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Related Music Theory Alchemy

“Tonight, Tonight” by The Smashing Pumpkins draws from the band’s unique style of alternative rock influenced by a distinct palette of harmonic choices. Particularly in the songwriting of Billy Corgan (the band’s primary songwriter), the band tends to use a mix of common and uncommon chords, together with a tendency of exploring different tonalities. Often, the chord changes are driven by guitar inversions, suspensions, or additions.

The song “1979” by The Smashing Pumpkins has a chord progression that can be considered experimental for Pop and Rock music, which typically tend to use simple and easily predictable progressions. In this song, the progression is notably more complex and unpredictable, shifting between ‘E’ and ‘Emaj7’ gives this track a moody feel, and the Amaj7 gives it another color. This progression is in the key of E major.

“Say It Ain’t So” by Weezer is a rock song, primarily falling within the alternative rock and power pop styles. The chord progression of Verse 1 is simple yet effective in creating a somber, introspective mood. It primarily utilizes diatonic chords of the C major key, with the E major chord borrowed from the parallel minor key (C minor).

Chord progression analysis with Roman numerals:
A minor (vi) – E major (V/vi) – F major (IV) – C major (I)

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Borrowed chord: E major (V/vi)
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The chord progression in the verse of Radiohead’s “Nude” sets a contemplative and emotive atmosphere. It features a mix of diatonic and borrowed chords, which creates unexpected harmonic shifts that evoke feelings of melancholy. This distinctive harmonic language can be associated with the band’s signature moody sound and has been influential in the indie and alternative rock genres.

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Feels Like We Only Go Backwards by Tame Impala uses very interesting chord progressions that convey a feeling of constant motion. The song is primarily in the key of F Major, as revealed by the majority of the chords (F, C, Gm). However, the chord progression in the verse introduces Dm and Cmaj7/G, showing some clever use of modal interchange, also known as borrowed chords.

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The Smashing Pumpkins – Tonight Tonight – Verse 1

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Chord Progression

[‘Am’, ‘C’, ‘G’, ‘D/F#’, ‘Em’, ‘Am’, ‘C’, ‘Cadd9’, ‘G/B’, ‘D’, ‘Cadd9’, ‘G/B’, ‘D’]

Chord Progression Analysis

The key of the song seems to oscillate between C major and G major, which provides a fresh and somewhat unpredictable sound to the ears. The chords of Verse 1 proceed as follows:

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A minor (vi)
C Major (I)
G Major (V)
D Major/F# (V/vi)
E minor (iii)
A minor (vi)
C Major (I)
C add9 (Isus2)
G Major/B (V6)
D Major (V/V)
C add9 (Isus2)
G Major/B (V6)
D Major (V/V)
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The use of slash chords like ‘D/F#’ and ‘G/B’ add further color and complexity to the harmonic vision of the song. The D Major (which would not typically fit in a C Major key) and its inversions (D/F#) can be considered borrowed from the parallel minor.

Similar Chord Progressions

A similar chord progression can be found in U2’s “With or Without You” which has a constant IV-I-V-vi progression. This creates a similar sense of anticipation and grandeur as “Tonight, Tonight.” Another example includes “Let it Be” by The Beatles, which follows the progression I-V-vi-IV, similar in ways but a reflection of “Tonight, Tonight”‘s development and diversity.

Musical Analysis

The chord progression creates a sense of anticipation and suspense, always pushing the listener forward. The Em-Am-C progression is a typical i-VI-III progression often found in pop and rock music. In contrast, the D Major chord creates a feeling of departure, or a slight tension due to its role as a secondary dominant. Finally, the progression often resolves back to a G Major chord, giving a certain satisfaction to the listener.

Overall Analysis

“Tonight, Tonight” by The Smashing Pumpkins is a rock song happy to embrace classical music tropes. An orchestral, string-heavy arrangement propels the song, surrounding the listener with a rich tapestry of sound. The grandiose sound of the full orchestra is bolstered by the band’s dual guitars and Billy Corgan’s characteristic singing.

Style Analysis

The style of the song blend grunge rock, pop, and symphonic elements. The frequent use of add9 chords bring a degree of sophistication and elevation that is frequently associated with orchestral music. Additionally, the passing tones and borrowed chords add to the complexity of the song, ensuring that the song remains interesting throughout its entirety.

Chords in the Verse 1 section of Tonight Tonight by The Smashing Pumpkins are:

[‘Am’, ‘C’, ‘G’, ‘D/F#’, ‘Em’, ‘Am’, ‘C’, ‘Cadd9’, ‘G/B’, ‘D’, ‘Cadd9’, ‘G/B’, ‘D’]