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Related Music Theory Alchemy

“Let It Be” by The Beatles is a song in the key of C Major. The chord progression featured in Verse 3 of the song, C – G – Am – Am/G – Fmaj7 – F6 – C – G – F – C/E – Dm7 – C, is a common progression in pop music. It has a repetitive structure and revolves around the I-V-vi-VI progression.

“All My Loving” by The Beatles is a mid-tempo pop song written in the key of E minor for the verse and D Major for the bridge and outro, featuring a distinct, upbeat walking bassline. The grey, almost mournful verses, along with the brighter, major-toned bridges and chorus, create a juxtaposition of feelings within the piece. The bridge also highlights The Beatles’ use of secondary dominants and chromaticism. Concluding in the tonic key of D Major, the song has an interesting interplay between Em and D Major throughout, which could be perceived as a Em: i, VI, III, II and D: vi, V7, I, vi, IV, ii, I progression.

“Iris” by the Goo Goo Dolls is well-known for its unique tuning and chords which adds a certain tenderness and emotional depth to the song. The song is in D Major and utilizes a repeated chord progression that is relatively simple but effective.

The chord progression for Radiohead’s “All I Need” chorus features a simple and repetitive structure, with a strong emphasis on the tonic (C major) and its relative minor (E minor). The progression then ends with a brief move to the dominant (G major), before returning to the tonic. This accessible sequence reflects the song’s emotional vulnerability and simplicity, while also showcasing the band’s ability to create emotional depth in their music.

“Cant Buy Me Love” by The Beatles, is a song in the key of C Major, but it has an interesting harmonic structure, especially in the chorus. The song features a number of borrowed and secondary dominant chords to create tension that resolves into the tonic chord. The chorus’s progression can be seen as a series of descending minor thirds, with an unexpected shift to a ii-V-I progression which is quite popular in jazz music.

The Beatles – Let It Be – Chorus

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Chord Progression

[‘Am’, ‘G’, ‘F’, ‘C’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’, ‘Am’, ‘G’, ‘F’, ‘C’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’, ‘Am’, ‘G’, ‘F’, ‘C’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’]

Chord Progression Analysis

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Here’s the chord progression analysis with Roman numerals for the chorus.

1. A minor (‘vi’)
2. G major (‘V’)
3. F major (‘IV’)
4. C major (‘I’)
5. C major (‘I’)
6. G major (‘V’)
7. F major (‘IV’)
8. C/E (‘I6’)
9. D minor 7 (‘ii7’)
10. C major (‘I’)
11. A minor (‘vi’)
12. G major (‘V’)
13. F major (‘IV’)
14. C major (‘I’)
15. C major (‘I’)
16. G major (‘V’)
17. F major (‘IV’)
18. C/E (‘I6’)
19. D minor 7 (‘ii7’)
20. C major (‘I’)
21. A minor (‘vi’)
22. G major (‘V’)
23. F major (‘IV’)
24. C major (‘I’)
25. C major (‘I’)
26. G major (‘V’)
27. F major (‘IV’)
28. C/E (‘I6’)
29. D minor 7 (‘ii7’)
30. C major (‘I’)

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Similar Chord Progressions

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1. The Police’s “Every Breath You Take” has a similar progression in its chorus: [‘G’, ‘Em’, ‘C/D’, ‘D’, ‘G’, ‘G’, ‘Em’, ‘C/D’, ‘D’, ‘G’], aligning to: G major (‘I’), E minor (‘vi’), C/D (‘IV6’), D major (‘V’), G major (‘I’).

2. Pink Floyd’s “Comfortably Numb” uses a progression with similar elements in its verse: [‘Bm’, ‘A’, ‘G’, ‘Em’, ‘Bm’], corresponding to: B minor (‘i’), A major (‘VII’), G major (‘VI’), E minor (‘iv’), B minor (‘i’).

3. Oasis’s “Wonderwall” adopts a similar progression in its chorus: [‘Em’, ‘G’, ‘D’, ‘A’, ‘Em’, ‘G’, ‘D’, ‘A’], mapping to: E minor (‘i’), G major (‘III’), D major (‘VII’), A major (‘IV’), E minor (‘i’), G major (‘III’), D major (‘VII’), A major (‘IV’).

Musical Analysis

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The chorus cyclically moves from the ‘vi’ to the ‘V’ to the ‘IV’ to the ‘I’, reinforcing the major tonality. The brief touches on the ‘vi’ chord provide an undercurrent of minor sonority, adding contrast within the progression. The ‘I6’ (C/E) chord is an example of an inverted chord used to smooth the bass motion.

The D minor 7 chord (‘ii7’) is used as a pivot chord to modulate the key, momentarily providing a softening effect before resolving back to the tonic, C major (‘I’).

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Overall Analysis

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“Let It Be” is one of The Beatles’ most popular songs and features a primarily major tonality (C Major), giving it its iconic uplifting and inspiring quality. The song’s chord progression is quite standard in terms of pop/rock music, yet it does include some interesting elements like inversions and a 7th chord to add variety and emotional depth.

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Style Analysis

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Beatles are known for their innovative use of chord progressions and harmonies, a feature that sets them apart from other artists of their era. In “Let It Be”, they combine conventional and uncommon progressions, embodying their talent in combining simplicity with complexity. The melody notes are primarily derived from the key of C major, providing a strong sense of unity and coherence.

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Chords in the Chorus section of Let It Be by The Beatles are:

[‘Am’, ‘G’, ‘F’, ‘C’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’, ‘Am’, ‘G’, ‘F’, ‘C’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’, ‘Am’, ‘G’, ‘F’, ‘C’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’]