The Smashing Pumpkins – 1979 – Outro
1979 < All Analyses
Chord Progression
[‘A’, ‘Emaj7’, ‘E’, ‘A’, ‘E’]
Chord Progression Analysis
Here’s the analysis for the chords in the outro:
“`
– A Major (I)
– E Major 7th (V7)
– E Major (V)
– A Major (I)
– E Major (V)
“`
The borrowed chord:
“`
– E Major 7th (V7)
“`
Similar Chord Progressions
“Free Fallin’” by Tom Petty:
“`
D (I),
Dsus4 (Isus4),
Asus (IVsus),
A (IV)
“`
“Let Her Go” by Passenger:
“`
(I),
D (V),
Em (vi),
D/C (V/7),
G/B (IV/6),
D7/F# (V7/ii),
G (IV),
G/F# (IV/ii)
“`
“Times Like These” by Foo Fighters:
“`
D5 (I),
C5 (bVII),
G5 (IV),
Em (ii)
“`
Note that while these songs feature somewhat similar chord progressions, the actual voicings, rhythms, and additional musical elements may vary widely.
Musical Analysis
“1979” is heavily guitar-driven, with the chords extensively embellished by arpeggios. While the song is in A major, the extensive use of Emaj7 (a chord borrowed from the key of E major) and E major lends the song a distinctive atmospheric quality.
Overall Analysis
“1979” by The Smashing Pumpkins is written in the A major key and showcases various examples of modal interchange, also known as borrowed chords. The song switches often between the major and minor modes, providing a dynamic interplay of moods. The outro particularly stands out due to its use of both major and maj7th chords, a somewhat unusual combination. Emaj7 adds color and complexity to the progression, as a borrowed chord from the E major scale.
Style Analysis
The Smashing Pumpkins are known for their alternative rock/grunge style and “1979” is no exception. However, this song leans more towards the pop end of their sound spectrum, using catchy, pleasant melodies and progressions, while still retaining the atmospheric, somewhat melancholic undertones that are typical for the band.
What are the chords in: The Smashing Pumpkins – 1979 – Outro?
[‘A’, ‘Emaj7’, ‘E’, ‘A’, ‘E’]
