Pink Floyd – Time – Verse 2
Time < All Analyses
Chord Progression
F#m, A, E, F#m, F#m, A, E, F#m, Dmaj7, Amaj7, Dmaj7, Amaj7, Dmaj7, C#m7, Bm, Bm7, F/B
Chord Progression Analysis
“`
F#m (vi),
A (I),
E (IV),
F#m (vi),
F#m (vi),
A (I),
E (IV),
F#m (vi),
Dmaj7 (♭VII),
Amaj7 (IV),
Dmaj7 (♭VII),
Amaj7 (IV),
Dmaj7 (♭VII),
C#m7 (iii7),
Bm (ii),
Bm7 (ii7),
F/B (♭II/♮4)
“`
Borrowed Chord:
“`
Dmaj7 (♭VII)
“`
Similar Chord Progressions
1. Radiohead – “Paranoid Android”
“`
Bm (i),
A (♭VII),
E (IV),
G (♭III),
F# (V),
D (♭VII),
Bm (i),
G (♭III),
F#/E (♭VII/III)
“`
2. The Beatles – “Strawberry Fields Forever”
“`
E (I),
Em (i),
A (IV),
C (♭VI),
F#m (ii),
G (III),
D (V),
E (I)
“`
While these chord progressions are not identical to the one in “Time,” they share some similarities in their use of borrowed chords, unconventional harmonies, and shifting tonalities, adding intrigue and complexity to their respective songs.
Musical Analysis
The chord progression begins with a sequence of F#m-A-E-F#m, creating a 6-1-4 motion, which can be seen as a sequence of resolutions and suspensions. This sequence is followed by a change in tonality with the borrowed chord Dmaj7 (♭VII) from F# Mixolydian mode which adds a sense of surprise and uncertainty. The progression proceeds to alternate between Dmaj7 (♭VII) and Amaj7 (IV), two major chords a whole step apart, creating a sense of tension. Finally, the progression moves through C#m7, Bm, Bm7, and the unexpected F/B chord (♭II/♮4). The use of the root F instead of the expected F# introduces tension, further contributing to the emotional complexity of the song.
Overall Analysis
“Time” by Pink Floyd is a progressive rock song that features an uncommon chord progression with some unique harmonic choices. The Verse 2 progression has a strong sense of tonal ambiguity and the chords often fluctuate between major and minor tonalities. This contributes to the emotional depth and complexity of the song, which is characteristic of Pink Floyd’s music.
Style Analysis
The somewhat unconventional chord progression, combined with the alternating major and minor tonalities, is typical of Pink Floyd’s progressive rock style. Their innovative approach to harmony and unusual chord progressions is a defining aspect of their music, adding to their unique sound and exploring different emotional and sonic landscapes.
What are the chords in: Pink Floyd – Time – Verse 2?
F#m, A, E, F#m, F#m, A, E, F#m, Dmaj7, Amaj7, Dmaj7, Amaj7, Dmaj7, C#m7, Bm, Bm7, F/B
