Music Theory Alchemy

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Queen’s ‘Don’t Stop Me Now’ contains a rich mixture of chord progressions, which is typical of the band’s complex songwriting. The outro of the song makes use of the F, F7, Bb, and Gm7 chords. This progression is in the key of F Major, with F being the tonic (I), F7 being the dominant 7th (V7), Bb being the subdominant (IV) and Gm7 being the submediant 7th (vi7). The Bb chord is a borrowed chord from the parallel minor key (F Minor) and the usage of F7 serves to add a level of tension before resolving to the Bb.

“Love of My Life” by Queen exhibits a very romantic and classical style, resonant of popular ballads primarily from the classical and romantic periods. The song beautifully plays with complex harmonies, frequent key changes and borrowings from parallel keys (modal mixture), which together yield a dramatic and emotional expression. Many of the chords used, including diminished chords, fully diminished seventh, major-minor seventh chords, and usage of secondary dominants are reminiscent of 19th-century Romantic music.

The song “Take Me Home, Country Roads” by John Denver is written in the key of G Major. The chord progression in the bridge made use of the four main chords in this key, which are G, Em, C, and D along with an interesting use of the F chord, which is a borrowed chord from the parallel minor key of G minor.

The given chord progression consists of five unique chords: Am, D, G, Em, and D repeated in a structured pattern. The progression is in the key of G major, with one borrowed chord. This chord progression is a good example of Weezer’s mix of rock and pop styles, displaying a strong use of diatonic harmony with a touch of chromaticism.

“Maxwell’s Silver Hammer” is a Beatles song composed in the key of D Major. It’s a classic example of Paul McCartney’s knack for catchy pop songwriting. This song showcases McCartney’s affinity for borrowing chords to make his progressions more interesting.

Queen – Dont Stop Me Now – Bridge

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Chord Progression

[‘F’, ‘F7’, ‘Bb’, ‘Gm7’, ‘D7’, ‘Gm’, ‘D7’, ‘Gm’, ‘Gm7’, ‘F/A’, ‘Bb’, ‘Bdim’, ‘C’]

Chord Progression Analysis

“`
F (‘I’)
F7 (‘V7/IV’)
Bb (‘IV’)
Gm7 (‘ii7’)
D7 (‘V7/V’)
Gm (‘ii’)
D7 (‘V7/V’)
Gm (‘ii’)
Gm7 (‘ii7’)
F/A (‘I6’)
Bb (‘IV’)
Bdim (‘vii°/V’)
C (‘V’)
“`

Similar Chord Progressions

You’ll find similar chord structures in Billy Joel’s “New York State of Mind”. The usage of I-ii-V progressions, secondary dominants, and borrowed chords to create a jazzy and rich texture align with the mood of Queen’s bridge in “Don’t Stop Me Now”.
“`
Cmaj7 (‘I’)
Bm7 (‘ii7’)
E7 (‘V7/VI’)
Am (‘VI’)
D7 (‘V7/V’)
Gm7 (‘ii’)
C7 (‘V7/IV’)
Fmaj7 (‘IV’)
Am/E (‘VI6’)
Dm7 (‘ii7’)
G7 (‘V7’)
Cmaj7 (‘I’)
“`

Musical Analysis

Queen creates a jazzy, upbeat atmosphere by incorporating harmony that’s common in jazz and popular music, such as II-V-I progressions (D7-Gm-C) and the use of dominant sevenths (F7, D7) and minor sevenths (Gm7). The use of borrowed chords, specifically the secondary dominants (like the V7/IV=F7, and the V7/V=D7), adds a tension and resolution that helps to propel the progression forward. Furthermore, the Bdim, a diminished vii from the key of G minor (V of C), is used as a leading tone into C, creating a smooth modulation.

Overall Analysis

This particular section is mostly based in the key of F major and highlights Freddie Mercury’s love for moving from the classical I-ii-V progression to the jazz-inspired I-IV-ii-V, often followed by a jazzy II-V-I. In this part of the song, you will find some interesting use of borrowed chords and leading tones, contributing to the chromaticism that enriches the progression.

Style Analysis

This progression showcases the typical Queen sound: a blending of rock, pop, and classical styles with a touch of jazz thrown in, often revolving around major keys with an occasional surprise from borrowed chords. This creates a catchy and memorable hook, characteristic of Queen’s style.

Chords in the Bridge section of Dont Stop Me Now by Queen are:

[‘F’, ‘F7’, ‘Bb’, ‘Gm7’, ‘D7’, ‘Gm’, ‘D7’, ‘Gm’, ‘Gm7’, ‘F/A’, ‘Bb’, ‘Bdim’, ‘C’]