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“As Tears Go By” by The Rolling Stones is a popular song from the mid-60s that features a mix of major and minor chords along with modulations between closely related keys. The overall harmonic structure shares similarities with other rock and pop songs of that era, including The Beatles and Bob Dylan.

Base Key and

“Paint It, Black” is in E minor key, with verse 3 having an exciting harmonic progression: Em – B – Em – B – Em – D – G – D – Em – Em – D – G – D – A – B. The chord progression suggests that the Rolling Stones utilise borrowed chords to impose an air of ambiguity that reflects the song’s lyrical themes. Additionally, this song is a blend of rock and raga rock style and exemplifies the Stones’ 1960s exploration into psychedelia and Eastern musical styles.

“Someone to Love” by Queen exhibits a blend of rock and gospel music, showcasing their musical brilliance and theatrical elements. The chord progression forms a classic example of a departure from the typical I-IV-V root progression seen in much of popular western music, demonstrating Queen’s ingenious writing style.

The song “Hurt” by Nine Inch Nails has a tonal center around the key of B minor, as it is the most prominently featured chord in both the verse and chorus sections. The verse features a simple three-chord progression (Bm-D-E), and the chorus introduces additional chords (G, A). The outro mainly repeats the chords from the verse. The style of the piece can be characterized as haunting, melancholic, and somewhat minimalistic with only a few chords creating the harmonic landscape.

The key of the song is D major which makes it easier to analyze the chord progression according to the diatonic scale in the key of D Major.

The Rolling Stones – As Tears Go By – Outro

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Chord Progression

G, A, C, D, G

Chord Progression Analysis

The central focus of the song’s harmony is primarily on the tonic (G Major), subdominant (C Major), and dominant (D Major) chords. The inclusion of the A Major chord, which is borrowed from the parallel minor key (E minor), adds some unexpected color and interest to the progression, yet it is still smooth and functional due to its resolution back to the IV chord (C Major). The D/F# (V6/4) chord in the verses also provides a smoother bass line and voice leading.

Similar Chord Progressions

Musical Analysis

“As Tears Go By” adheres to a style typical of the 1960s folk-pop ballad, with simple, repetitive harmonic progressions and a verse-based structure. The inclusion of a borrowed chord (A Major) adds an element of subtle tension and unexpectedness, which is a common element in pop music from this era.

Overall Analysis

The Rolling Stones’ “As Tears Go By” is primarily in the key of G major and follows a Verse-Verse-Verse-Outro structure. The harmony is relatively simple, incorporating primarily diatonic chords from the G major scale as well as a few borrowed chords and inversions.

Chord Progression Analysis (Outro):
G Major (I) – A Major (V/vi, borrowed from E minor) – C Major (IV) – D Major (V) – G Major (I)

Style Analysis

1. The Beatles – “I Will” (1968)
Chord Progression: F Major (I) – A Major (V/vi, borrowed from D minor) – Bb Major (IV) – C Major (V) – F Major (I)

2. The Mamas and the Papas – “California Dreamin’” (1965)
Chord Progression: A Minor (i) – G Major (VII) – F Major (VI) – C Major (III) – G Major (VII) – A Minor (i)

3. Bob Dylan – “Girl from the North Country” (1963)
Chord Progression: C Major (I) – D Major (V/V, borrowed from G major) – F Major (IV) – G Major (V) – C Major (I)

In summary, “As Tears Go By” by The Rolling Stones employs a simple, diatonic chord progression with some borrowed chords to add interest. It follows a popular 1960s folk-pop ballad style and shares similarities with other songs from the same era by artists like The Beatles, The Mamas and the Papas, and Bob Dylan.

Chords in the Outro section of As Tears Go By by The Rolling Stones are:

G, A, C, D, G