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Related Music Theory Alchemy

“In My Head” by Queens of the Stone Age shows a variety of complex chord progressions that are often seen in alternative rock and other sub-genres of rock music. The chord progressions seem to use a combination of modal and chromatic harmony which gives it an edgy and intriguing sound quality.

“I Sat By The Ocean” by Queens of The Stone Age is written in E Major key.

“Kiss” is a funk, synthpop song written, produced and performed by Prince. The song’s structure runs around a simple, repeated two-bar eight-note pattern, but what’s odd is the song’s key. Dotting between E and D, it’s hard to pin down definitively, but the song seems to be written in the ambiguous key of E Mixolydian/D major.

The key of ‘Take Me Home, Country Roads’ is G Major, a common key for pop and country songs which provides a bright and uplifting sound. Throughout the song, only four different chords are used: G, D, Em and C. The progression is repeated consistently, with only the sudden introduction of an F major chord (borrowed from the parallel minor of G) towards the end of the song during a transition phase.

The chord progression in the chorus of “Ramona” by Beck is an interesting mix of diatonic and borrowed chords that creates a unique and somewhat unexpected harmonic landscape. It combines major and minor chords, borrowed chords from the parallel minor key, and chromatic chords, making a rich harmonic texture.

Queens of the Stone Age – In My Head – Chorus

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Chord Progression

[‘E’, ‘G5’, ‘D’, ‘D#’]

Chord Progression Analysis

The chorus features the following chords:

E Major (`I`)
G5 (`bIII`)
D Major (`VII`)
D# Major (`VII#`)

“`
Borrowed Chord: G5
“`

Similar Chord Progressions

Few artists tend to use similar chord progressions as their style is highly distinctive. However, some songs from grunge and desert rock genre do employ similar essence owned by Queens of the Stone Age. For instance, Nirvana’s “Smells Like Teen Spirit” has a similar progression in its chorus:

A (‘VI’)
G#5 (‘#V’)
D (‘VII’)
D# (‘VII#’)

Notice the usage of non-diatonic and borrowed chords creating a similar sonic texture. Even though the keys are different, the common usage of chromatic mediants and non-diatonic chords can be clearly seen in both the songs.

Musical Analysis

The inclusion of the G5 and D# Major chords in this progression is very interesting. The G5, is a borrowed chord from the parallel minor key. Borrowed chords are often used in music to add color and disruption to the harmony. In this case, the G5 creates a momentary shift in harmony when it arrives, disrupting the tonality established by the E Major.
Moving on to the D and D# Major chords, these chords are a whole step apart, which creates a chromatic mediant relationship which often brings tension and resolution in a song.

Overall Analysis

“In My Head” is a good example of the band’s signature style, combining elements of rock, punk, and alternative music. The usage of primary chords is fairly standard for rock music, but the inclusion of unexpected chords like G5 and D# adds a complex flavor to the progression making it notably unique amongst other songs within the genre.

Style Analysis

As mentioned earlier, the usage of non-diatonic chords and notes is part of the Queens of the Stone Age’s distinctive style. They aren’t afraid to experiment with unconventional chord progressions, which contributes to the unique sound they’re known for. It’s a mix of grunge, desert rock, and a dash of psychedelic that makes their music instantly recognizable.

Chords in the Chorus section of In My Head by Queens of the Stone Age are:

[‘E’, ‘G5’, ‘D’, ‘D#’]