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The chord progression in Verse 2 of Radiohead’s “Nude” showcases a unique blend of minor and major chords within the key of E major, highlighting the band’s signature non-traditional approach to harmony. It features borrowed chords, as well as chromatic and diatonic motion between some chords.

“Knives Out” by Radiohead features a chord progression that combines elements of rock and jazz with a touch of chromaticism. The harmony is based in the key of C minor, but it also borrows chords from the parallel major key, creating an interesting mix of major and minor tonalities. The overall feel of the piece is melancholic and introspective, with various chord relationships contributing to this mood.

“Come Together” by The Beatles, like many other Beatles songs, is known for its unique melody and innovative chord progressions. The song is written in the key of D minor and employs frequent use of bluesy pentatonic scale patterns. The meter is 4/4 (common time). The song is characterized by the use of common chords, with the exception of the Bm and Bm/A chords which are noteworthy.

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The given chord progression is from the verse of Beck’s song “Morning.” The progression is in the key of E Major and follows a cyclical pattern throughout the verse.

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The verse of “Megalomania” by Muse is characterized by distinctive harmonic progressions, dynamic contrasts, and notable melodic lines that are typical of the band’s alternative rock style. Throughout this verse, Muse uses common harmonic devices such as secondary dominants, diatonic and chromatic mediants, borrowed chords from parallel keys, and deceptive cadences to create a sense of tension and forward momentum.

Radiohead – Nude – Verse 1

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Chord Progression

G#m, G#, A, E, C#m, B7, G#m, G#, A, E, C#m

Chord Progression Analysis

G#m: G# minor (i)
G#: G# major (I/♭III)
A: A major (IV)
E: E major (V)
C#m: C# minor (vi)
B7: B dominant 7 (V7)
G#m: G# minor (i)
G#: G# major (I/♭III)
A: A major (IV)
E: E major (V)
C#m: C# minor (vi)

Borrowed Chord:
“`
G# major (I/♭III)
“`

Similar Chord Progressions

1. Coldplay – “Fix You” Verse Chord Progression:
C: C major (I)
Em: E minor (iii)
Am: A minor (vi)
G: G major (V)
F: F major (IV)
C: C major (I)
F: F major (IV)
G: G major (V)

2. Muse – “Falling Away with You” Chorus Chord Progression:
Em: E minor (i)
D: D major (VII)
G: G major (IV)
C: C major (VI)
Am: A minor (v)
B: B major (I/♭III)

In both examples, unexpected harmonic shifts and borrowed chords create engaging and emotional chord progressions.

Musical Analysis

The chord progression in “Nude” begins with a G# minor chord (i), which establishes a dark, introspective tone. This mood is further intensified with the unexpected shift to a borrowed major chord, G# major (I/♭III). This chromatic alteration invokes a sense of tension, which resolves somewhat as the progression moves to the A major chord (IV). From there, the E major (V) and C# minor chords (vi) help ground the progression in its original key of G# minor, before the B dominant 7 (V7) chord adds a touch of tension leading back to the beginning of the sequence.

Overall Analysis

The chord progression in the verse of Radiohead’s “Nude” sets a contemplative and emotive atmosphere. It features a mix of diatonic and borrowed chords, which creates unexpected harmonic shifts that evoke feelings of melancholy. This distinctive harmonic language can be associated with the band’s signature moody sound and has been influential in the indie and alternative rock genres.

Style Analysis

“Nude” displays a unique blend of contemporary rock, alternative, and even some classic tonal harmony elements. Unlike standard pop progressions that often rely on simpler diatonic harmony, Radiohead borrows chords from other modes, such as the G# major (I/♭III). This quality exemplifies the band’s desire to explore new harmonic pathways and innovate within their musical style. The result is a captivating and emotional sound that has been a part of Radiohead’s aesthetic throughout their career.

Chords in the Verse 1 section of Nude by Radiohead are:

G#m, G#, A, E, C#m, B7, G#m, G#, A, E, C#m