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Related Music Theory Alchemy

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“Honky Tonk Women” by the Rolling Stones is a classic rock track steeped in the blues tradition. The song is played in the key of G Major and primarily uses chords G, C, A, and D.

**Chorus

The song “Dead Flowers” by The Rolling Stones is a classic rock tune that is characterized by its simple yet effective chord progressions. The key of this song is D Major. This song utilizes mostly major chords (D, A, and G), and it has a strong emphasis on the I-IV-V chord progression, a staple in many rock, blues, and pop music.

“Penny Lane” by The Beatles is a pop rock song released in 1967. Musically, the track displays characteristics of the “Baroque pop” style combine with psychedelic pop. The composition is multifaceted with complex chord progressions inspired by classical music, as well as elements of the British music hall style, specifically brass band influences throughout.

The song “Don’t Let the Sun Go Down on Me” by Elton John is brilliantly harmonized, showcasing the great musical arrangement skills of John at his best. Primarily, the song is based in the key of C Major and uses a variety of moving bass lines over mostly diatonic chords in the verses and choruses. There are some key modulations and borrowed chords that give the harmony a rich and complex quality which sets it apart from many contemporary pop songs.

Verse

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“Riptide,” by Vance Joy has a classic, highly repetitive chord progression that creates the folk/pop character of the song. It is written in the key of C Major and uses the simplified I-IV-vi progression, which is also widely used in pop music. In addition, it has a common modulated transition via V chord (G) to the vi chord (Am). There are no borrowed chords in this progression. This repetitive structure can be appealing due to its simplicity and familiarity.

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The Rolling Stones – Honky Tonk Women – Verse 1

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Chord Progression

[‘G’, ‘C’, ‘G’, ‘A’, ‘D’, ‘G’, ‘C’, ‘G’, ‘D’, ‘G’]

Chord Progression Analysis

G Major (I)
C Major (IV)
G Major (I)
A Major (II – Borrowed chord)
D Major (V)
G Major (I)
C Major (IV)
G Major (I)
D Major (V)
G Major (I)

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The A Major chord here is borrowed and not native to the key of G Major.
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Similar Chord Progressions

1. “Sweet Home Alabama” by Lynyrd Skynyrd also features a I-IV-V progression but in the key of D major.
D Major (I)
C Major (bVII – Borrowed)
G Major (IV)

2. “I Still Haven’t Found What I’m Looking For” by U2 has a similar chord progression in the key of D major.
D Major (I)
G Major (IV)
A Major (V)
B minor (vi)

3. “Hey, Soul Sister” by Train has a similar chord progression but shifted to a different key (E major).
E Major (I)
B Major (V)
C# minor (vi)
A Major (IV)

Musical Analysis

Musically, the use of both the IV (C) chord and the V(D) chord in the progression gives the song a resolved feel. The progression starts and ends with I (G), giving it a cyclic feel. The introduction of the borrowed II (A) chord gives the song a mixolydian feel momentarily, attributing to its slightly unconventional rock ‘n’ roll progression.

Overall Analysis

“Honky Tonk Women” by The Rolling Stones is a classic rock song heavily influenced by country and blues. The song is characterized by both major and minor chords, primarily G, C, A, and D. The song is in the key of G major from the verse 1 progression you provided, and it has elements of both I-IV-V and I-V-vi-IV.

Verse 1

Style Analysis

“Honky Tonk Women” incorporates elements from both country & blues genres into a rock ‘n’ roll framework. It features the I-IV-V progression common in blues, and the borrowed II chord is a feature associated with country music. This gives the song a kind of raw, gritty feel that is characteristic of The Rolling Stones’ style.

Chords in the Verse 1 section of Honky Tonk Women by The Rolling Stones are:

[‘G’, ‘C’, ‘G’, ‘A’, ‘D’, ‘G’, ‘C’, ‘G’, ‘D’, ‘G’]