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The chord progression of “Beast Of Burden” by The Rolling Stones from verse 3 appears to be a standard pop/rock progression with a bit of melodic flavor. It features the chords of E major, B major, C# minor, and A major.

The song is in the key of E Major as that’s the chord the progression starts and ends with, and most of the chords are from the E major scale. There are no borrowed chords, and the progression is repetitive, maintaining a loop throughout most of the song.

Let’s move on to the detailed chord progression analysis, chord names, and their roman numerals.

“Honky Tonk Women” by The Rolling Stones is a classic rock song heavily influenced by country and blues. The song is characterized by both major and minor chords, primarily G, C, A, and D. The song is in the key of G major from the verse 1 progression you provided, and it has elements of both I-IV-V and I-V-vi-IV.

Verse 1

The outro of ‘Hey Jude’ by The Beatles is a prime example of a repeated chord progression, specifically a repeated loop of D-C-G-D. This progression is repeated throughout the last significant section of the song, often referred to as the “na na na” section, essentially becoming a kind of mantra or chant that brings the song to a sustained and palpable resolution.

The chord progression in the outro of Tyler, The Creator’s “See You Again” displays a mix of diatonic and borrowed chords within the key of F# major. This progression creates a smooth and somewhat jazzy feel in the music, with the inclusion of a few unexpected chords that add tension and propel the music forward.

The given chord progression is in the key of C Major and follows a simple, yet effective structure. It features a blend of consonance and dissonance, which creates a sense of resolution and tension simultaneously. This progression is characteristic of Radiohead’s unique sound and their ability to create emotive landscapes through their music.

The Rolling Stones – Beast Of Burden – Outro

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Chord Progression

[‘E’, ‘B’, ‘C#m’, ‘A’, ‘E’, ‘B’, ‘C#m’, ‘A’]

Chord Progression Analysis

“`
E Major (I)
B Major (V)
C# Minor (vi)
A Major (IV)
“`

Similar Chord Progressions

A vast number of pop and rock songs use this same chord progression. Here are a few examples:

Don’t Stop Believin’ by Journey:
“`
E Major (I)
B Major (V)
C# Minor (vi)
A Major (IV)
“`
Let It Be by The Beatles:
“`
C Major (I)
G Major (V)
A Minor (vi)
F Major (IV)
“`
Can You Feel The Love Tonight by Elton John:
“`
Bb Major (I)
F Major (V)
G Minor (vi)
Eb Major (IV)
“`
In conclusion, the chord progression in the outro of Beast Of Burden is classic and has been commonly used in rock and pop music because of its pleasant consonance and harmonic continuity.

Musical Analysis

This chord sequence falls into a tried-and-true pattern of pop and rock music progressions: the I-V-vi-IV. Starting with the I chord (E Major) puts the song firmly in the key of E Major. This is followed by the V chord (B Major) leading to the vi chord (C# Minor), which often acts as the relative minor to the E Major. Then going from the vi chord to IV chord (A Major) is a move down a third, a smooth and typical chord progression.

Overall Analysis

“Beast of Burden,” by The Rolling Stones, a song characterized by a typical rock-pop structure, primarily uses a IV-chord loop in the key of E major. The chord progression in the outro follows a specific sequence: E, to B, to C#m, to A. The return to the E at the end of the progression gives it a circular feel that encourages cohesion.

Style Analysis

The style of this chord progression is typical of The Rolling Stones’ blues-influenced rock music. The guitar-based songs mainly use common open chords (like E, B, and A) mixed with barre chords (like C# Minor). The progression is rhythmically driven, with its chugging acoustic guitar strum pattern and complimentary bass line.

Chords in the Outro section of Beast Of Burden by The Rolling Stones are:

[‘E’, ‘B’, ‘C#m’, ‘A’, ‘E’, ‘B’, ‘C#m’, ‘A’]