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“The Smashing Pumpkins” in the song ‘1979’ has used a somewhat unconventional yet memorable chord progression, particularly in the bridge section. This progression creates a certain mood and melodic texture befitting the song’s laid-back yet emotionally resonant feel.
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“1979” by The Smashing Pumpkins is written in the A major key and showcases various examples of modal interchange, also known as borrowed chords. The song switches often between the major and minor modes, providing a dynamic interplay of moods. The outro particularly stands out due to its use of both major and maj7th chords, a somewhat unusual combination. Emaj7 adds color and complexity to the progression, as a borrowed chord from the E major scale.
“Bullet With Butterfly Wings” by The Smashing Pumpkins is an alternative rock song released in 1995. The song is in the key of E minor and primarily uses power chords derived from the E minor scale throughout the song. Power chords or ‘5’ chords, like B5 or G5, don’t have a major or minor quality and are often used in rock music for their strong and neutral sound. The song also applies modal mixture (borrowing chords from parallel keys) for color and tension.
“Iris” by Goo Goo Dolls is a song in the key of D Major, and uses a very common pop/rock chord progression. The sheer repetition of the progression throughout the verse establishes a solid harmonic background upon which the melody can freely roam. Chords include the primary triads (I, IV, V) which are D, G, A, minor variations of the secondary triads (ii, iii, vi), which are Em, F#m, Bm.
“Buddy Holly” is a song by Weezer with an upbeat, pop-rock feel. It exists in the key of A major and showcases a recurring chord progression in its verse consisting of F#m, E/G#, and A.
“Tonight, Tonight” by The Smashing Pumpkins is a rock song happy to embrace classical music tropes. An orchestral, string-heavy arrangement propels the song, surrounding the listener with a rich tapestry of sound. The grandiose sound of the full orchestra is bolstered by the band’s dual guitars and Billy Corgan’s characteristic singing.
“Tonight, Tonight” by The Smashing Pumpkins draws from the band’s unique style of alternative rock influenced by a distinct palette of harmonic choices. Particularly in the songwriting of Billy Corgan (the band’s primary songwriter), the band tends to use a mix of common and uncommon chords, together with a tendency of exploring different tonalities. Often, the chord changes are driven by guitar inversions, suspensions, or additions.
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