Music Theory Alchemy

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“Fake Plastic Trees” by Radiohead is in the key of A major and features an alternative rock style with a strong emphasis on the melody and a hauntingly beautiful vocal progression. The song contains a unique mix of simple and complex chords that give it a sense of tension and unease.

The chord progression in the chorus of Radiohead’s “Knives Out” is an interesting and unconventional one, making use of some borrowed chords and a mix of major and minor tonalities. The overall style of the song can be described as alternative rock with some influences of jazz harmony and chromaticism, creating a unique and moody atmosphere. The progression is mostly diatonic, but it also incorporates some borrowed chords from parallel modes to add color and tension.

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“With a Little Help from My Friends” is a song by the Beatles from their 1967 album ‘Sgt. Pepper’s Lonely Hearts Club Band’. It features Ringo Starr who sings the song in the role of ‘Billy Shears’, a fictional character from the ‘Sgt. Pepper’ album. It was composed by Paul McCartney and John Lennon.

The full chord sequence you provided represents the verse. The song itself is predominantly in E Major, but contains several borrowed chords and modal exchanges. As was common with Beatles’s compositions, they often incorporated intricate chord progressions and did not strictly adhere to traditional key signatures.

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“Paint It, Black” by The Rolling Stones is arranged in a minor key, specifically E minor. The verse chord progression of the song exhibits a fairly common pattern in 60’s rock and pop music, incorporating the use of both diatonic chords and borrowed chords from the parallel major key.

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“Across The Universe” by The Beatles, written mostly by John Lennon, is known for its rich and complex harmonic structures that added new dimensions to pop music. The song is predominately in the key of D major, with occasional borrowings from the parallel minor (D minor) and the closely-related key of B minor. The verse 1 progression – D, Bm, F#m, Em7, A, A7, D, Bm, F#m, Em7, Gm – creates an affectingly melancholic mood through its mix of major, minor and borrowed chords, producing a unique ambience that evokes a sense of cosmic contemplation, matching with the philosophical lyrics of the song.

Radiohead – Fake Plastic Trees – Verse 1

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Chord Progression

A, Asus4, Dmaj9/F#, Dmaj9/F#, E6, Dsus2, A, Dsus2, A, Asus4, Dmaj9/F#, Dmaj9/F#, E6, Dsus2, A, Dsus2

Chord Progression Analysis

A (I) – Asus4 (Isus4) – Dmaj9/F# (IVmaj9/♯3) – Dmaj9/F# (IVmaj9/♯3) – E6 (V6) – Dsus2 (IVsus2) – A (I) – Dsus2 (IVsus2) – A (I) – Asus4 (Isus4) – Dmaj9/F# (IVmaj9/♯3) – Dmaj9/F# (IVmaj9/♯3) – E6 (V6) – Dsus2 (IVsus2) – A (I) – Dsus2 (IVsus2)

Similar Chord Progressions

While it is difficult to find an exact match to the chord progression in “Fake Plastic Trees,” there are examples of similar harmonic ideas in other songs:

1. Coldplay – “Clocks”: Db (bII) – AbM7/Eb (V/II) – Ebm (iv) – Bbm9 (i) – Fm/Ab (vi/VI) – Eb (IV)

2. U2 – “With or Without You”: D (I) – Asus4 (IVsus4) – Bm (vi) – G (IV)

These songs share some similarities with “Fake Plastic Trees,” such as the use of suspended chords and extended chords, but they each have their own unique characteristics that set them apart.

Musical Analysis

The song’s chord progression begins with a simple tonic-dominant pattern (A to Dmaj/F#), but with the addition of suspended and extended chords to enhance the harmonic tension. The Asus4 and Dmaj9/F# chords, for instance, prolong the resolution and create an airy, atmospheric quality. The E6 briefly introduces the V chord, followed by a return to the IV chord with Dsus2. This pattern is repeated, providing a sense of stability and familiarity, while the unresolved tension adds to the song’s emotional intensity.

Overall Analysis

“Fake Plastic Trees” by Radiohead is a melancholic song with an emotional chord progression. The song is in the key of A Major and features a mixture of diatonic chords, suspended chords, and extended chords that create a sense of yearning and tension. The verse is characterized by a cyclical progression that begins and ends on the tonic (A), providing a sense of unresolved tension. This helps to support the song’s themes of artificiality and dissatisfaction.

Style Analysis

Radiohead is known for their unique blend of alternative rock and electronic music, often incorporating unusual chord progressions and juxtaposing diatonic and non-diatonic chords. Suspended chords, like the Asus4 and Dsus2 used in “Fake Plastic Trees,” are a common feature in their music, creating a sense of unresolved tension and longing. The use of extended chords such as Dmaj9/F# also showcases their interest in experimenting with the harmonic language, adding to the song’s distinct Radiohead sound.

Chords in the Verse 1 section of Fake Plastic Trees by Radiohead are:

A, Asus4, Dmaj9/F#, Dmaj9/F#, E6, Dsus2, A, Dsus2, A, Asus4, Dmaj9/F#, Dmaj9/F#, E6, Dsus2, A, Dsus2