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Related Music Theory Alchemy

“Come Together”, released by The Beatles in 1969 on their Abbey Road album, is a rock song known for its catchy bass-line, cryptic lyrics and iconic chorus. It’s written in D minor key, a common key in rock music. Across the progression, there is not only an interesting mix of different chords but also a novel use of borrowed chords that play a significant role in making the song mysterious, intriguing, and unique.

“Hey Jude,” written by The Beatles, charts a classic journey from tonic to dominant, with a detour through the subdominant and the minor dominant. It starts with a D chord (I), moves onto A (V), then A7 (V7) and back to D (I). The interlude features the progression D (I) – D7 (I7) – A7 (V7). This clever progression creates a momentary modulation to the key of G with the D7 chord, creating an interesting harmonic shift.

“Bohemian Rhapsody”, composed by Queen, is a powerful anthem that merges elements of rock, opera, and progressive music. The chord progression demonstrates a sophisticated understanding of voice leading and functional harmony, contributing to its distinctive sound. Famous for its key changes and thematic progressions, the composition is often cited as an example of Freddie Mercury’s musical genius.

“Exit Music (For a Film)” by Radiohead is a song characterized by a strong sense of melancholy and dark ambiance. The harmonic movement creates tension through the use of chromaticism, borrowed chords, and non-diatonic notes. In the verse progression, there is a mixture of minor and major chords, along with added tones that enhance the complexity and mood of the music.

“Say It Ain’t So” by Weezer is a rock song, primarily falling within the alternative rock and power pop styles. The chord progression of Verse 1 is simple yet effective in creating a somber, introspective mood. It primarily utilizes diatonic chords of the C major key, with the E major chord borrowed from the parallel minor key (C minor).

Chord progression analysis with Roman numerals:
A minor (vi) – E major (V/vi) – F major (IV) – C major (I)

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Borrowed chord: E major (V/vi)
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The Beatles – Come Together – Verse 1

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Chord Progression

[‘Dm’, ‘Dm’, ‘A’, ‘G’]

Chord Progression Analysis

Here is the chord progression of Verse 1 along with the full chord names and their roman numerals:

D minor (i)
D minor (i)
A major (V)
G major (IV)

Every chord exists naturally in the key of D minor, thus there are no borrowed chords in this progression.

Similar Chord Progressions

1. “Bad Moon Rising” by Creedence Clearwater Revival has similar chord progression:
D major (I)
A major (V)
G major (IV)
D major (I)

2. “Sweet Child o’ Mine” by Guns N’ Roses also shares a similar progression in the verse:
D major (I)
C major (bVII)
G major (IV)
D major (I)

This analysis only covers Verse 1 of the song, but the overall structure and progression vary throughout, with the use of the chords Bm and Bm/A making appearances in other parts of the song, enhancing its overall complexity and musical interest.

Musical Analysis

The chord progression’s unique character stems from its repetition and simplicity. The repeated D minor chord emphasizes the overall tonal center of the song. The A major to G major progression is a characteristic example of a V-IV cadence in minor, which creates an unresolved tension. The harmonic rhythm is consistent, with each chord receiving equal duration, lending to the steady and hypnotic groove of the song.

Overall Analysis

“Come Together” by The Beatles, like many other Beatles songs, is known for its unique melody and innovative chord progressions. The song is written in the key of D minor and employs frequent use of bluesy pentatonic scale patterns. The meter is 4/4 (common time). The song is characterized by the use of common chords, with the exception of the Bm and Bm/A chords which are noteworthy.

Style Analysis

“Come Together” is influenced by blues and rock and roll. Its simple and repetitive chord progression are features commonly found in these genres. The straightforward progression also serves as a background for the complex vocal melody and the signature bass line. The Beatles often employed standard rock/pop chords, but would arrange them in often unexpected and innovative ways.

Chords in the Verse 1 section of Come Together by The Beatles are:

[‘Dm’, ‘Dm’, ‘A’, ‘G’]