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Related Music Theory Alchemy

“Tonight, Tonight” by The Smashing Pumpkins draws from the band’s unique style of alternative rock influenced by a distinct palette of harmonic choices. Particularly in the songwriting of Billy Corgan (the band’s primary songwriter), the band tends to use a mix of common and uncommon chords, together with a tendency of exploring different tonalities. Often, the chord changes are driven by guitar inversions, suspensions, or additions.

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Given by the chords you’ve provided, it appears the song “Today” by The Smashing Pumpkins is primarily in the key of D Major with occasional borrowed chords from D minor and E minor. The varying uses of D Major, D minor, and E minor really showcase the variety in Billy Corgan’s guitar writing.

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The chord progression in the verse of Tyler, The Creator’s “Earfquake” is primarily based on a simple alternation between two chords, Bbmaj7 and Am7, with a brief excursion to Gm7 before returning to Am7. The simplicity and repetition of the progression creates a feeling of comfort and stability, while the use of major 7th and minor 7th chords adds a touch of sophistication and smoothness. The progression doesn’t follow a traditional functional harmony, but it effectively supports the melody and the overall vibe of the song.

“Come Together” by The Beatles, like many other Beatles songs, is known for its unique melody and innovative chord progressions. The song is written in the key of D minor and employs frequent use of bluesy pentatonic scale patterns. The meter is 4/4 (common time). The song is characterized by the use of common chords, with the exception of the Bm and Bm/A chords which are noteworthy.

“Say It Ain’t So” by Weezer is a rock song, primarily falling within the alternative rock and power pop styles. The chord progression of Verse 1 is simple yet effective in creating a somber, introspective mood. It primarily utilizes diatonic chords of the C major key, with the E major chord borrowed from the parallel minor key (C minor).

Chord progression analysis with Roman numerals:
A minor (vi) – E major (V/vi) – F major (IV) – C major (I)

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Borrowed chord: E major (V/vi)
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The Smashing Pumpkins – Tonight Tonight – Verse 1

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Chord Progression

[‘Am’, ‘C’, ‘G’, ‘D/F#’, ‘Em’, ‘Am’, ‘C’, ‘Cadd9’, ‘G/B’, ‘D’, ‘Cadd9’, ‘G/B’, ‘D’]

Chord Progression Analysis

The key of the song seems to oscillate between C major and G major, which provides a fresh and somewhat unpredictable sound to the ears. The chords of Verse 1 proceed as follows:

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A minor (vi)
C Major (I)
G Major (V)
D Major/F# (V/vi)
E minor (iii)
A minor (vi)
C Major (I)
C add9 (Isus2)
G Major/B (V6)
D Major (V/V)
C add9 (Isus2)
G Major/B (V6)
D Major (V/V)
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The use of slash chords like ‘D/F#’ and ‘G/B’ add further color and complexity to the harmonic vision of the song. The D Major (which would not typically fit in a C Major key) and its inversions (D/F#) can be considered borrowed from the parallel minor.

Similar Chord Progressions

A similar chord progression can be found in U2’s “With or Without You” which has a constant IV-I-V-vi progression. This creates a similar sense of anticipation and grandeur as “Tonight, Tonight.” Another example includes “Let it Be” by The Beatles, which follows the progression I-V-vi-IV, similar in ways but a reflection of “Tonight, Tonight”‘s development and diversity.

Musical Analysis

The chord progression creates a sense of anticipation and suspense, always pushing the listener forward. The Em-Am-C progression is a typical i-VI-III progression often found in pop and rock music. In contrast, the D Major chord creates a feeling of departure, or a slight tension due to its role as a secondary dominant. Finally, the progression often resolves back to a G Major chord, giving a certain satisfaction to the listener.

Overall Analysis

“Tonight, Tonight” by The Smashing Pumpkins is a rock song happy to embrace classical music tropes. An orchestral, string-heavy arrangement propels the song, surrounding the listener with a rich tapestry of sound. The grandiose sound of the full orchestra is bolstered by the band’s dual guitars and Billy Corgan’s characteristic singing.

Style Analysis

The style of the song blend grunge rock, pop, and symphonic elements. The frequent use of add9 chords bring a degree of sophistication and elevation that is frequently associated with orchestral music. Additionally, the passing tones and borrowed chords add to the complexity of the song, ensuring that the song remains interesting throughout its entirety.

Chords in the Verse 1 section of Tonight Tonight by The Smashing Pumpkins are:

[‘Am’, ‘C’, ‘G’, ‘D/F#’, ‘Em’, ‘Am’, ‘C’, ‘Cadd9’, ‘G/B’, ‘D’, ‘Cadd9’, ‘G/B’, ‘D’]