Search

Related Music Theory Alchemy

The outro of “Heart Is A Drum” by Beck features a non-diatonic chord progression that includes a mixture of major, minor, and suspended chords. This chord progression results in a sense of longing and unresolved tension that is appropriate for an outro section. Additionally, the progression includes a borrowed chord, the Eb6sus2, which is borrowed from the parallel minor key and contributes to the unique, emotional quality of the song.

The chord progression in the chorus of Beck’s “Lord Only Knows” is in the key of B Major and features some chromaticism and borrowed chords that give it a unique and somewhat unexpected sound. The chords move predominantly in fourths and fifths. The nature of the progression is reminiscent of rock and folk music, but Beck’s quirky and stylistic approach also evokes an alternative feel.

“Yellow” by Coldplay is written in the key of G major. The song maintains a consistent use of diatonic chords from its own major key, with a predominant chord progression in the bridge and other sections being G – D – Cmaj7. Briefly, the song changes to a minor key using the Dm7 chord as a poignant moment in its structure.

**

“Here Comes the Sun” written by The Beatles is a seminal work from the Beatles’ output in pop music. The piece is composed in a modified strophic form with a circular pattern augmented with a repetitive and distinct bridge that modulates in key. The use of major chords and open voicings gives the song a sunny and positive feel, hence its title. It’s also notable for its mixed use of diatonic and borrowed chords, contributing to its unique sound.

**

The chord progression appears to be in the key of Bb Major, and showcases various diatonic chords along with a few borrowed chords. This progression is characterized by a blend of smooth and rich harmony, primarily due to the use of 7th chords and suspensions. The introduction of the dominant B7 chord adds interest, making the progression more unpredictable and complex.

Beck – Heart Is A Drum – Bridge

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

G, Dm7, F, G, Dm7, F, C

Chord Progression Analysis

G Major (I), D minor 7 (v7), F Major (♭VII), G Major (I), D minor 7 (v7), F Major (♭VII), C Major (IV)

Borrowed Chord:
`D minor 7 (v7)`

Similar Chord Progressions

1. Radiohead – “High and Dry” (Verse): [‘F’, ‘G’, ‘Am’, ‘F’, ‘G’, ‘A#’, ‘C’]
F Major (I), G Major (II), A minor (iii), F Major (I), G Major (II), B♭ Major (♭IV), C Major (V)

2. The Beatles – “Here, There and Everywhere” (Verse): [‘G’, ‘Bm7’, ‘E♭’, ‘Gb’, ‘G’, ‘Dm7’, ‘G’]
G Major (I), B minor 7 (iii7), E♭ Major (♭VI), G♭ Major (♭I), G Major (I), D minor 7 (v7), G Major (I)

These examples also feature a mix of diatonic and borrowed chords, as well as primary and secondary chords, creating an intriguing harmonic landscape. They showcase the versatility of popular music and how mixing chord types can evoke emotions and create interesting progressions.

Musical Analysis

The chord progression begins with the I chord (G Major) as the tonic, establishing the key center for the bridge. The second chord introduces a borrowed chord from the parallel minor key, G minor, which is the v7 (D minor 7). This adds some emotional color and unexpectedness to the progression.

Following the borrowed chord, we have a ♭VII (F Major), another non-diatonic chord that’s common in popular music. It moves back to the I chord (G Major), re-establishing the tonal center. The next two chords, Dm7 and F Major, are a repetition of the v7 and ♭VII respectively, reinforcing the pattern. The progression then concludes with the IV chord (C Major), often used in popular music as a pre-dominant chord that leads back to the tonic.

Overall Analysis

The bridge of Beck’s “Heart Is A Drum” features a mixture of diatonic chords and borrowed chords. This creates a sense of continuous flow, which is commonly found in many popular music songs. The progression contains primary chords (G, C, and F) and a secondary chord (Dm7).

Style Analysis

This chord progression is present in the bridge of the song, which often seeks to provide a contrast to the verses and choruses in many popular music styles. The use of borrowed chords and non-diatonic chords adds a level of sophistication compared to a standard diatonic progression. The mixture of major and minor chords also provides a balance between happiness and melancholy, which is characteristic of Beck’s writing style.

Chords in the Bridge section of Heart Is A Drum by Beck are:

G, Dm7, F, G, Dm7, F, C