Music Theory Alchemy

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“Sorry Seems to Be The Hardest Word” is in the key of E minor and shifts to the relative major (G major) at various points, it demonstrates Elton John’s mastery of the line between major and minor keys. It’s a melancholic song with a moderate tempo. The use of both minor and major chords in Elton John’s progression signifies the tension and release in the song’s melody and lyrics.

“Your Song” by Elton John is an iconic pop ballad featuring a piano-driven accompaniment. Harmonically, the song displays rich and varied chord progressions within key of D major, though with a significant usage of borrowed chords and alterations that contribute to a unique and expressive harmonic language. There is a classical and cinematic air about this song establishing it as a flagship Elton John classic.

The chord progression in Verse 3 of Daniel Caesar’s “Get You” consists of a mix of diatonic chords and borrowed chords from the parallel minor. The overall tonality is in the B minor key. The smooth, soulful sound of the progression is achieved through the use of minor chords, mixed with major seventh chords, and the cycle of fifths progression in some measures.

The chord progression of “Beast Of Burden” by The Rolling Stones from verse 3 appears to be a standard pop/rock progression with a bit of melodic flavor. It features the chords of E major, B major, C# minor, and A major.

The song is in the key of E Major as that’s the chord the progression starts and ends with, and most of the chords are from the E major scale. There are no borrowed chords, and the progression is repetitive, maintaining a loop throughout most of the song.

Let’s move on to the detailed chord progression analysis, chord names, and their roman numerals.

“Paint It, Black” is in E minor key, with verse 3 having an exciting harmonic progression: Em – B – Em – B – Em – D – G – D – Em – Em – D – G – D – A – B. The chord progression suggests that the Rolling Stones utilise borrowed chords to impose an air of ambiguity that reflects the song’s lyrical themes. Additionally, this song is a blend of rock and raga rock style and exemplifies the Stones’ 1960s exploration into psychedelia and Eastern musical styles.

Elton John – Sorry Seems To Be The Hardest Word – Verse 3

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Chord Progression

[‘Em’, ‘Am’, ‘D’, ‘D7’, ‘G’, ‘F#m7-5’, ‘B7sus4’, ‘Em’, ‘Em7’, ‘Am’, ‘F#m7-5’, ‘B7’, ‘Em’, ‘Am9’, ‘F#m7-5’, ‘B7’, ‘Em7’]

Chord Progression Analysis

“`
E minor (i), A minor (iv), D Major (VII), D7 (VII7), G Major (III), F#m7b5 (ii half-diminished 7), B7sus4 (V7sus4), E minor (i),
E minor 7 (i7), A minor (iv), F#m7b5 (ii half-diminished 7), B7 (V7), E minor (i), A minor 9 (iv9), F#m7b5 (ii half-diminished 7), B7 (V7), E minor 7 (i7)
“`
The D Major (VII) is a borrowed chord from E Dorian mode while the G Major (III) is a borrowed from E major key or the relative major of E minor. F#m7b5 and B7 are part of the diatonic chords in the E minor key, acting as the ii half-diminished 7 and V7, respectively. The use of B7sus4 and then resolving it to B7 creates a suspenseful atmosphere, increasing the emotional impact of the progression.

Similar Chord Progressions

There are a few other songs that use similar sophisticated chord progressions, such as “Something” by The Beatles, which also heavily uses borrowed chords and unconventional progressions for a pop song. The opening chord progression for “Something” is:

“`
C Major (I), Cmaj7 (IM7), C7 (Idom7), F Major (IV), D7 (VII7), G (V), Am (vi), Am/G (vi7)
“`

The opening chord progression of “Hotel California” by The Eagles is an another excellent example of a song that uses a similar harmonic structure:

“`
B Minor (i), F#/A# (V/vi), G (bVI), G/F# (bVI/V), D (IV), D/F# (IVmaj7/V), E (V), E/F# (V/I)
“`

Each of these songs, like “Sorry Seems to Be the Hardest Word,” uses borrowed chords and sophisticated harmonic structures to create a unique and emotional sound.

Musical Analysis

The verse begins with a typical minor progression, moving from the home key E minor (i) to A minor (iv), giving a melancholic mood to the verse. The descending bass line gives a rather more melancholic feel to the song. D Major (VII), a borrowed chord from the Dorian mode, means the progression lacks the strong back to tonic resolution. This makes the song sound more uncertain and complex. The substitution of F#m7b5 (ii half-diminished 7) for the usual ii diminished chord also adds an element of tension and dissonance.

Overall Analysis

“Sorry Seems to Be the Hardest Word” by Elton John employs interesting chord progressions and borrows chords from other modes and keys, contributing to its melancholy, yet dynamically expressive mood. The song is set in E minor and uses basic chord progressions, some more sophisticated ones, and many borrowed chords.

Style Analysis

Elton John employs a sophisticated harmony in his songs, often using borrowed chords or changing keys for added dimension. This song is characteristic of his style, showcasing his willingness to explore more complex harmonic relationships and extend traditional pop song structures.

Chords in the Verse 3 section of Sorry Seems To Be The Hardest Word by Elton John are:

[‘Em’, ‘Am’, ‘D’, ‘D7’, ‘G’, ‘F#m7-5’, ‘B7sus4’, ‘Em’, ‘Em7’, ‘Am’, ‘F#m7-5’, ‘B7’, ‘Em’, ‘Am9’, ‘F#m7-5’, ‘B7’, ‘Em7’]