Music Theory Alchemy

Search

Related Music Theory Alchemy

“Tonight, Tonight” by The Smashing Pumpkins draws from the band’s unique style of alternative rock influenced by a distinct palette of harmonic choices. Particularly in the songwriting of Billy Corgan (the band’s primary songwriter), the band tends to use a mix of common and uncommon chords, together with a tendency of exploring different tonalities. Often, the chord changes are driven by guitar inversions, suspensions, or additions.

“The Bullet With Butterfly Wings” by The Smashing Pumpkins essentially revolves around the use of power chords, or 5th chords, to project a raw, grungy intensity. The chord progression (B5, Em, G5), extracted from the second verse of the song, is prominent throughout. The use of power chords results in a composition that doesn’t transpose to a traditional major or minor key, but fits within a modal framework.

“Since I’ve Been Loving You” by Led Zeppelin is a slow-tempo blues-rock song featuring a sophisticated and expressive chord progression that falls predominantly within the C minor key, standing out from the more traditional blues structures. The chords in the verse display a creative use of borrowed chords and chromaticism, contributing to the song’s moody and emotionally-evocative atmosphere. The progression is less common in rock music, which is what makes it characteristic of Led Zeppelin’s innovative musical explorations.

“All My Loving” by the Beatles is a great example of their early ’60s pop style. This song’s verse chord progression is in the key of D Major with a mix of minor chords and 7th chords that add to the emotional intensity of the song. The composition blends pop simplicity with complex harmony, encapsulating the Beatles’ innovative songwriting.

The chord progression in the verse of Radiohead’s “Nude” sets a contemplative and emotive atmosphere. It features a mix of diatonic and borrowed chords, which creates unexpected harmonic shifts that evoke feelings of melancholy. This distinctive harmonic language can be associated with the band’s signature moody sound and has been influential in the indie and alternative rock genres.

The Smashing Pumpkins – Tonight Tonight – Verse 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘Am’, ‘C’, ‘G’, ‘D/F#’, ‘Em’, ‘Am’, ‘C’, ‘Cadd9’, ‘G/B’, ‘D’, ‘Cadd9’, ‘G/B’, ‘D’]

Chord Progression Analysis

The key of the song seems to oscillate between C major and G major, which provides a fresh and somewhat unpredictable sound to the ears. The chords of Verse 1 proceed as follows:

“`
A minor (vi)
C Major (I)
G Major (V)
D Major/F# (V/vi)
E minor (iii)
A minor (vi)
C Major (I)
C add9 (Isus2)
G Major/B (V6)
D Major (V/V)
C add9 (Isus2)
G Major/B (V6)
D Major (V/V)
“`
The use of slash chords like ‘D/F#’ and ‘G/B’ add further color and complexity to the harmonic vision of the song. The D Major (which would not typically fit in a C Major key) and its inversions (D/F#) can be considered borrowed from the parallel minor.

Similar Chord Progressions

A similar chord progression can be found in U2’s “With or Without You” which has a constant IV-I-V-vi progression. This creates a similar sense of anticipation and grandeur as “Tonight, Tonight.” Another example includes “Let it Be” by The Beatles, which follows the progression I-V-vi-IV, similar in ways but a reflection of “Tonight, Tonight”‘s development and diversity.

Musical Analysis

The chord progression creates a sense of anticipation and suspense, always pushing the listener forward. The Em-Am-C progression is a typical i-VI-III progression often found in pop and rock music. In contrast, the D Major chord creates a feeling of departure, or a slight tension due to its role as a secondary dominant. Finally, the progression often resolves back to a G Major chord, giving a certain satisfaction to the listener.

Overall Analysis

“Tonight, Tonight” by The Smashing Pumpkins is a rock song happy to embrace classical music tropes. An orchestral, string-heavy arrangement propels the song, surrounding the listener with a rich tapestry of sound. The grandiose sound of the full orchestra is bolstered by the band’s dual guitars and Billy Corgan’s characteristic singing.

Style Analysis

The style of the song blend grunge rock, pop, and symphonic elements. The frequent use of add9 chords bring a degree of sophistication and elevation that is frequently associated with orchestral music. Additionally, the passing tones and borrowed chords add to the complexity of the song, ensuring that the song remains interesting throughout its entirety.

Chords in the Verse 1 section of Tonight Tonight by The Smashing Pumpkins are:

[‘Am’, ‘C’, ‘G’, ‘D/F#’, ‘Em’, ‘Am’, ‘C’, ‘Cadd9’, ‘G/B’, ‘D’, ‘Cadd9’, ‘G/B’, ‘D’]