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“Creep” by Radiohead is a song in the key of G major that features a four-chord progression in its verse 2, which is distinctive for its use of a borrowed chord from the parallel minor (G minor). Although the song’s simple harmonic structure is quite common in pop music, its use of a borrowed chord adds an element of surprise and emotional depth, establishing Radiohead’s unique sound.

The verse 2 chord progression of Radiohead’s “Everything In Its Right Place” demonstrates a combination of diatonic and non-diatonic chords with tonal ambiguity, frequent use of borrowed chords from parallel modes, and modulation. The progression has a cyclic, hypnotic quality with occasional surprises due to large leaps in pitch and unexpected, non-diatonic chords.

The chord progression in the verse of Beck’s “Sexx Laws” is a blend of major and minor chords, which creates a unique and somewhat unpredictable sound. The progression shifts between the key of B major and G# minor, reflecting an adventurous approach to harmony. The style of this progression has a hint of funk and jazz, with a touch of blues.

“Closer” by Nine Inch Nails works within a minimalist musical framework, where a few shiftless chords and tension-filled pentatonic melodies define the song. It inculcates a dark atmospheric mood through its instrumentation and harmony. The repetitive and consistent use of the Cm7 chord creates a haunting, pulsating groove that add to the atmospheric layer of the song.

The chord progression of “Say Goodbye” by Beck uses a combination of diatonic and borrowed chords within the key of G major. The verse features a total of 8 chords: G major, A# major, A minor, and C major. The use of a borrowed chord (A# major) adds an interesting twist to the progression and provides a unique color to the harmony.

Radiohead – Creep – Verse 1

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Chord Progression

G, B, C, Cm, G, B, C, Cm

Chord Progression Analysis

– G major (I)
– B major (III)
– C major (IV)
– C minor (iv)

“`Borrowed chord: C minor (iv)“`

Similar Chord Progressions

1. “Space Oddity” by David Bowie:
– C major (I)
– E minor (iii)
– F major (IV)
– F minor (iv)

2. “Zombie” by The Cranberries:
– E minor (i)
– C major (VI)
– G major (III)
– D major (VII)

3. “Imagine” by John Lennon:
– C major (I)
– C major7 (Imaj7)
– F major (IV)
– C major (I)

These chord progressions are similar to Radiohead’s “Creep” in the sense that they use the technique of borrowing chords from parallel keys, or follow a distinct four-chord pattern that is common in popular music, particularly in the alternative rock genre.

Musical Analysis

The song uses a diatonic chord progression with one borrowed chord (C minor) that provides a unique color to the harmony. This borrowed chord, C minor, is taken from the parallel minor key, creating a sudden shift in tonality that adds to the emotional impact of the song. This modal interchange is common in popular music, particularly in alternative rock.

The verses have a slow tempo and a 4/4 time signature, giving the music an overall somber tone. The melody in the vocal line is based around the G major scale and moves back and forth between the G and B notes, with the occasional pitch bending that complements the overall melancholic atmosphere of the song.

Overall Analysis

“Creep” by Radiohead is a song that features a well-known four-chord progression throughout the verses. This progression is G – B – C – Cm, which is often considered one of the factors that contribute to the song’s memorable and emotional quality. The chord progression helps create a melancholic and haunting atmosphere in the song. This song is notably influenced by alternative rock and grunge styles from the early 90s.

Style Analysis

“Creep” showcases the distinct style of Radiohead that set them apart in the early 90s. It features a combination of traditional rock instrumentation with electric guitars, bass, and drums, but also includes orchestral elements, particularly the use of strings in the chorus. The recording techniques, such as the use of reverb and layering of the vocals, contribute to the dark and brooding character of the song. The song’s lyrics are introspective and self-deprecating, which became a hallmark of alternative rock and grunge in the 90s.

Chords in the Verse 1 section of Creep by Radiohead are:

G, B, C, Cm, G, B, C, Cm