Music Theory Alchemy

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“Creep” by Radiohead is a well-known song that features a fairly simple chord progression in its bridge. The progression is memorable for its fusion of diatonic and chromatic elements, creating a sense of tension and interest.

Verse 3 of Radiohead’s Motion Picture Soundtrack features a melancholic and non-functional chord progression that showcases the band’s use of interesting chord voicings as well as the mixture of major and minor modalities. The progression revolves around the G major, and shifts between borrowed chords and non-conventional chord extensions such as the sus2 chord. This approach is typical of alternative rock bands like Radiohead, which often stray away from traditional norms in favor of innovative and evocative harmonies.

“Give Me The Night” by George Benson features a smooth jazz and funk-influenced style. The chord progression in Verse 3 demonstrates a strong use of extended and altered chords, which create a richer texture and interesting harmonic movement. This particular chord progression is reminiscent of other popular songs from the same period and genre, displaying the influence of jazz harmony on contemporary R&B and pop music.

“Purple Haze” by Jimi Hendrix is a classic and influential rock song released in 1967. The chord progression featured in Verse 3 of this song has a bluesy, psychedelic sound that typifies Hendrix’s style. The use of the E7#9 chord, also known as the “Hendrix chord,” adds a sense of tension and dissonance, which contributes to the edgy and innovative nature of the song.

“Whole Lotta Love” by Led Zeppelin is a hard rock song that was released in 1969. The song features a famous guitar riff with a simple, blues-influenced chord progression. That guitar riff is based on the D and E chords and can be heard throughout the main part of the song. The verse consists of the same primary chords as the riff, with slight variations in the E chord during the iconic “You need cooling” vocal part. The overall harmonic structure of the song with its repeating chords D and E gives it a strong I-V dynamic while staying in the D Mixolydian mode. Additionally, the guitar riff borrows elements of other blues progressions, creating a distinguished sound.

Radiohead – Creep – Verse 3

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Chord Progression

G, B, C, Cm

Chord Progression Analysis

G major (I) – B major (III) – C major (IV) – C minor (iv)

`The C minor chord (iv) is a borrowed chord from the parallel minor key (G minor).`

Similar Chord Progressions

1. The Beatles – “While My Guitar Gently Weeps” (verse): A minor (i) – A Major (I) – C# minor (iv) – G Major (VII)
2. David Bowie – “Space Oddity”: C major (I) – E minor/F major (III / VI) – F major (IV) – F minor (iv)
3. Muse – “Muscle Museum”: E major (I) – G# major (III) – A major (IV) – A minor (iv)

These examples illustrate the use of borrowed chords and unconventional progressions in popular music. They demonstrate that other artists have employed similar techniques to create emotive and captivating songs.

Musical Analysis

The progression starts with the tonic chord (G major), establishing a sense of stability. It then moves to B major, a major chord built on the mediant (III) of the G major scale. This chord is quite unusual in a major key, as it is typically expected to be a minor chord (B minor).

Next, the progression continues to C major, the subdominant (IV) chord. This chord is quite common in popular music and offers some resolution before the final twist in the progression.

The last chord, C minor (iv), is borrowed from the parallel minor key (G minor), which makes it chromatic and adds another layer of tension and unsettledness. This borrowed chord is responsible for the dark, melancholic atmosphere of “Creep.”

Overall Analysis

“Creep” by Radiohead is a song in the key of G major that gained significant attention for its melancholic lyrics and distinctive chord progression. The verse chord progression features major chords, followed by a switch to a minor chord, which creates an unexpected twist and contributes to the emotive quality of the song. This specific progression is relatively rare in popular music but has been used in various other songs.

Style Analysis

“Creep” is generally classified as alternative rock, with its introspective lyrics, distorted guitar sound, and the unique chord progression that defies typical songwriting conventions. The use of borrowed chords, such as the prominent C minor (iv), is a practice that can be traced back to classical music traditions and remains relatively uncommon in modern pop and rock music.

Chords in the Verse 3 section of Creep by Radiohead are:

G, B, C, Cm