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The chord progression of “Beast Of Burden” by The Rolling Stones from verse 3 appears to be a standard pop/rock progression with a bit of melodic flavor. It features the chords of E major, B major, C# minor, and A major.

The song is in the key of E Major as that’s the chord the progression starts and ends with, and most of the chords are from the E major scale. There are no borrowed chords, and the progression is repetitive, maintaining a loop throughout most of the song.

Let’s move on to the detailed chord progression analysis, chord names, and their roman numerals.

“As Tears Go By” by The Rolling Stones is a classic rock ballad featuring a simple, yet effective chord progression and harmonic language. The song is in the key of G major, and the chord progression features a mix of diatonic chords from the G major scale, with the non-diatonic A major chord included as a borrowed chord from the parallel minor (G minor) key.

The Outro of “Exit Music (For a Film)” by Radiohead features a striking and emotive chord progression that showcases their innovative approach to harmony. It is characterized by the use of irregular modal interchanges, sustained chords, and slight variations on repeating patterns.

The Rolling Stones’ “As Tears Go By” is primarily in the key of G major and follows a Verse-Verse-Verse-Outro structure. The harmony is relatively simple, incorporating primarily diatonic chords from the G major scale as well as a few borrowed chords and inversions.

Chord Progression Analysis (Outro):
G Major (I) – A Major (V/vi, borrowed from E minor) – C Major (IV) – D Major (V) – G Major (I)

The song “Let It Happen” by Tame Impala, which is in the key of A Major, uses a simple yet effective chord progression during its outro. The common pattern of I-vi-IIIIV (Major-minor-Suspended 4) recurs throughout. The G#sus4 chord provides a moment of tension before resolving back to the tonic and restarting the pattern. The progression concludes with an Emaj7 chord, which is a borrowed chord from the parallel minor.

The Rolling Stones – Beast Of Burden – Outro

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Chord Progression

[‘E’, ‘B’, ‘C#m’, ‘A’, ‘E’, ‘B’, ‘C#m’, ‘A’]

Chord Progression Analysis

“`
E Major (I)
B Major (V)
C# Minor (vi)
A Major (IV)
“`

Similar Chord Progressions

A vast number of pop and rock songs use this same chord progression. Here are a few examples:

Don’t Stop Believin’ by Journey:
“`
E Major (I)
B Major (V)
C# Minor (vi)
A Major (IV)
“`
Let It Be by The Beatles:
“`
C Major (I)
G Major (V)
A Minor (vi)
F Major (IV)
“`
Can You Feel The Love Tonight by Elton John:
“`
Bb Major (I)
F Major (V)
G Minor (vi)
Eb Major (IV)
“`
In conclusion, the chord progression in the outro of Beast Of Burden is classic and has been commonly used in rock and pop music because of its pleasant consonance and harmonic continuity.

Musical Analysis

This chord sequence falls into a tried-and-true pattern of pop and rock music progressions: the I-V-vi-IV. Starting with the I chord (E Major) puts the song firmly in the key of E Major. This is followed by the V chord (B Major) leading to the vi chord (C# Minor), which often acts as the relative minor to the E Major. Then going from the vi chord to IV chord (A Major) is a move down a third, a smooth and typical chord progression.

Overall Analysis

“Beast of Burden,” by The Rolling Stones, a song characterized by a typical rock-pop structure, primarily uses a IV-chord loop in the key of E major. The chord progression in the outro follows a specific sequence: E, to B, to C#m, to A. The return to the E at the end of the progression gives it a circular feel that encourages cohesion.

Style Analysis

The style of this chord progression is typical of The Rolling Stones’ blues-influenced rock music. The guitar-based songs mainly use common open chords (like E, B, and A) mixed with barre chords (like C# Minor). The progression is rhythmically driven, with its chugging acoustic guitar strum pattern and complimentary bass line.

Chords in the Outro section of Beast Of Burden by The Rolling Stones are:

[‘E’, ‘B’, ‘C#m’, ‘A’, ‘E’, ‘B’, ‘C#m’, ‘A’]