Music Theory Alchemy

Search

Related Music Theory Alchemy

“Wish You Were Here” by Pink Floyd is an iconic rock ballad from their 1975 album of the same name. The song’s verse chord progression evokes a sense of nostalgia and longing, featuring a combination of major and minor chords, as well as borrowed chords and inversions that create a unique and emotional soundscape.

The second guitar solo in “Comfortably Numb” by Pink Floyd is based on a simple five-chord progression, spanning two diatonic tonalities (i.e., B minor and G major). This progression heavily relies on the B Aeolian mode (or natural minor scale) and showcases the band’s affinity for modal interchange and progressive rock elements.

“1979” by The Smashing Pumpkins employs a variety of chords throughout the song, including major, major 7th, and minor 7th chords. The chord progression varies between sections but is based mostly on a mid-tempo groove in the key of E Major. The song utilizes common pop/rock conventions to create a dreamy and nostalgic soundscape, with the juxtaposition of the major and minor 7th chords adding complexity.

The song “With A Little Help From My Friends” by The Beatles is written in the key of E major. The third verse is mostly consistent with the key, with the only chords used are E, F#m, and B.

The chord progression can be divided into three main sections (please see the details below). The first section is based around the I chord (C), the second section introduces the IV chord (F), then it returns to the I chord. The third section introduces a borrowed chord (bVII – Bb from C Mixolydian), a V chord (G), then returns to the I chord with a brief excursion back to the V chord. There is repetition in this section with the return to the I chord.

Pink Floyd – Wish You Were Here – Verse 3

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

C, D/F#, Am/E, G, D/F#, C, Am, G

Chord Progression Analysis

“`
1. C Major (I)
2. D Major with F# in the bass (V/V)
3. A Minor with E in the bass (vi)
4. G Major (V)
5. D Major with F# in the bass (V/V)
6. C Major (I)
7. A Minor (vi)
8. G Major (V)
“`

Similar Chord Progressions

1. The Beatles – “Let It Be” [‘C’, ‘G’, ‘Am’, ‘F’, ‘C’, ‘G’, ‘F’, ‘C’]
“`
1. C Major (I)
2. G Major (V)
3. A Minor (vi)
4. F Major (IV)
5. C Major (I)
6. G Major (V)
7. F Major (IV)
8. C Major (I)
“`

2. Oasis – “Wonderwall” [‘Em’, ‘G’, ‘Dsus4’, ‘A7sus4’, ‘Em’, ‘G’, ‘Dsus4’, ‘A7sus4’]
“`
1. E Minor (ii)
2. G Major (IV)
3. Dsus4 (I with a suspended 4th)
4. A7sus4 (V with a suspended 4th)
5. E Minor (ii)
6. G Major (IV)
7. Dsus4 (I with a suspended 4th)
8. A7sus4 (V with a suspended 4th)
“`

Both song examples share similarities with “Wish You Were Here” in terms of their seamless chord transitions and structure. While they don’t share the exact same progression, the mixture of borrowed chords and diatonic chords give a similar effect for building tension and emotion.

Musical Analysis

The chord progression begins with the C Major (I) which establishes the tonal center. The second chord, D Major with F# in the bass (V/V), functions as a secondary dominant, temporarily placing emphasis on the G Major chord that follows.

The third chord, A Minor with E in the bass (vi), serves as a diatonic pivot chord, connecting to the following G Major (V) whichis a strong resolution. The progression then repeats the sequence of D Major with F# in the bass (V/V) to C Major (I), which adds cohesion and builds tension before resolving back to A Minor (vi) and finally G Major (V), creating a strong conclusion with an authentic cadence.

Overall Analysis

The chord progression from verse 3 of Pink Floyd’s “Wish You Were Here” is in the key of C major and shows a mix of diatonic chords and borrowed chords. The progression creates a sense of smooth journey and has a certain melancholic yet uplifting character.

Style Analysis

Pink Floyd’s “Wish You Were Here” is a classic example of progressive rock, incorporating elements of blues, folk, and psychedelic music. The chord progression demonstrates their preference for smooth chord shifts and modal interchange, which ultimately contribute to the song’s timeless, poignant character.

Chords in the Verse 3 section of Wish You Were Here by Pink Floyd are:

C, D/F#, Am/E, G, D/F#, C, Am, G