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Related Music Theory Alchemy

“I Want To Hold Your Hand” by The Beatles is one of the band’s early hits noted for its crafty melodic hooks and harmonic structure attesting to their evolving musical sophistication. The chord progression of Verse 3 is a great reflection of this, using classic pop songwriting techniques such as the predominant use of I, IV and V chords along with a borrowed chord from another mode, that add to the emotional depth of the song.

The song “Yesterday” by The Beatles is in the key of F major and spans chord I to VI. It is characterized by a deeply expressive melody and distinctive harmony. The chord progression seems simple, yet it makes full use of secondary dominants, borrowed chords, and subtly shifting tonal centers for narrative, which is a trademark of The Beatles’s songwriting style.

“In My Head” by Queens of the Stone Age shows a variety of complex chord progressions that are often seen in alternative rock and other sub-genres of rock music. The chord progressions seem to use a combination of modal and chromatic harmony which gives it an edgy and intriguing sound quality.

“Good Vibrations” by The Beach Boys is highly complex and represents an exceptional use of harmonic structuring. The richness of the piece lies in Brian Wilson’s innovative and unpredictable songwriting, who was making significant use of modulation at the time, constantly shifting keys, in this case especially during the transition bridge.

“I Am The Walrus” is a composition by The Beatles in which the song varies in key and progressive elements, with fascinating uses of borrowed chords from parallel modes and chromatic bass motion. The melody resides predominantly within a pentatonic framework, frequently rotating around subversions. The Bridge section beautifully showcases Beatles’ experimentation with descending chord progression built around chromatic movement.

The Beatles – I Want To Hold Your Hand – Bridge

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Chord Progression

[‘Dm7’, ‘G’, ‘C’, ‘Am’, ‘Dm7’, ‘G’, ‘C’, ‘C’, ‘C’, ‘D’, ‘C’, ‘C’, ‘D’, ‘C’, ‘C’, ‘D’]

Chord Progression Analysis

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Here is a chord progression analysis of the bridge. We’ll assume that the song is in the key of G Major:

Dm7 (‘ii7’), G (‘V’), C (‘IV’), Am (‘ii’), Dm7 (‘ii7’), G (‘V’), C (‘IV’), C (‘IV’), C (‘IV’), D (‘V’), C (‘IV’), C (‘IV’), D (‘V’), C (‘IV’), C (‘IV’), D (‘V’)

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Similar Chord Progressions

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1. Bob Dylan’s “Like A Rolling Stone” is similar to the bridge of “I Want To Hold Your Hand” in that it uses a IV – V progression.

Chord progression: C – D – Em (‘IV – V – vi’ in G Major)

2. In Billy Joel’s “Vienna” the IV chord is held twice just like in the bridge of “I Want To Hold Your Hand”.

Chord progression: D – G – C – C (‘V – I – IV – IV’ in G Major)

These musicians, like The Beatles, often played with harmonic expectations to create fresh and engaging music.

Musical Analysis

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The bridge starts off with a ii7 – V – IV in G major, which moves to a ii in the key of C major. This represents a harmonic surprise as one might expect a V – I cadence in G major. This pattern is then repeated, but instead of returning to ii in C, it stays on the IV chord, C, with alternating V (D) and IV (C) chords. This creates tension, as the expectation of a V – I resolution in G major is thwarted twice, keeping the listener engaged before returning to song’s main key.

Borrowed chords:

“`
Dm7 (‘ii7’) from C major
Am (‘ii’) from C major
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Overall Analysis

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The Beatles were known for their innovative use of musical elements, and this can be seen in “I Want To Hold Your Hand”. The song is largely in the key of G major, but it also has some borrowed chords from other keys. This variety creates a unique listening experience that keeps the song fresh.

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Style Analysis

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The Beatles were recognised for their tendency to use unexpected chord progressions that kept their music so engaging. The use of borrowed chords and surprising harmonic movements such as the ii7 – V – IV instead of a V – I cadence contributed to their unique sound and keeps the listener engaged as traditional harmonic expectations are thwarted.

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Chords in the Bridge section of I Want To Hold Your Hand by The Beatles are:

[‘Dm7’, ‘G’, ‘C’, ‘Am’, ‘Dm7’, ‘G’, ‘C’, ‘C’, ‘C’, ‘D’, ‘C’, ‘C’, ‘D’, ‘C’, ‘C’, ‘D’]