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“Honky Tonk Women” by the Rolling Stones is a classic rock track steeped in the blues tradition. The song is played in the key of G Major and primarily uses chords G, C, A, and D.

**Chorus

“Brown Sugar” by The Rolling Stones is based in the key of C major. The verse has a simple and catchy chord progression that primarily revolves around the I and IV chords in the key, with brief excursions to the dominant and a borrowed chord from the parallel minor key. This structure contributes to the song’s bluesy and rock’n’roll sound.

The chord progression in the verse of “Apocalypse Please” by Muse is mostly based on the F#m and C# chords, with a strong emphasis on the i and V7 relationship. The progression moves back and forth between these two chords without straying far from the Tonality of F# minor while maintaining a tension and release structure.

The song in question, “Endlessly” by Muse, is a reflective and emotional piece, featuring a fairly unique chord progression. The verse’s chord progression is not commonly heard in popular music, giving it a distinct sound that sets it apart from other songs. The use of suspended chords, the shift from Am to Bm, and the resolution to the E7 chord give the piece a floating, ethereal feel.

“Ceilings” by Lizzy McAlpine, draws its magic from a mix of interesting chord progressions and different rhythms. The use of added notes in several chords (Cadd9, Emadd9) introduces additional color into the mix, creating a rich and thoughtful atmosphere. The tonality of the song is in G Major, despite the liberal use of the Cadd9 in the progression. We’ll use this tonality for the Roman numerals.

The Rolling Stones – Honky Tonk Women – Verse 1

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Chord Progression

[‘G’, ‘C’, ‘G’, ‘A’, ‘D’, ‘G’, ‘C’, ‘G’, ‘D’, ‘G’]

Chord Progression Analysis

G Major (I)
C Major (IV)
G Major (I)
A Major (II – Borrowed chord)
D Major (V)
G Major (I)
C Major (IV)
G Major (I)
D Major (V)
G Major (I)

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The A Major chord here is borrowed and not native to the key of G Major.
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Similar Chord Progressions

1. “Sweet Home Alabama” by Lynyrd Skynyrd also features a I-IV-V progression but in the key of D major.
D Major (I)
C Major (bVII – Borrowed)
G Major (IV)

2. “I Still Haven’t Found What I’m Looking For” by U2 has a similar chord progression in the key of D major.
D Major (I)
G Major (IV)
A Major (V)
B minor (vi)

3. “Hey, Soul Sister” by Train has a similar chord progression but shifted to a different key (E major).
E Major (I)
B Major (V)
C# minor (vi)
A Major (IV)

Musical Analysis

Musically, the use of both the IV (C) chord and the V(D) chord in the progression gives the song a resolved feel. The progression starts and ends with I (G), giving it a cyclic feel. The introduction of the borrowed II (A) chord gives the song a mixolydian feel momentarily, attributing to its slightly unconventional rock ‘n’ roll progression.

Overall Analysis

“Honky Tonk Women” by The Rolling Stones is a classic rock song heavily influenced by country and blues. The song is characterized by both major and minor chords, primarily G, C, A, and D. The song is in the key of G major from the verse 1 progression you provided, and it has elements of both I-IV-V and I-V-vi-IV.

Verse 1

Style Analysis

“Honky Tonk Women” incorporates elements from both country & blues genres into a rock ‘n’ roll framework. It features the I-IV-V progression common in blues, and the borrowed II chord is a feature associated with country music. This gives the song a kind of raw, gritty feel that is characteristic of The Rolling Stones’ style.

Chords in the Verse 1 section of Honky Tonk Women by The Rolling Stones are:

[‘G’, ‘C’, ‘G’, ‘A’, ‘D’, ‘G’, ‘C’, ‘G’, ‘D’, ‘G’]