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Related Music Theory Alchemy

“In My Head” is a good example of the band’s signature style, combining elements of rock, punk, and alternative music. The usage of primary chords is fairly standard for rock music, but the inclusion of unexpected chords like G5 and D# adds a complex flavor to the progression making it notably unique amongst other songs within the genre.

The song “3s and 7s” by Queens of the Stone Age is in the key of A# minor. The chord progression predominantly features three chords: A#m, G#, and F. The progression utilizes elements of rock and metal music, characteristic of the band’s style. The composition has a darker feel brought by the use of minor chords and dropped tuning, which is frequently employed in harder styles of rock music.

The bridge of Beck’s “Heart Is A Drum” features a mixture of diatonic chords and borrowed chords. This creates a sense of continuous flow, which is commonly found in many popular music songs. The progression contains primary chords (G, C, and F) and a secondary chord (Dm7).

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“The Smashing Pumpkins” in the song ‘1979’ has used a somewhat unconventional yet memorable chord progression, particularly in the bridge section. This progression creates a certain mood and melodic texture befitting the song’s laid-back yet emotionally resonant feel.

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The bridge of George Benson’s “Give Me The Night” features a blend of jazz, R&B, and pop elements. The harmonic progression showcases a series of descending chords, interspersed with borrowed chords that provide an interesting twist to the overall tonality of the piece.

Queens of the Stone Age – In My Head – Bridge

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Chord Progression

[‘E’, ‘G’, ‘D’, ‘D#’]

Chord Progression Analysis

The bridge progression in ‘In My Head’ is as follows:

“`
E Major (‘I’)
G Major (‘bIII’) (Borrowed from E minor)
D Major (‘VII’) (Borrowed from E minor)
D# (‘#vii’, Diminished, not typically found in the key of E Major)
“`
This progression employs borrowed chords from the parallel minor key (E minor in this case), which is a technique often used in rock music to integrate tonal ambiguity, tension, and release.

Similar Chord Progressions

A similar chord progression can be heard in Radiohead’s “Karma Police”, specifically in the chorus. However, it is in the key of G and uses different borrowed chords:

“`
G Major (‘I’)
Bb Major (‘bIII’) (Borrowed from G minor)
F Major (‘VII’) (Borrowed from G minor)
F# Diminished (‘#vii’ – not typically found in the key of G Major)
“`
The use of borrowed chords from the parallel minor and the use of an unconventional diminished chord in a similar manner creates a comparable sense of tonal ambiguity and tension/release in “Karma Police”. This shows that the chord progression in “In My Head” and “Karma Police” share a similar alternative rock ethos and musical sensibility.

Musical Analysis

The E Major chord as a home base chord provides a bright and open sound, while the G Major and D Major are the borrowed chords from E minor, creating a tonal balance between the comfortable key home key and the unsettling borrowed chords. The D# diminished chord acts as a leading tone to guide the progression back to the root chord, E Major. It creates an unexpected tension before resolving back to the E major, giving a surprising and edgy touch to the overall progression.

Overall Analysis

“In My Head” by Queens of the Stone Age shows a variety of complex chord progressions that are often seen in alternative rock and other sub-genres of rock music. The chord progressions seem to use a combination of modal and chromatic harmony which gives it an edgy and intriguing sound quality.

Style Analysis

The bridge’s chord progression of ‘In My Head’ is typical of the alternative rock and hard rock genres in which Queens of the Stone Age work, with its usage of borrowed chords, thereby creating a unique, edgy, and unpredictable sound.

Chords in the Bridge section of In My Head by Queens of the Stone Age are:

[‘E’, ‘G’, ‘D’, ‘D#’]