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Related Music Theory Alchemy

** The chord progression in Verse 3 of Radiohead’s “Fake Plastic Trees” is a combination of diatonic and non-diatonic chords in the key of A major, featuring the use of suspended chords, 9th chords, and 6th chords. The progression has a tonally ambiguous and ethereal quality, which is characteristic of Radiohead’s style.

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“Fake Plastic Trees” by Radiohead is a melancholic song with an emotional chord progression. The song is in the key of A Major and features a mixture of diatonic chords, suspended chords, and extended chords that create a sense of yearning and tension. The verse is characterized by a cyclical progression that begins and ends on the tonic (A), providing a sense of unresolved tension. This helps to support the song’s themes of artificiality and dissatisfaction.

The given chord progression belongs to the verse 2 of the song “Apocalypse Please” by Muse. This progression reflects the band’s signature style that combines elements of rock, classical, and electronic music. The chords follow a pattern that combines both diatonic and chromatic movement, creating a dramatic and intense feel. A unique feature in this progression is the use of slash chords, which adds further harmonic interest.

“Somewhere Only We Know” by Keane is a pop/rock song written in the key of A Major, although the chord progression given seems to be transposed to the key of C Major. It is characterized by its use of repeated motifs and sequenced chord progressions to create a sense of familiarity and typical of the pop genre.

The chord progression in the verse 2 of “House of The Rising Sun” by The Animals is an iconic progression in popular music. The song is in the key of A minor, and is built using diatonic and borrowed chords with some chromaticism. The progression features a strong sense of movement and resolution, with the mix of major and minor chords creating an emotional and dramatic atmosphere.

Radiohead – Fake Plastic Trees – Verse 2

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Chord Progression

A, Asus4, Dmaj9/F#, Dmaj9/F#, E6, Dsus2, A, Dsus2, A, Asus4, Dmaj9/F#, Dmaj9/F#, E6, Dsus2, A, Dsus2

Chord Progression Analysis

A (I), Asus4 (Iadd4), Dmaj9/F# (IVmaj9), Dmaj9/F# (IVmaj9), E6 (V6), Dsus2 (IVsus2), A (I), Dsus2 (IVsus2), A (I), Asus4 (Iadd4), Dmaj9/F# (IVmaj9), Dmaj9/F# (IVmaj9), E6 (V6), Dsus2 (IVsus2), A (I), Dsus2 (IVsus2)

Similar Chord Progressions

1. Jeff Buckley – Hallelujah: C (I), Am (vi), C (I), Am (vi), F (IV), G (V), C (I), G (V), C (I), F (IV), G (V), E (III), Am (vi)

2. Coldplay – Yellow: A (I), Aadd4 (Iadd4), Asus2 (Isus2), Dmaj7 (IVmaj7), Esus4 (Vsus4), E (V), Dsus2 (IVsus2), A (I)

While these chord progressions are not identical, they share some common elements with “Fake Plastic Trees,” including the use of extended chords, unexpected harmonic shifts, and a blend of major and minor tonalities.

Musical Analysis

The chord progression prominently features the I, IV, and V chords, which are the primary building blocks of many genres, including pop and rock music. However, Radiohead’s choice to use chord extensions (e.g., maj9, sus2, and add4) and inversions (Dmaj9/F#) adds complexity and intrigue.

The use of borrowed chords such as the Dmaj9/F# (IVmaj9) gives a sense of movement and color, while the inclusion of extended chords like Asus4 (Iadd4), Dmaj9/F# (IVmaj9), and E6 (V6) gives the progression a dreamy, ambient feel. Additionally, the sus2 chords provide harmonic tension and drivemotivating the progression forward. The alternation between major and minor chords throughout the verse further contributes to the emotional depth of the song.

Overall Analysis

“Fake Plastic Trees” by Radiohead is a haunting and introspective ballad that features an evocative chord progression. The progression appears to have been influenced by alternative rock and combines elements of both major and minor tonalities, as well as non-diatonic and diatonic chords. This blend of harmonic flavors creates an unforgettable sound that is melancholic, yet beautiful.

Style Analysis

“Fake Plastic Trees” showcases Radiohead’s distinct alternative rock style. The combination of diatonic and non-diatonic chords, the use of extended chords and suspensions, and the blend of major and minor chords demonstrate the band’s creativity and their departure from traditional songwriting norms. The chord progression serves to solidify Radiohead’s reputation for crafting innovative and emotionally potent soundscapes.

Chords in the Verse 2 section of Fake Plastic Trees by Radiohead are:

A, Asus4, Dmaj9/F#, Dmaj9/F#, E6, Dsus2, A, Dsus2, A, Asus4, Dmaj9/F#, Dmaj9/F#, E6, Dsus2, A, Dsus2