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Related Music Theory Alchemy

“Everything In Its Right Place” by Radiohead is a harmonically adventurous piece with an unconventional structure that features a mixture of modal and borrowed chords. The piece has an impressionistic quality influenced by classical lineage, while also regularly employing electronic and synthesized sounds.

** The chord progression in Verse 3 of Radiohead’s “Fake Plastic Trees” is a combination of diatonic and non-diatonic chords in the key of A major, featuring the use of suspended chords, 9th chords, and 6th chords. The progression has a tonally ambiguous and ethereal quality, which is characteristic of Radiohead’s style.

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Kali Uchis’ “Telepatia” features a relatively simple two-chord progression in the outro, consisting of a major seventh chord followed by a dominant seventh chord. The harmonic texture is sparse yet effective, with a unique, ethereal atmosphere created by the interplay between the two chords.

The key of the song is D major which makes it easier to analyze the chord progression according to the diatonic scale in the key of D Major.

This chord progression from Radiohead’s “You And Whose Army” is in the key of C# minor, and the chords are predominantly composed of diatonic chords from the C# natural minor scale with some borrowed chords from the parallel major scale. The progression follows a looped pattern, creating a hypnotic and catchy quality which is characteristic of Radiohead’s music.

Radiohead – Everything In Its Right Place – Outro

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Chord Progression

F, C, Db, Eb

Chord Progression Analysis

F major (I) – C major (V) – D♭ major (♭VI) – E♭ major (♭VII)

`D♭ major and E♭ major are borrowed chords from the parallel minor (F minor).`

Similar Chord Progressions

1. “Creep” by Radiohead: (‘I) – (‘V) – (‘♭VI) – (‘♭III)

2. “Sweet Dreams (Are Made of This)” by Eurythmics: (‘I) – (‘♭VI) – (‘♭VII) – (‘V)

3. “Bitter Sweet Symphony” by The Verve: (‘I) – (‘I) – (‘♭VI) – (‘♭VI)

While these similar chord progressions have different chord arrangements, they all make use of borrowed chords and modal mixture to achieve an emotional, distinctive sound.

Musical Analysis

The chord progression, which makes use of borrowed chords from the parallel minor, is quite unusual and adds a distinct flavor to the song. F major, the tonic chord, provides a sense of stability, while the subsequent chords add increasing levels of tension before looping back to the starting point.

Using borrowed chords, such as the D♭ major and E♭ major from the parallel minor, provides a sense of modal mixture to the progression. This creates an intriguing balance between the expected diatonic chords and unexpected modally borrowed chords, effectively maintaining a sense of tension that works well in the context of Radiohead’s ambient, experimental sound.

Overall Analysis

“Everything In Its Right Place” by Radiohead is an experimental and ambient piece released in 2000 as part of their album “Kid A.” The piece defies traditional pop and rock song forms, delving more into the territory of electronic and experimental music. The outro chord progression is simple but intriguing, serving a hypnotic and unresolved quality that keeps the listener engaged.

Style Analysis

“Everything In Its Right Place” is a clear example of Radiohead’s inclination towards experimenting with unconventional chord progressions, structures, and textures. The band, known for pushing the boundaries of rock and alternative music, embraces the use of electronic elements, synthesizers, and audio manipulation in this piece. The harmonic choices and overall atmosphere of the song contribute to its haunting, otherworldly quality.

Chords in the Outro section of Everything In Its Right Place by Radiohead are:

F, C, Db, Eb