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“Exit Music (For a Film)” by Radiohead features a unique and somewhat complex chord progression, particularly in the second verse. The song can be viewed as being in A minor, with various borrowed chords and non-diatonic chords. The chord progression reflects Radiohead’s experimental and innovative approach to harmony and songwriting.

“Creep” by Radiohead is an alternative rock song in the key of G major, with a somewhat melancholic tone. The chord progression used is iconic, and it heavily relies on borrowed chords to create tension and resolution in the harmony. This use of chords creates a distinct sound that has become synonymous with the song.

The song “Something” by The Beatles has a key center in C major. However, it modulates from time to time using a variety of techniques including secondary dominance and borrowed chords. It is a fine example of George Harrison’s complex songwriting and his adroitness at seamlessly weaving together uncommon chord progressions. Harrison employs an array of chords to inject a rich, nuanced musical quality to the song.

Kali Uchis’ “Telepatia” features a relatively simple two-chord progression in the outro, consisting of a major seventh chord followed by a dominant seventh chord. The harmonic texture is sparse yet effective, with a unique, ethereal atmosphere created by the interplay between the two chords.

The outro of ‘Hey Jude’ by The Beatles is a prime example of a repeated chord progression, specifically a repeated loop of D-C-G-D. This progression is repeated throughout the last significant section of the song, often referred to as the “na na na” section, essentially becoming a kind of mantra or chant that brings the song to a sustained and palpable resolution.

Radiohead – Exit Music For A Film – Outro

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Chord Progression

Am, E, C/G, Dadd9/F#, Dadd9/F, Am, E, Asus4, A, Am, E, Asus4, A, Am, E, Asus4, A

Chord Progression Analysis

“`
Am (i),
E (V),
C/G (VI6),
Dadd9/F# (VII with an added 9th and first inversion),
Dadd9/F (VII with an added 9th and flat sixth in the bass),
Am (i),
E (V),
Asus4 (IVsus4),
A (IV),
Am (i),
E (V),
Asus4 (IVsus4),
A (IV),
Am (i),
E (V),
Asus4 (IVsus4),
A (IV)
“`

Borrowed Chords:
“`
Dadd9/F# – Borrowed from A dorian mode
Dadd9/F – Borrowed from A phrygian mode
“`

Similar Chord Progressions

1. “Space Oddity” by David Bowie:
“`
C (I),
Em (iii),
Cmaj7 (Imaj7),
C (I),
C (I),
E7 (III7),
Fmaj7 (IVmaj7),
Fm (iv),
C (I),
E7 (III7),
F (IV),
Fm (iv),
C (I)
“`

2. “Shiver” by Coldplay:
“`
Bsus2 (I),
G#sus4 (Sixth Chord in first inversion),
C#m (iv),
Bsus2 (I),
G#m (vi),
Bsus2 (I),
G#sus4 (Sixth Chord in first inversion),
C#m (iv)
“`

Musical Analysis

The progression begins with a classic i-V movement from Am to E, which adds a sense of tension and urgency. The following C/G is a borrowed VI chord that adds more texture by being in the first inversion, giving a richer and smoother harmonic motion. This is followed by the Dadd9/F#, which adds an interesting modal interchange from the A dorian mode, and contrasts nicely with the next chord, Dadd9/F, borrowed from the A phrygian mode. The chromatic descending bass movement from F# to F in these chords creates an intriguing color within the progression.

The rest of the progression consists of repetitions and variations of the initial pattern, with V-IVsus4-IV giving a sense of resolve between the repetitions. The use of sus4 chords adds an open, suspended feeling, which helps build tension throughout. The progression concludes by revisiting the i-V movement, providing a sense of closure.

Overall Analysis

The Outro of “Exit Music (For a Film)” by Radiohead features a striking and emotive chord progression that showcases their innovative approach to harmony. It is characterized by the use of irregular modal interchanges, sustained chords, and slight variations on repeating patterns.

Style Analysis

Radiohead is known for their unique approach to harmony and composition. The usage of modal interchange, unconventional chord voicings, and the delicate balance of tension and release in “Exit Music (For a Film)” truly reflects their innovative and influential style. Thom Yorke’s haunting vocal melodies over these sophisticated progressions further contribute to the eeriness and contemplative mood of the piece.

Chords in the Outro section of Exit Music For A Film by Radiohead are:

Am, E, C/G, Dadd9/F#, Dadd9/F, Am, E, Asus4, A, Am, E, Asus4, A, Am, E, Asus4, A