blend of diatonic and chromatic chords in the key of C major, exhibiting a classic pop-rock feel with some variations in the chord structure. The progression also showcases the use of chromatic bass motion to add harmonic interest.

Style Analysis

The chord progression used in “California Kids” is indicative of Weezer’s pop-rock and power pop style. The progression combines simple diatonic chords with chromatic bass motion and traditional harmonic cadences, making it catchy and memorable. The use of common pop-rock chord progressions (IV – V – I, I – vi) and the smooth bass motion allows for a strong melodic framework and accessible harmonies that resonate with listeners.

Chords in the Verse 3 section of California Kids by Weezer are:

C, C/B, Am, G, F, G, C