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Related Music Theory Alchemy

“Wish You Were Here” by Pink Floyd is a classic rock ballad from their 1975 album of the same name. The song features an introspective and expressive melody with a predominantly acoustic instrumentation. The chord progression for Verse 2 demonstrates a blend of diatonic and non-diatonic chords, with borrowed chords from parallel modes, which adds to the emotional depth of the piece.

“Time” by Pink Floyd is a progressive rock song that features an uncommon chord progression with some unique harmonic choices. The Verse 2 progression has a strong sense of tonal ambiguity and the chords often fluctuate between major and minor tonalities. This contributes to the emotional depth and complexity of the song, which is characteristic of Pink Floyd’s music.

“Penny Lane” by The Beatles is an eclectic and elegant piece of music evident in its rhythm, harmony, melody, and lyrics. It is predominantly in the key of A Major, but it has several key changes and introduces chords that are non-diatonic, giving it a progressive and unexpected feel.

The chord progression in Verse 3 of Daniel Caesar’s “Get You” consists of a mix of diatonic chords and borrowed chords from the parallel minor. The overall tonality is in the B minor key. The smooth, soulful sound of the progression is achieved through the use of minor chords, mixed with major seventh chords, and the cycle of fifths progression in some measures.

The chord progression for “The Sound Of Silence” by Simon & Garfunkel is in the key of A minor. It makes use of both diatonic and borrowed chords. The song reflects a folk and folk rock style, with its roots in the 1960s. The melody and harmony are interwoven to form an integral part of the song, reflecting the introspective and melancholic mood of the lyrics.

Pink Floyd – Wish You Were Here – Verse 3

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Chord Progression

C, D/F#, Am/E, G, D/F#, C, Am, G

Chord Progression Analysis

“`
1. C Major (I)
2. D Major with F# in the bass (V/V)
3. A Minor with E in the bass (vi)
4. G Major (V)
5. D Major with F# in the bass (V/V)
6. C Major (I)
7. A Minor (vi)
8. G Major (V)
“`

Similar Chord Progressions

1. The Beatles – “Let It Be” [‘C’, ‘G’, ‘Am’, ‘F’, ‘C’, ‘G’, ‘F’, ‘C’]
“`
1. C Major (I)
2. G Major (V)
3. A Minor (vi)
4. F Major (IV)
5. C Major (I)
6. G Major (V)
7. F Major (IV)
8. C Major (I)
“`

2. Oasis – “Wonderwall” [‘Em’, ‘G’, ‘Dsus4’, ‘A7sus4’, ‘Em’, ‘G’, ‘Dsus4’, ‘A7sus4’]
“`
1. E Minor (ii)
2. G Major (IV)
3. Dsus4 (I with a suspended 4th)
4. A7sus4 (V with a suspended 4th)
5. E Minor (ii)
6. G Major (IV)
7. Dsus4 (I with a suspended 4th)
8. A7sus4 (V with a suspended 4th)
“`

Both song examples share similarities with “Wish You Were Here” in terms of their seamless chord transitions and structure. While they don’t share the exact same progression, the mixture of borrowed chords and diatonic chords give a similar effect for building tension and emotion.

Musical Analysis

The chord progression begins with the C Major (I) which establishes the tonal center. The second chord, D Major with F# in the bass (V/V), functions as a secondary dominant, temporarily placing emphasis on the G Major chord that follows.

The third chord, A Minor with E in the bass (vi), serves as a diatonic pivot chord, connecting to the following G Major (V) whichis a strong resolution. The progression then repeats the sequence of D Major with F# in the bass (V/V) to C Major (I), which adds cohesion and builds tension before resolving back to A Minor (vi) and finally G Major (V), creating a strong conclusion with an authentic cadence.

Overall Analysis

The chord progression from verse 3 of Pink Floyd’s “Wish You Were Here” is in the key of C major and shows a mix of diatonic chords and borrowed chords. The progression creates a sense of smooth journey and has a certain melancholic yet uplifting character.

Style Analysis

Pink Floyd’s “Wish You Were Here” is a classic example of progressive rock, incorporating elements of blues, folk, and psychedelic music. The chord progression demonstrates their preference for smooth chord shifts and modal interchange, which ultimately contribute to the song’s timeless, poignant character.

Chords in the Verse 3 section of Wish You Were Here by Pink Floyd are:

C, D/F#, Am/E, G, D/F#, C, Am, G