Music Theory Alchemy

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“Rocky Raccoon” by The Beatles is noted for its eclectic blend of folk, country, and popular music styles. The song is written in G major and follows a fairly straightforward progression but with a couple of important twists.

The

The song is in the key of A Major and it makes some interesting use of borrowed chords and modulations. The arrangement of the song is fairly typical rock/pop with a verse-chorus-bridge structure. The bridge utilizes a modulation to the relative minor key, F# minor.

“Wicked Game” has a distinct melancholic tone facilitated by the minor chord progression. The repeating pattern enhances the hypnotic sense of longing Isaak is known for. Isaak’s use of reverb and echo effects on the electric guitar contributes to the “dreamy” and somewhat eerie atmosphere of the song.

“Boulevard of Broken Dreams” by Green Day is set in the key of E minor, and uses a recurrent sequence of four chords throughout the song: Em, G, D, and A. The prevalence of this progression endows the song with an air of melancholy, aligning with its lyrical themes of loneliness and disillusionment. These four chords create a harmonic loop that reflects the circulative narrative portrayed in the lyrics.

The chord progression for verse 3 of Led Zeppelin’s “Stairway to Heaven” utilizes multiple techniques to create a rich and emotive sound. These techniques include diatonic chords, borrowed chords, and extended harmony. The progression follows a general pattern, with a repeated structure that helps unify the verse.

The Beatles – Rocky Raccoon – Verse 3

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Chord Progression

[‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’]

Chord Progression Analysis

Here are the full chord names and their Roman numerals:

“`
Am7 (‘vi7’)
D7sus4 (‘IV7sus4’ – Borrowed Chord)
D7 (‘IV7’ – Borrowed Chord)
G7 (‘VII7’)
C (‘I’)
C/B (‘I’/VII)
Am7 (‘vi7’)
D7sus4 (‘IV7sus4’ – Borrowed Chord)
D7 (‘IV7’ – Borrowed Chord)
G7 (‘VII7’)
C (‘I’)
C/B (‘I’/VII)
Am7 (‘vi7’)
D7sus4 (‘IV7sus4’ – Borrowed Chord)
D7 (‘IV7’ – Borrowed Chord)
G7 (‘VII7’)
C (‘I’)
C/B (‘I’/VII)
Am7 (‘vi7’)
D7sus4 (‘IV7sus4’ – Borrowed Chord)
D7 (‘IV7’ – Borrowed Chord)
G7 (‘VII7’)
C (‘I’)
C/B (‘I’/VII)
“`

Similar Chord Progressions

One can observe a somewhat similar chord progression in the Rolling Stones’ “Wild Horses”, employing a sequence of G, Am7, Bm, and G. “Tangled Up in Blue” by Bob Dylan also utilizes a mix of dominant and sustained chords, demonstrating a progression of A, G, D, Dsus4.

Musical Analysis

In this progression, the Beatles alternate between the vi7 and IV7 for tension before concluding on the I chord. The use of the IV7 chord (represented here as both a D7sus4 and a D7) is actually borrowed from the Dorian mode, which promotes a somewhat bluesy, soulful texture amidst the primarily diatonic context.

Overall Analysis

The Beatles’ “Rocky Raccoon” incorporates a repeating sequence of predominantly seventh chords, displaying a mix of minor, dominant, and sustained chords within the and C Major/A minor keys. This diversity contributes to the song’s unique harmony, and given its context in a folk rock style, the progression exudes a rustic, storytelling personality.

Style Analysis

“Rocky Raccoon” embodies the folk rock fusion that the Beatles were known for in their later years, with the progression’s rustic lyricism corresponding beautifully with the song’s narrative. Additionally, the progressive seventh chords and borrowed Dorian notes contribute to a nostalgic, western saloon style evocative of classic American folk music.

Chords in the Verse 3 section of Rocky Raccoon by The Beatles are:

[‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’]