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“Good Vibrations” by The Beach Boys employs a series of chord progressions that echo the rising tension and resolution in the song’s narrative. The song is primarily in the key of D minor, with moments of temporary modulation, which allows for colorful and unexpected harmonies to emerge. This harmonic and melodic complexity is one of the defining characteristics of Brian Wilson’s writing style, highlighting his ability to push the boundaries of pop music.

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“God Only Knows” by The Beach Boys showcases the artistic depth and compositional craft of Brian Wilson, the band’s primary songwriter. The song utilizes a complex chord progression and key changes that are unconventional for pop music of its time. The chord progression creates a sense of constant mood transitions, similar to arias in Romantic era music.

Nine Inch Nails’ “Closer” is a unique blend of industrial rock, electronica, and alternative styles that has propelled the song to prominence as one of the band’s most famous and frequently played tracks. The song is in the key of E major and features a recurring chord progression throughout its various sections.

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“Here Comes the Sun” written by The Beatles is a seminal work from the Beatles’ output in pop music. The piece is composed in a modified strophic form with a circular pattern augmented with a repetitive and distinct bridge that modulates in key. The use of major chords and open voicings gives the song a sunny and positive feel, hence its title. It’s also notable for its mixed use of diatonic and borrowed chords, contributing to its unique sound.

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“Girl” by The Beatles is a classic example of their use of chromatic harmony and modal interchange. The chord progression shows complexity in both its chord choices and structure, a distinguishing feature in much of their music. By closely examining this piece, we can better understand The Beatles’ harmonic technique where they blend the techniques of classical music (like chromaticism and harmonic diversity) with pop songwriting.

The Beach Boys – Good Vibrations – Bridge

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Chord Progression

[‘A’, ‘A’, ‘D’, ‘D’, ‘A’, ‘A’, ‘E’, ‘F#m’, ‘B’, ‘E’, ‘F#m’, ‘B’, ‘E’, ‘F#m’, ‘B’, ‘E’, ‘E7’, ‘A’, ‘D’, ‘A’, ‘D’, ‘A’, ‘D’, ‘A’, ‘D’, ‘G’, ‘C’, ‘G’, ‘C’, ‘G’, ‘C’, ‘G’, ‘C’, ‘F’, ‘G’, ‘A’, ‘G’]

Chord Progression Analysis

The bridge chord progression is A – A – D – D – A – A – E – F#m – B – E – F#m – B – E – F#m – B – E – E7 – A – D – A – D – A – D – A – D – G – C – G – C – G – C – G – C – F – G – A – G.

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A Major (‘I’), D Major (‘IV’), A Major (‘I’), E Major (‘V’), F# Minor (‘vi’), B Major (‘Borrowed II from the key of A major’), E Major (‘V’), F# Minor (‘vi’), B Major (‘Borrowed II’), E Major (‘V’), E7 (‘V7’), A Major (‘I’), D Major (‘IV’), A Major (‘I’), D Major (‘IV’), G Major (‘Borrowed bVII from the key of A major’), C Major (‘Borrowed bIII’), G Major (‘Borrowed bVII’), C Major (‘Borrowed bIII’), F Major (‘Borrowed bVI’), G Major (‘Borrowed bVII’), A Major (‘I’), G Major (‘Borrowed bVII’)
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Similar Chord Progressions

Similar unique and complex progressions can be found in the music of other innovators from roughly the same era. The Beatles’ “Strawberry Fields Forever” has a complex chord progression and use of modulation, as does “God Only Knows” and “Wouldn’t it be Nice” by Beach Boys themselves.

Unfortunately, it’s difficult to showcase the entire chord progressions of these songs as your inquiry due to their own complexity and the fact that they involve various different sections with their individual characteristics.

Musical Analysis

This progression uses two main borrowed chords, the B Major and the F Major, creating a sense of surprise and intrigue, typical of the psychedelic rock genre that The Beach Boys would help popularize. The contrast between the original key of A Major and the insertion of these unexpected borrowed chords produces a ‘colorful’ tonality that revolutionized pop music. The transition from the dominant E7 back to the tonic A at the end of the progression also has a pulling effect. It brings the listener back to familiar territory after the wanderings of the progression.

Overall Analysis

“Good Vibrations” by The Beach Boys is highly complex and represents an exceptional use of harmonic structuring. The richness of the piece lies in Brian Wilson’s innovative and unpredictable songwriting, who was making significant use of modulation at the time, constantly shifting keys, in this case especially during the transition bridge.

Style Analysis

“Good Vibrations” is a marked departure from the early surf rock style of The Beach Boys, instead showcasing rich harmonic intricacies that set it among the classics of psychedelic rock. This use of complex chord progressions, layered vocal harmonies, and unusual instrumentation like theremin and electro-theremin set the song apart and influenced future generations of musicians.

Chords in the Bridge section of Good Vibrations by The Beach Boys are:

[‘A’, ‘A’, ‘D’, ‘D’, ‘A’, ‘A’, ‘E’, ‘F#m’, ‘B’, ‘E’, ‘F#m’, ‘B’, ‘E’, ‘F#m’, ‘B’, ‘E’, ‘E7’, ‘A’, ‘D’, ‘A’, ‘D’, ‘A’, ‘D’, ‘A’, ‘D’, ‘G’, ‘C’, ‘G’, ‘C’, ‘G’, ‘C’, ‘G’, ‘C’, ‘F’, ‘G’, ‘A’, ‘G’]