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“Honky Tonk Women” is a classic blues-infused rock and roll track, like many songs by The Rolling Stones. The guitar riffs and solo (though not discussed here) clearly show blues influence in their use of the pentatonic scale and common blues licks.

The chord progression used for verse 2 is a typical example of a classic rock chord progression, with a key center around G, utilizing the dominant chords of the key in a I-IV-I-V-IV-I-IV-I progression.

“Heartbreaker” by The Rolling Stones is a rock song that exhibits some fundamental rock and blues progressions and chord changes. The chorus of the song is a three-chord progression [E, G, C] that repeats four times.

The Wind Cries Mary by Jimi Hendrix is a classic rock ballad written in the key of F major, based around a somewhat simple, yet effective, chord progression. There are a few borrowed chords and modulations that add to the harmonic complexity and characteristic guitar work by Hendrix. The song’s structure consists of a verse, followed by a brief pre-chorus, and a chorus before repeating.

The chord progression in Verse 1 of “My Name Is Jonas” by Weezer is in the key of C Major. The progression is quite simple and common, but it includes an interesting borrowed chord to provide extra color. This can be described as a mix of pop and rock idioms.

Chord Progression Analysis (with full chord names and Roman numerals):

C Major (I) – G Major (V) – A minor (vi) – F Major (IV)

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Borrowed Chord: None in this progression
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“Come Together” by The Beatles, like many other Beatles songs, is known for its unique melody and innovative chord progressions. The song is written in the key of D minor and employs frequent use of bluesy pentatonic scale patterns. The meter is 4/4 (common time). The song is characterized by the use of common chords, with the exception of the Bm and Bm/A chords which are noteworthy.

The Rolling Stones – Honky Tonk Women – Verse 1

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Chord Progression

[‘G’, ‘C’, ‘G’, ‘A’, ‘D’, ‘G’, ‘C’, ‘G’, ‘D’, ‘G’]

Chord Progression Analysis

G Major (I)
C Major (IV)
G Major (I)
A Major (II – Borrowed chord)
D Major (V)
G Major (I)
C Major (IV)
G Major (I)
D Major (V)
G Major (I)

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The A Major chord here is borrowed and not native to the key of G Major.
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Similar Chord Progressions

1. “Sweet Home Alabama” by Lynyrd Skynyrd also features a I-IV-V progression but in the key of D major.
D Major (I)
C Major (bVII – Borrowed)
G Major (IV)

2. “I Still Haven’t Found What I’m Looking For” by U2 has a similar chord progression in the key of D major.
D Major (I)
G Major (IV)
A Major (V)
B minor (vi)

3. “Hey, Soul Sister” by Train has a similar chord progression but shifted to a different key (E major).
E Major (I)
B Major (V)
C# minor (vi)
A Major (IV)

Musical Analysis

Musically, the use of both the IV (C) chord and the V(D) chord in the progression gives the song a resolved feel. The progression starts and ends with I (G), giving it a cyclic feel. The introduction of the borrowed II (A) chord gives the song a mixolydian feel momentarily, attributing to its slightly unconventional rock ‘n’ roll progression.

Overall Analysis

“Honky Tonk Women” by The Rolling Stones is a classic rock song heavily influenced by country and blues. The song is characterized by both major and minor chords, primarily G, C, A, and D. The song is in the key of G major from the verse 1 progression you provided, and it has elements of both I-IV-V and I-V-vi-IV.

Verse 1

Style Analysis

“Honky Tonk Women” incorporates elements from both country & blues genres into a rock ‘n’ roll framework. It features the I-IV-V progression common in blues, and the borrowed II chord is a feature associated with country music. This gives the song a kind of raw, gritty feel that is characteristic of The Rolling Stones’ style.

Chords in the Verse 1 section of Honky Tonk Women by The Rolling Stones are:

[‘G’, ‘C’, ‘G’, ‘A’, ‘D’, ‘G’, ‘C’, ‘G’, ‘D’, ‘G’]