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The song ‘Today’ by The Smashing Pumpkins is a classic example of mixing major and minor modes in rock music. The majority of the song is modal, centered around D major and B minor. However, the bridge section changes gears and revolves around E minor.

“Disarm” by The Smashing Pumpkins is a piece that showcases a rather common chord progression structure in pop music, but with added embellishments and variations. The featured chords include Dsus, Em7, Cadd9, G, and Dsus/F# with a key signature suggesting that the song is in the key of G major or E minor. The prominent chord in the outro is Dsus which suggests that the song might be interpreted in the D Mixolydian mode. The use of the slash chord (D/F#) diversifies the sound of the progression and adds harmonic richness. This chord progression uses both diatonic and borrowed chords creating a familiar but interesting sound.

“Kiss” by Prince is a well-loved song known for its catchy tune and funky, upbeat style. The song is composed in the key of A major. However, it lacks typical diatonic major harmonies because Prince used power chords (fifth chords) instead of full major or minor chords. The progression is largely built around the ‘A5’ and ‘D5’ power chords, with the occasional ‘E5’ and ‘E9sus4’ worked in to add some variation.

The song in question, “Endlessly” by Muse, is a reflective and emotional piece, featuring a fairly unique chord progression. The verse’s chord progression is not commonly heard in popular music, giving it a distinct sound that sets it apart from other songs. The use of suspended chords, the shift from Am to Bm, and the resolution to the E7 chord give the piece a floating, ethereal feel.

“Honky Tonk Women” by The Rolling Stones is a classic rock song heavily influenced by country and blues. The song is characterized by both major and minor chords, primarily G, C, A, and D. The song is in the key of G major from the verse 1 progression you provided, and it has elements of both I-IV-V and I-V-vi-IV.

Verse 1

The Smashing Pumpkins – Today – Verse 1

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Chord Progression

[‘Em’, ‘G’, ‘B’, ‘Em’, ‘G’, ‘B’, ‘Em’, ‘G’, ‘B’, ‘Em’, ‘G’, ‘B’]

Chord Progression Analysis

The verse repeats the three-chord progression of Em-G-B. Here are the chord names and their roman numerals:

Em (i)
G (III)
B (V)

E minor is the ‘i’ as it’s the tonic chord in an E minor scale. G major, being the major third of E minor is ‘III’. And B major is the 5th note in the E minor scale, so it is a ‘V’ chord but expected to be minor in a minor scale. Hence, it is a borrowed chord from E major scale.

“`Chord: Em, Roman Numeral: i
Chord: G, Roman Numeral: III
Chord: B, Roman Numeral: V (borrowed chord from E major scale)
“`

Similar Chord Progressions

The Pixies’ song “Where Is My Mind” uses a similar chord progression.

Chords are E – G# – C#m – G# (i – III – vi – III in E major)

Another song is “Under the Bridge” by Red Hot Chili Peppers.

Chords: E – B – C#m – G#m – A – E – B (I – V – vi – iii – IV – I – V)

Musical Analysis

Typically, a song in a minor key will have a minor v chord, but here it is a major V (B Major), which is a common substitution and this introduces more musical tension and brightness than a B minor would, setting up the return to Em. This V-i movement creates a strong resolution, helping sustain interest in the repeated progression. Meanwhile, the III chord (G major) acts as a mediator between i and V, giving a sense of ascension and dynamic uplift.

Overall Analysis

“Today” by The Smashing Pumpkins, was released in 1993 on their second album, “Siamese Dream.” The song is classic-’90s alternative rock with its layered guitars and emotionally raw lyrics. key is “E minor.”

Style Analysis

As part of the grunge and alt-rock scenes, The Smashing Pumpkins often used unusual or unconventional chord progressions in their songs. The use of the major V chord in a minor key is both surprising and yet natural sounding, and it showcases their versatility and willingness to bend the rules of tradition rock songwriting.

Chords in the Verse 1 section of Today by The Smashing Pumpkins are:

[‘Em’, ‘G’, ‘B’, ‘Em’, ‘G’, ‘B’, ‘Em’, ‘G’, ‘B’, ‘Em’, ‘G’, ‘B’]