Search

Related Music Theory Alchemy

“I Want To Hold Your Hand” by The Beatles is an excellent example of their innovative approach to harmony and chord progression. This song, written in the key of G major, features a common I-V-vi-III progression in the verses. It notably uses borrowed ‘B’ major and ‘B7’ chords from the parallel minor scale.

**
“Girl” is a song by The Beatles from their 1965 album “Rubber Soul”. The song is written in the key of E minor and it showcases the band’s ability to incorporate non-diatsubject resorting to non-diatonic progressions and utilizes various seventh chords to establish a more sophisticated and jazzy soundid progression. It’s important to note their use of the Dorian mode, which adds to the melodic and harmonic sophistication of the song. Moreover, the song exhibits the lyrical and songwriting depth of The Beatles.

**

The bridge of Beck’s “Think I’m In Love” is an interesting combination of chords, showcasing unusual harmonic choices and unexpected modulations. The tonal center of this progression appears to be ambiguous, as several key centers are explored throughout the progression, creating a sense of harmonic tension and release.

“Miss You” by The Rolling Stones is in the key of A minor. The main chord progression in the song is quite consistent — Am, Dm, Am, Am, Dm, Am, Am, Dm — with some variations in the bridge. The song’s chord progression is bluesy in nature, given the usage of minor chords and the parallel movement. In particular, the usage of E, the V chord in A Minor, gives a resolution back to the root chord (Am), which gives the song a sense of tension and release.

“The Long And Winding Road” by The Beatles presents us with a classic example of their innovative approach to harmony and composition. Drawing from various sources of influence, the song incorporates elements of traditional pop ballad form with a hint of the Baroque harmonic palette. This song is an excellent study in complex harmony and modulation within a pop music context, a trait that underpins much of The Beatles’ later work.

The Beatles – I Want To Hold Your Hand – Bridge

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘Dm7’, ‘G’, ‘C’, ‘Am’, ‘Dm7’, ‘G’, ‘C’, ‘C’, ‘C’, ‘D’, ‘C’, ‘C’, ‘D’, ‘C’, ‘C’, ‘D’]

Chord Progression Analysis

**

Here is a chord progression analysis of the bridge. We’ll assume that the song is in the key of G Major:

Dm7 (‘ii7’), G (‘V’), C (‘IV’), Am (‘ii’), Dm7 (‘ii7’), G (‘V’), C (‘IV’), C (‘IV’), C (‘IV’), D (‘V’), C (‘IV’), C (‘IV’), D (‘V’), C (‘IV’), C (‘IV’), D (‘V’)

**

Similar Chord Progressions

**

1. Bob Dylan’s “Like A Rolling Stone” is similar to the bridge of “I Want To Hold Your Hand” in that it uses a IV – V progression.

Chord progression: C – D – Em (‘IV – V – vi’ in G Major)

2. In Billy Joel’s “Vienna” the IV chord is held twice just like in the bridge of “I Want To Hold Your Hand”.

Chord progression: D – G – C – C (‘V – I – IV – IV’ in G Major)

These musicians, like The Beatles, often played with harmonic expectations to create fresh and engaging music.

Musical Analysis

**

The bridge starts off with a ii7 – V – IV in G major, which moves to a ii in the key of C major. This represents a harmonic surprise as one might expect a V – I cadence in G major. This pattern is then repeated, but instead of returning to ii in C, it stays on the IV chord, C, with alternating V (D) and IV (C) chords. This creates tension, as the expectation of a V – I resolution in G major is thwarted twice, keeping the listener engaged before returning to song’s main key.

Borrowed chords:

“`
Dm7 (‘ii7’) from C major
Am (‘ii’) from C major
“`

**

Overall Analysis

**

The Beatles were known for their innovative use of musical elements, and this can be seen in “I Want To Hold Your Hand”. The song is largely in the key of G major, but it also has some borrowed chords from other keys. This variety creates a unique listening experience that keeps the song fresh.

**

Style Analysis

**

The Beatles were recognised for their tendency to use unexpected chord progressions that kept their music so engaging. The use of borrowed chords and surprising harmonic movements such as the ii7 – V – IV instead of a V – I cadence contributed to their unique sound and keeps the listener engaged as traditional harmonic expectations are thwarted.

**

Chords in the Bridge section of I Want To Hold Your Hand by The Beatles are:

[‘Dm7’, ‘G’, ‘C’, ‘Am’, ‘Dm7’, ‘G’, ‘C’, ‘C’, ‘C’, ‘D’, ‘C’, ‘C’, ‘D’, ‘C’, ‘C’, ‘D’]