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Related Music Theory Alchemy

“I Want To Hold Your Hand” by The Beatles is an excellent example of their innovative approach to harmony and chord progression. This song, written in the key of G major, features a common I-V-vi-III progression in the verses. It notably uses borrowed ‘B’ major and ‘B7’ chords from the parallel minor scale.

The overall analysis of “With A Little Help From My Friends” indicates usage of the classic Pop/Rock chord style that The Beatles were known for. This style often features I-IV-V (1-4-5) progressions and the usage of minor chords to create emotive contrasts. “With A Little Help From My Friends” uses this to great effect, even incorporating borrowed chords from parallel scales for enhanced emotion and “singability.”

“Perfect” by The Smashing Pumpkins is written in the key of D major. The song takes a relatively standard and common approach in chord progression, particularly with the cyclical variations that have the onset within a classic pop/rock realm. The tonality and mid-tempo pacing give the song a melancholic and nostalgic tone.

“Perfect Situation” by Weezer is a rock song with a combination of major and minor chords, giving it a feeling of both tension and resolution. The chord progression in the bridge features a i-iv-VII-VIII pattern in the key of E minor, which is common in rock and pop music. The bridge consists mainly of triads with some possible extensions or added notes depending on how they are voiced.

The bridge of “Say Goodbye” by Beck features a simple two-chord progression. However, this simplicity allows space for an interesting interplay between melody and harmony while still evoking strong emotions. Despite being simple, the progression still manages to create a sense of tension and resolution.

The Beatles – I Want To Hold Your Hand – Bridge

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Chord Progression

[‘Dm7’, ‘G’, ‘C’, ‘Am’, ‘Dm7’, ‘G’, ‘C’, ‘C’, ‘C’, ‘D’, ‘C’, ‘C’, ‘D’, ‘C’, ‘C’, ‘D’]

Chord Progression Analysis

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Here is a chord progression analysis of the bridge. We’ll assume that the song is in the key of G Major:

Dm7 (‘ii7’), G (‘V’), C (‘IV’), Am (‘ii’), Dm7 (‘ii7’), G (‘V’), C (‘IV’), C (‘IV’), C (‘IV’), D (‘V’), C (‘IV’), C (‘IV’), D (‘V’), C (‘IV’), C (‘IV’), D (‘V’)

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Similar Chord Progressions

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1. Bob Dylan’s “Like A Rolling Stone” is similar to the bridge of “I Want To Hold Your Hand” in that it uses a IV – V progression.

Chord progression: C – D – Em (‘IV – V – vi’ in G Major)

2. In Billy Joel’s “Vienna” the IV chord is held twice just like in the bridge of “I Want To Hold Your Hand”.

Chord progression: D – G – C – C (‘V – I – IV – IV’ in G Major)

These musicians, like The Beatles, often played with harmonic expectations to create fresh and engaging music.

Musical Analysis

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The bridge starts off with a ii7 – V – IV in G major, which moves to a ii in the key of C major. This represents a harmonic surprise as one might expect a V – I cadence in G major. This pattern is then repeated, but instead of returning to ii in C, it stays on the IV chord, C, with alternating V (D) and IV (C) chords. This creates tension, as the expectation of a V – I resolution in G major is thwarted twice, keeping the listener engaged before returning to song’s main key.

Borrowed chords:

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Dm7 (‘ii7’) from C major
Am (‘ii’) from C major
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Overall Analysis

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The Beatles were known for their innovative use of musical elements, and this can be seen in “I Want To Hold Your Hand”. The song is largely in the key of G major, but it also has some borrowed chords from other keys. This variety creates a unique listening experience that keeps the song fresh.

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Style Analysis

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The Beatles were recognised for their tendency to use unexpected chord progressions that kept their music so engaging. The use of borrowed chords and surprising harmonic movements such as the ii7 – V – IV instead of a V – I cadence contributed to their unique sound and keeps the listener engaged as traditional harmonic expectations are thwarted.

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Chords in the Bridge section of I Want To Hold Your Hand by The Beatles are:

[‘Dm7’, ‘G’, ‘C’, ‘Am’, ‘Dm7’, ‘G’, ‘C’, ‘C’, ‘C’, ‘D’, ‘C’, ‘C’, ‘D’, ‘C’, ‘C’, ‘D’]