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Related Music Theory Alchemy

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“Sorry Seems To Be The Hardest Word” is a song by Elton John written in the key of G major. However, the tonal center of this song fluctuates between G major and its relative minor, Em. Sensitive to the modality of the melody, Elton incorporates “color” via his diverse chord selections. The harmonic movement in this song is richly chromatic, creating a sense of tension and release that intensifies the melancholic aura of the lyrics.

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The verse of “Tiny Dancer” by Elton John is generally in the key of C major (with some temporary modulations) and features a varied and interesting chord progression that is indicative of Elton John’s complex, piano-driven musical style.

The song constantly oscillates around C#m, which is the presumed root key. Harmonically, the 8-bar verse progression involves the frequent use of borrowed chords, as well as secondary dominants, which are frequently used in the Beatles’ compositions, to provide a colorful and subtle tension.

“Hallelujah” by Jeff Buckley is a popular and iconic song that showcases Jeff Buckley’s unique vocal talent and emotional delivery. The song is in the key of C major and features a simple yet effective chord progression. The song’s memorable melody is accompanied by guitar, which uses arpeggiated fingerpicking. This adds to its musical depth and also creates dynamic rhythmic interest. The song builds in intensity as it progresses, and this, along with the powerful lyrics, contributes to the overall emotional impact of the piece.

“Brown Sugar” by The Rolling Stones is a rock and roll song prominently featuring electric guitar and piano, characterized by its driving groove and catchy chorus. The base key for the song is C Major. The harmonic progression is fairly simple and stays mainly within the diatonic chords, with some occasional borrowing from other modes.

Elton John – Sorry Seems To Be The Hardest Word – Verse 3

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Chord Progression

[‘Em’, ‘Am’, ‘D’, ‘D7’, ‘G’, ‘F#m7-5’, ‘B7sus4’, ‘Em’, ‘Em7’, ‘Am’, ‘F#m7-5’, ‘B7’, ‘Em’, ‘Am9’, ‘F#m7-5’, ‘B7’, ‘Em7’]

Chord Progression Analysis

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E minor (i), A minor (iv), D Major (VII), D7 (VII7), G Major (III), F#m7b5 (ii half-diminished 7), B7sus4 (V7sus4), E minor (i),
E minor 7 (i7), A minor (iv), F#m7b5 (ii half-diminished 7), B7 (V7), E minor (i), A minor 9 (iv9), F#m7b5 (ii half-diminished 7), B7 (V7), E minor 7 (i7)
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The D Major (VII) is a borrowed chord from E Dorian mode while the G Major (III) is a borrowed from E major key or the relative major of E minor. F#m7b5 and B7 are part of the diatonic chords in the E minor key, acting as the ii half-diminished 7 and V7, respectively. The use of B7sus4 and then resolving it to B7 creates a suspenseful atmosphere, increasing the emotional impact of the progression.

Similar Chord Progressions

There are a few other songs that use similar sophisticated chord progressions, such as “Something” by The Beatles, which also heavily uses borrowed chords and unconventional progressions for a pop song. The opening chord progression for “Something” is:

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C Major (I), Cmaj7 (IM7), C7 (Idom7), F Major (IV), D7 (VII7), G (V), Am (vi), Am/G (vi7)
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The opening chord progression of “Hotel California” by The Eagles is an another excellent example of a song that uses a similar harmonic structure:

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B Minor (i), F#/A# (V/vi), G (bVI), G/F# (bVI/V), D (IV), D/F# (IVmaj7/V), E (V), E/F# (V/I)
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Each of these songs, like “Sorry Seems to Be the Hardest Word,” uses borrowed chords and sophisticated harmonic structures to create a unique and emotional sound.

Musical Analysis

The verse begins with a typical minor progression, moving from the home key E minor (i) to A minor (iv), giving a melancholic mood to the verse. The descending bass line gives a rather more melancholic feel to the song. D Major (VII), a borrowed chord from the Dorian mode, means the progression lacks the strong back to tonic resolution. This makes the song sound more uncertain and complex. The substitution of F#m7b5 (ii half-diminished 7) for the usual ii diminished chord also adds an element of tension and dissonance.

Overall Analysis

“Sorry Seems to Be the Hardest Word” by Elton John employs interesting chord progressions and borrows chords from other modes and keys, contributing to its melancholy, yet dynamically expressive mood. The song is set in E minor and uses basic chord progressions, some more sophisticated ones, and many borrowed chords.

Style Analysis

Elton John employs a sophisticated harmony in his songs, often using borrowed chords or changing keys for added dimension. This song is characteristic of his style, showcasing his willingness to explore more complex harmonic relationships and extend traditional pop song structures.

Chords in the Verse 3 section of Sorry Seems To Be The Hardest Word by Elton John are:

[‘Em’, ‘Am’, ‘D’, ‘D7’, ‘G’, ‘F#m7-5’, ‘B7sus4’, ‘Em’, ‘Em7’, ‘Am’, ‘F#m7-5’, ‘B7’, ‘Em’, ‘Am9’, ‘F#m7-5’, ‘B7’, ‘Em7’]