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Related Music Theory Alchemy

The chord progression in Verse 2 of Radiohead’s “Nude” showcases a unique blend of minor and major chords within the key of E major, highlighting the band’s signature non-traditional approach to harmony. It features borrowed chords, as well as chromatic and diatonic motion between some chords.

** The chord progression in Verse 3 of Radiohead’s “Fake Plastic Trees” is a combination of diatonic and non-diatonic chords in the key of A major, featuring the use of suspended chords, 9th chords, and 6th chords. The progression has a tonally ambiguous and ethereal quality, which is characteristic of Radiohead’s style.

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“Bullet With Butterfly Wings” by The Smashing Pumpkins features a chord progression that uses a lot of power chords (fifth chords) which demonstrates its grungy, rock oriented style. It also incorporates major, minor, and suspended second chords, making it an interesting combination of simplicity and complexity.

The song “3s and 7s” by Queens of the Stone Age is in the key of A# minor. The chord progression predominantly features three chords: A#m, G#, and F. The progression utilizes elements of rock and metal music, characteristic of the band’s style. The composition has a darker feel brought by the use of minor chords and dropped tuning, which is frequently employed in harder styles of rock music.

“Strawberry Fields Forever” by The Beatles is a psychedelic rock song often regarded as one of their finest works. It’s innovative from both a melodic and harmonic perspective, using complex chord structures, chromatic touches, and key changes. The song is primarily in the key of E major.

Radiohead – Nude – Verse 1

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Chord Progression

G#m, G#, A, E, C#m, B7, G#m, G#, A, E, C#m

Chord Progression Analysis

G#m: G# minor (i)
G#: G# major (I/♭III)
A: A major (IV)
E: E major (V)
C#m: C# minor (vi)
B7: B dominant 7 (V7)
G#m: G# minor (i)
G#: G# major (I/♭III)
A: A major (IV)
E: E major (V)
C#m: C# minor (vi)

Borrowed Chord:
“`
G# major (I/♭III)
“`

Similar Chord Progressions

1. Coldplay – “Fix You” Verse Chord Progression:
C: C major (I)
Em: E minor (iii)
Am: A minor (vi)
G: G major (V)
F: F major (IV)
C: C major (I)
F: F major (IV)
G: G major (V)

2. Muse – “Falling Away with You” Chorus Chord Progression:
Em: E minor (i)
D: D major (VII)
G: G major (IV)
C: C major (VI)
Am: A minor (v)
B: B major (I/♭III)

In both examples, unexpected harmonic shifts and borrowed chords create engaging and emotional chord progressions.

Musical Analysis

The chord progression in “Nude” begins with a G# minor chord (i), which establishes a dark, introspective tone. This mood is further intensified with the unexpected shift to a borrowed major chord, G# major (I/♭III). This chromatic alteration invokes a sense of tension, which resolves somewhat as the progression moves to the A major chord (IV). From there, the E major (V) and C# minor chords (vi) help ground the progression in its original key of G# minor, before the B dominant 7 (V7) chord adds a touch of tension leading back to the beginning of the sequence.

Overall Analysis

The chord progression in the verse of Radiohead’s “Nude” sets a contemplative and emotive atmosphere. It features a mix of diatonic and borrowed chords, which creates unexpected harmonic shifts that evoke feelings of melancholy. This distinctive harmonic language can be associated with the band’s signature moody sound and has been influential in the indie and alternative rock genres.

Style Analysis

“Nude” displays a unique blend of contemporary rock, alternative, and even some classic tonal harmony elements. Unlike standard pop progressions that often rely on simpler diatonic harmony, Radiohead borrows chords from other modes, such as the G# major (I/♭III). This quality exemplifies the band’s desire to explore new harmonic pathways and innovate within their musical style. The result is a captivating and emotional sound that has been a part of Radiohead’s aesthetic throughout their career.

Chords in the Verse 1 section of Nude by Radiohead are:

G#m, G#, A, E, C#m, B7, G#m, G#, A, E, C#m