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Related Music Theory Alchemy

“Exit Music (For a Film)” by Radiohead is a song characterized by a strong sense of melancholy and dark ambiance. The harmonic movement creates tension through the use of chromaticism, borrowed chords, and non-diatonic notes. In the verse progression, there is a mixture of minor and major chords, along with added tones that enhance the complexity and mood of the music.

The chord progression featured in Radiohead’s “Motion Picture Soundtrack” Verse 2 is a four-chord loop that moves from G major to C major (acting as a suspension) and B minor (with an added 9th), creating an interesting mix of tonalities and suspensions. The progression establishes G major as the tonal center but continually moves away from it, creating a sense of ambiguity.

The chord progression “[‘Em’, ‘Am’, ‘D’]” from the outro of Weezer’s “The Good Life” is a simple, yet effective progression in the key of E minor. It demonstrates a melancholic feel common to alternative rock and power-pop music genres of the 1990s. The chords in this progression are borrowed from the E natural minor scale.

The outro of George Benson’s “Give Me The Night” features a smooth, soulful chord progression that is common to jazz, R&B, and pop music. The progression has a descending movement with alternating minor 7th and major 7th chords. This repetition creates a sense of ambience and resolution, making it an ideal conclusion to the song.

The outro chord progression of “Are We Still Friends” by Tyler, The Creator has an interesting and somewhat unconventional structure. It’s composed of four chords and follows a pattern that showcases chromatic motion, a key element often found in the music of Tyler, The Creator. The vamp is harmonically ambiguous, relying on the dynamic interplay between the chords to create tension and resolution.

Radiohead – Exit Music For A Film – Outro

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Chord Progression

Am, E, C/G, Dadd9/F#, Dadd9/F, Am, E, Asus4, A, Am, E, Asus4, A, Am, E, Asus4, A

Chord Progression Analysis

“`
Am (i),
E (V),
C/G (VI6),
Dadd9/F# (VII with an added 9th and first inversion),
Dadd9/F (VII with an added 9th and flat sixth in the bass),
Am (i),
E (V),
Asus4 (IVsus4),
A (IV),
Am (i),
E (V),
Asus4 (IVsus4),
A (IV),
Am (i),
E (V),
Asus4 (IVsus4),
A (IV)
“`

Borrowed Chords:
“`
Dadd9/F# – Borrowed from A dorian mode
Dadd9/F – Borrowed from A phrygian mode
“`

Similar Chord Progressions

1. “Space Oddity” by David Bowie:
“`
C (I),
Em (iii),
Cmaj7 (Imaj7),
C (I),
C (I),
E7 (III7),
Fmaj7 (IVmaj7),
Fm (iv),
C (I),
E7 (III7),
F (IV),
Fm (iv),
C (I)
“`

2. “Shiver” by Coldplay:
“`
Bsus2 (I),
G#sus4 (Sixth Chord in first inversion),
C#m (iv),
Bsus2 (I),
G#m (vi),
Bsus2 (I),
G#sus4 (Sixth Chord in first inversion),
C#m (iv)
“`

Musical Analysis

The progression begins with a classic i-V movement from Am to E, which adds a sense of tension and urgency. The following C/G is a borrowed VI chord that adds more texture by being in the first inversion, giving a richer and smoother harmonic motion. This is followed by the Dadd9/F#, which adds an interesting modal interchange from the A dorian mode, and contrasts nicely with the next chord, Dadd9/F, borrowed from the A phrygian mode. The chromatic descending bass movement from F# to F in these chords creates an intriguing color within the progression.

The rest of the progression consists of repetitions and variations of the initial pattern, with V-IVsus4-IV giving a sense of resolve between the repetitions. The use of sus4 chords adds an open, suspended feeling, which helps build tension throughout. The progression concludes by revisiting the i-V movement, providing a sense of closure.

Overall Analysis

The Outro of “Exit Music (For a Film)” by Radiohead features a striking and emotive chord progression that showcases their innovative approach to harmony. It is characterized by the use of irregular modal interchanges, sustained chords, and slight variations on repeating patterns.

Style Analysis

Radiohead is known for their unique approach to harmony and composition. The usage of modal interchange, unconventional chord voicings, and the delicate balance of tension and release in “Exit Music (For a Film)” truly reflects their innovative and influential style. Thom Yorke’s haunting vocal melodies over these sophisticated progressions further contribute to the eeriness and contemplative mood of the piece.

Chords in the Outro section of Exit Music For A Film by Radiohead are:

Am, E, C/G, Dadd9/F#, Dadd9/F, Am, E, Asus4, A, Am, E, Asus4, A, Am, E, Asus4, A