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Related Music Theory Alchemy

The verse 2 chord progression of Radiohead’s “Everything In Its Right Place” demonstrates a combination of diatonic and non-diatonic chords with tonal ambiguity, frequent use of borrowed chords from parallel modes, and modulation. The progression has a cyclic, hypnotic quality with occasional surprises due to large leaps in pitch and unexpected, non-diatonic chords.

“Creep” by Radiohead is an alternative rock song in the key of G major, with a somewhat melancholic tone. The chord progression used is iconic, and it heavily relies on borrowed chords to create tension and resolution in the harmony. This use of chords creates a distinct sound that has become synonymous with the song.

The key of the song is D major which makes it easier to analyze the chord progression according to the diatonic scale in the key of D Major.

“Beast of Burden,” by The Rolling Stones, a song characterized by a typical rock-pop structure, primarily uses a IV-chord loop in the key of E major. The chord progression in the outro follows a specific sequence: E, to B, to C#m, to A. The return to the E at the end of the progression gives it a circular feel that encourages cohesion.

“Somewhere Only We Know” by Keane is a softly and tenderly written song that rests primarily on the key of C Major. However, it uses a fair amount of borrowed chords from the parallel minor key, giving it a warm, melancholic tone, which is typical of many pop ballads.

Radiohead – Everything In Its Right Place – Outro

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Chord Progression

F, C, Db, Eb

Chord Progression Analysis

F major (I) – C major (V) – D♭ major (♭VI) – E♭ major (♭VII)

`D♭ major and E♭ major are borrowed chords from the parallel minor (F minor).`

Similar Chord Progressions

1. “Creep” by Radiohead: (‘I) – (‘V) – (‘♭VI) – (‘♭III)

2. “Sweet Dreams (Are Made of This)” by Eurythmics: (‘I) – (‘♭VI) – (‘♭VII) – (‘V)

3. “Bitter Sweet Symphony” by The Verve: (‘I) – (‘I) – (‘♭VI) – (‘♭VI)

While these similar chord progressions have different chord arrangements, they all make use of borrowed chords and modal mixture to achieve an emotional, distinctive sound.

Musical Analysis

The chord progression, which makes use of borrowed chords from the parallel minor, is quite unusual and adds a distinct flavor to the song. F major, the tonic chord, provides a sense of stability, while the subsequent chords add increasing levels of tension before looping back to the starting point.

Using borrowed chords, such as the D♭ major and E♭ major from the parallel minor, provides a sense of modal mixture to the progression. This creates an intriguing balance between the expected diatonic chords and unexpected modally borrowed chords, effectively maintaining a sense of tension that works well in the context of Radiohead’s ambient, experimental sound.

Overall Analysis

“Everything In Its Right Place” by Radiohead is an experimental and ambient piece released in 2000 as part of their album “Kid A.” The piece defies traditional pop and rock song forms, delving more into the territory of electronic and experimental music. The outro chord progression is simple but intriguing, serving a hypnotic and unresolved quality that keeps the listener engaged.

Style Analysis

“Everything In Its Right Place” is a clear example of Radiohead’s inclination towards experimenting with unconventional chord progressions, structures, and textures. The band, known for pushing the boundaries of rock and alternative music, embraces the use of electronic elements, synthesizers, and audio manipulation in this piece. The harmonic choices and overall atmosphere of the song contribute to its haunting, otherworldly quality.

Chords in the Outro section of Everything In Its Right Place by Radiohead are:

F, C, Db, Eb