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** The chord progression in Verse 3 of Radiohead’s “Fake Plastic Trees” is a combination of diatonic and non-diatonic chords in the key of A major, featuring the use of suspended chords, 9th chords, and 6th chords. The progression has a tonally ambiguous and ethereal quality, which is characteristic of Radiohead’s style.

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The chord progression in the chorus of “Exit Music (For A Film)” by Radiohead is rather unconventional and features several borrowed chords from different modes. It showcases the band’s affinity for using non-diatonic chords and contributes to the song’s somber and haunting atmosphere.

“Creep” by Radiohead is a song in the key of G major that features a four-chord progression in its verse 2, which is distinctive for its use of a borrowed chord from the parallel minor (G minor). Although the song’s simple harmonic structure is quite common in pop music, its use of a borrowed chord adds an element of surprise and emotional depth, establishing Radiohead’s unique sound.

“Rocket Man” by Elton John, released in 1972, is a melodic and harmonically sophisticated example of his pop/rock style. The piece is in the key of G, and the chord progression of Verse 2 introduces some harmonies that exploit john’s expertise in using extended and altered chords, which lend colorfulness and a feel of departure and return. The use of slash chords like G/B and D/F# creates a descending bass line that is very characteristic of pop and rock music, creating a sense of melodic movement within the chords themselves. Verse 2 is navigated skillfully between simplistic and complex harmonies.

“Eight Days A Week” by The Beatles, released in 1965, is renowned for its catchy melodic phrases, tight harmonies, and distinctive use of chords. The song is firmly rooted in the key of D major, but there is an interesting use of borrowed chords.

Verse 2

Radiohead – Fake Plastic Trees – Verse 2

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Chord Progression

A, Asus4, Dmaj9/F#, Dmaj9/F#, E6, Dsus2, A, Dsus2, A, Asus4, Dmaj9/F#, Dmaj9/F#, E6, Dsus2, A, Dsus2

Chord Progression Analysis

A (I), Asus4 (Iadd4), Dmaj9/F# (IVmaj9), Dmaj9/F# (IVmaj9), E6 (V6), Dsus2 (IVsus2), A (I), Dsus2 (IVsus2), A (I), Asus4 (Iadd4), Dmaj9/F# (IVmaj9), Dmaj9/F# (IVmaj9), E6 (V6), Dsus2 (IVsus2), A (I), Dsus2 (IVsus2)

Similar Chord Progressions

1. Jeff Buckley – Hallelujah: C (I), Am (vi), C (I), Am (vi), F (IV), G (V), C (I), G (V), C (I), F (IV), G (V), E (III), Am (vi)

2. Coldplay – Yellow: A (I), Aadd4 (Iadd4), Asus2 (Isus2), Dmaj7 (IVmaj7), Esus4 (Vsus4), E (V), Dsus2 (IVsus2), A (I)

While these chord progressions are not identical, they share some common elements with “Fake Plastic Trees,” including the use of extended chords, unexpected harmonic shifts, and a blend of major and minor tonalities.

Musical Analysis

The chord progression prominently features the I, IV, and V chords, which are the primary building blocks of many genres, including pop and rock music. However, Radiohead’s choice to use chord extensions (e.g., maj9, sus2, and add4) and inversions (Dmaj9/F#) adds complexity and intrigue.

The use of borrowed chords such as the Dmaj9/F# (IVmaj9) gives a sense of movement and color, while the inclusion of extended chords like Asus4 (Iadd4), Dmaj9/F# (IVmaj9), and E6 (V6) gives the progression a dreamy, ambient feel. Additionally, the sus2 chords provide harmonic tension and drivemotivating the progression forward. The alternation between major and minor chords throughout the verse further contributes to the emotional depth of the song.

Overall Analysis

“Fake Plastic Trees” by Radiohead is a haunting and introspective ballad that features an evocative chord progression. The progression appears to have been influenced by alternative rock and combines elements of both major and minor tonalities, as well as non-diatonic and diatonic chords. This blend of harmonic flavors creates an unforgettable sound that is melancholic, yet beautiful.

Style Analysis

“Fake Plastic Trees” showcases Radiohead’s distinct alternative rock style. The combination of diatonic and non-diatonic chords, the use of extended chords and suspensions, and the blend of major and minor chords demonstrate the band’s creativity and their departure from traditional songwriting norms. The chord progression serves to solidify Radiohead’s reputation for crafting innovative and emotionally potent soundscapes.

Chords in the Verse 2 section of Fake Plastic Trees by Radiohead are:

A, Asus4, Dmaj9/F#, Dmaj9/F#, E6, Dsus2, A, Dsus2, A, Asus4, Dmaj9/F#, Dmaj9/F#, E6, Dsus2, A, Dsus2