Music Theory Alchemy

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“Creep” by Radiohead is an alternative rock song in the key of G major, with a somewhat melancholic tone. The chord progression used is iconic, and it heavily relies on borrowed chords to create tension and resolution in the harmony. This use of chords creates a distinct sound that has become synonymous with the song.

“Everything In Its Right Place” by Radiohead is an experimental and ambient piece released in 2000 as part of their album “Kid A.” The piece defies traditional pop and rock song forms, delving more into the territory of electronic and experimental music. The outro chord progression is simple but intriguing, serving a hypnotic and unresolved quality that keeps the listener engaged.

“I Want To Hold Your Hand” by The Beatles is one of the band’s early hits noted for its crafty melodic hooks and harmonic structure attesting to their evolving musical sophistication. The chord progression of Verse 3 is a great reflection of this, using classic pop songwriting techniques such as the predominant use of I, IV and V chords along with a borrowed chord from another mode, that add to the emotional depth of the song.

The chord progression for verse 3 of Led Zeppelin’s “Stairway to Heaven” utilizes multiple techniques to create a rich and emotive sound. These techniques include diatonic chords, borrowed chords, and extended harmony. The progression follows a general pattern, with a repeated structure that helps unify the verse.

“Wild Horses” is a song by the rock band Rolling Stones from their 1971 album “Sticky Fingers”. It is a great example of the band’s adeptness not only at writing catchy rock songs but also at creating complex and interesting chord progressions. The song is in the key of G major. The verse progression is interesting with the use of the B minor chord (Bm), which is the iii chord in the key of G major – a chord that isn’t commonly used in popular music.

Radiohead – Creep – Verse 3

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Chord Progression

G, B, C, Cm

Chord Progression Analysis

G major (I) – B major (III) – C major (IV) – C minor (iv)

`The C minor chord (iv) is a borrowed chord from the parallel minor key (G minor).`

Similar Chord Progressions

1. The Beatles – “While My Guitar Gently Weeps” (verse): A minor (i) – A Major (I) – C# minor (iv) – G Major (VII)
2. David Bowie – “Space Oddity”: C major (I) – E minor/F major (III / VI) – F major (IV) – F minor (iv)
3. Muse – “Muscle Museum”: E major (I) – G# major (III) – A major (IV) – A minor (iv)

These examples illustrate the use of borrowed chords and unconventional progressions in popular music. They demonstrate that other artists have employed similar techniques to create emotive and captivating songs.

Musical Analysis

The progression starts with the tonic chord (G major), establishing a sense of stability. It then moves to B major, a major chord built on the mediant (III) of the G major scale. This chord is quite unusual in a major key, as it is typically expected to be a minor chord (B minor).

Next, the progression continues to C major, the subdominant (IV) chord. This chord is quite common in popular music and offers some resolution before the final twist in the progression.

The last chord, C minor (iv), is borrowed from the parallel minor key (G minor), which makes it chromatic and adds another layer of tension and unsettledness. This borrowed chord is responsible for the dark, melancholic atmosphere of “Creep.”

Overall Analysis

“Creep” by Radiohead is a song in the key of G major that gained significant attention for its melancholic lyrics and distinctive chord progression. The verse chord progression features major chords, followed by a switch to a minor chord, which creates an unexpected twist and contributes to the emotive quality of the song. This specific progression is relatively rare in popular music but has been used in various other songs.

Style Analysis

“Creep” is generally classified as alternative rock, with its introspective lyrics, distorted guitar sound, and the unique chord progression that defies typical songwriting conventions. The use of borrowed chords, such as the prominent C minor (iv), is a practice that can be traced back to classical music traditions and remains relatively uncommon in modern pop and rock music.

Chords in the Verse 3 section of Creep by Radiohead are:

G, B, C, Cm