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“Wish You Were Here” by Pink Floyd is a classic rock ballad from their 1975 album of the same name. The song features an introspective and expressive melody with a predominantly acoustic instrumentation. The chord progression for Verse 2 demonstrates a blend of diatonic and non-diatonic chords, with borrowed chords from parallel modes, which adds to the emotional depth of the piece.

The chord progression in the bridge of “Hey You” by Pink Floyd is a relatively simple progression that revolves around the C Major and G Major chords, with brief appearances of D Major and E minor add9 chords. The piece showcases Pink Floyd’s signature progressive rock style, with steady changes between chords and a sense of tension and release.

“Love Of My Life” by Queen, especially Verse 3, showcases a mix of simple and complex harmony, with many secondary dominants, borrowed chords, and diminished chords contributing to varying and shifting tonal centres. This makes for an emotional and contextually appropriate progression that fits well with the song’s lyrical content.

The chord progression in Verse 3 of Daniel Caesar’s “Get You” consists of a mix of diatonic chords and borrowed chords from the parallel minor. The overall tonality is in the B minor key. The smooth, soulful sound of the progression is achieved through the use of minor chords, mixed with major seventh chords, and the cycle of fifths progression in some measures.

“Start Me Up” by The Rolling Stones is structured in a key of D Major, and the song largely follows a I-IV-V chord progression, which is a staple in many genres, especially in blues and rock music. The progression is known for its simple, catchy, and resolved sounds.

Pink Floyd – Wish You Were Here – Verse 3

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Chord Progression

C, D/F#, Am/E, G, D/F#, C, Am, G

Chord Progression Analysis

“`
1. C Major (I)
2. D Major with F# in the bass (V/V)
3. A Minor with E in the bass (vi)
4. G Major (V)
5. D Major with F# in the bass (V/V)
6. C Major (I)
7. A Minor (vi)
8. G Major (V)
“`

Similar Chord Progressions

1. The Beatles – “Let It Be” [‘C’, ‘G’, ‘Am’, ‘F’, ‘C’, ‘G’, ‘F’, ‘C’]
“`
1. C Major (I)
2. G Major (V)
3. A Minor (vi)
4. F Major (IV)
5. C Major (I)
6. G Major (V)
7. F Major (IV)
8. C Major (I)
“`

2. Oasis – “Wonderwall” [‘Em’, ‘G’, ‘Dsus4’, ‘A7sus4’, ‘Em’, ‘G’, ‘Dsus4’, ‘A7sus4’]
“`
1. E Minor (ii)
2. G Major (IV)
3. Dsus4 (I with a suspended 4th)
4. A7sus4 (V with a suspended 4th)
5. E Minor (ii)
6. G Major (IV)
7. Dsus4 (I with a suspended 4th)
8. A7sus4 (V with a suspended 4th)
“`

Both song examples share similarities with “Wish You Were Here” in terms of their seamless chord transitions and structure. While they don’t share the exact same progression, the mixture of borrowed chords and diatonic chords give a similar effect for building tension and emotion.

Musical Analysis

The chord progression begins with the C Major (I) which establishes the tonal center. The second chord, D Major with F# in the bass (V/V), functions as a secondary dominant, temporarily placing emphasis on the G Major chord that follows.

The third chord, A Minor with E in the bass (vi), serves as a diatonic pivot chord, connecting to the following G Major (V) whichis a strong resolution. The progression then repeats the sequence of D Major with F# in the bass (V/V) to C Major (I), which adds cohesion and builds tension before resolving back to A Minor (vi) and finally G Major (V), creating a strong conclusion with an authentic cadence.

Overall Analysis

The chord progression from verse 3 of Pink Floyd’s “Wish You Were Here” is in the key of C major and shows a mix of diatonic chords and borrowed chords. The progression creates a sense of smooth journey and has a certain melancholic yet uplifting character.

Style Analysis

Pink Floyd’s “Wish You Were Here” is a classic example of progressive rock, incorporating elements of blues, folk, and psychedelic music. The chord progression demonstrates their preference for smooth chord shifts and modal interchange, which ultimately contribute to the song’s timeless, poignant character.

Chords in the Verse 3 section of Wish You Were Here by Pink Floyd are:

C, D/F#, Am/E, G, D/F#, C, Am, G