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“Wish You Were Here” by Pink Floyd is an iconic rock ballad from their 1975 album of the same name. The song’s verse chord progression evokes a sense of nostalgia and longing, featuring a combination of major and minor chords, as well as borrowed chords and inversions that create a unique and emotional soundscape.

The given chord progression is from the verse of Pink Floyd’s “Breathe,” a song from their 1973 album, “The Dark Side of the Moon.” The progression consists of alternating Em and A7 chords throughout the entire verse. This creates a sense of movement and tension between the chords while also being relatively simple and repetitive. The harmonic back-and-forth between these two chords gives the song a dreamy and immersive quality that is a signature sound of Pink Floyd’s style.

“The Sound Of Silence” by Simon & Garfunkel is written in the key of Am and follows the Verse-Chorus form common in pop and rock music. The progression consists of a beachfront of common and borrowed chords, showing the use of modal interchange and diatonic chords in creating a memorable and emotive sound.

The chord progression in the verse 2 of Beck’s “Morning” is an example of a common progression in popular music, involving the I, IV, iii, and ii chords. The harmony is mostly diatonic, staying within the key of E major. The progression features regular 4-chord phrases and a smooth, consonant flow between chords.

The chord progression in Muse’s Hysteria (verse 2) is a fairly unique progression that revolves around a minor tonality with some hints of E7 acting as a secondary dominant. It seems to have an ambiguous key center, fluctuating between E minor and A minor. The progression is repeated, providing a sense of tension and familiarity throughout the verse.

Pink Floyd – Wish You Were Here – Verse 2

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Chord Progression

C, D/F#, Am/E, G, D/F#, C, Am, G

Chord Progression Analysis

C Major (‘I’), D Major/F# (‘V/V’), A minor/E (‘vi’), G Major (‘V’), D Major/F# (‘V/V’), C Major (‘I’), A minor (‘vi’), G Major (‘V’)

Borrowed Chord:
`D Major/F# (‘V/V’)`

Similar Chord Progressions

1. The Beatles – “While My Guitar Gently Weeps”
Progression: Am (‘vi’), G (‘V’), Am/G (‘vi/V’), Am/F# (‘vi/♯IV’), Am/F (‘vi/IV’), Am/E (‘vi’), D (‘II’), E (‘III’)

2. Led Zeppelin – “Stairway To Heaven”
Progression: Am (‘vi’), G (‘V’), F (‘IV’), Am (‘vi’), G (‘V’), F (‘IV’), C (‘I’), D (‘II’)

Note that these progressions share some similarities but are not identical to the chord progression in “Wish You Were Here.” The main aspect they have in common is the usage of secondary dominants or borrowed chords, and the general classic rock aesthetic.

Musical Analysis

The song is in the key of C Major. The progression begins with the tonic chord, C Major (‘I’), providing a sense of stability. It then moves to D Major/F# (‘V/V’), which is a secondary dominant chord that borrows from the parallel key (C Lydian or G Major, depending on interpretation). This borrowed chord sets up an expectation for the resolution to the G Major chord (the V of C Major), however, the progression instead moves to A minor/E (‘vi’)—a deceptive resolution—creating a sense of longing in the music. Finally, the G Major (‘V’) chord appears and resolves back to the C Major (‘I’) chord, completing the progression.

The presence of the slash chords (D/F# and Am/E) adds a smoothness in the bass line movement and increases harmonic interest, while maintaining an overall sense of consonance.

Overall Analysis

“Wish You Were Here” by Pink Floyd is a classic rock ballad from their 1975 album of the same name. The song features an introspective and expressive melody with a predominantly acoustic instrumentation. The chord progression for Verse 2 demonstrates a blend of diatonic and non-diatonic chords, with borrowed chords from parallel modes, which adds to the emotional depth of the piece.

Style Analysis

Pink Floyd’s “Wish You Were Here” is noted for its introspective lyrics and mellow, almost melancholic style. This is creatively reflected in the chord progression, which combines conventional diatonic chords with the secondary dominant D Major/F# to add a level of sophistication and depth. The combination of acoustic guitar and the chord progression creates an intimate and emotional atmosphere, in line with the reflective nature of the lyrics.

Chords in the Verse 2 section of Wish You Were Here by Pink Floyd are:

C, D/F#, Am/E, G, D/F#, C, Am, G