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Related Music Theory Alchemy

The chord progression from verse 3 of Pink Floyd’s “Wish You Were Here” is in the key of C major and shows a mix of diatonic chords and borrowed chords. The progression creates a sense of smooth journey and has a certain melancholic yet uplifting character.

“Welcome to the Machine” by Pink Floyd is a progressive rock piece that features a rather minimalistic chord progression, with only one chord during the outro. The piece is characterized by its lush soundscape, synthesizer layering, and the use of sound effects to create an atmosphere of a mechanized world.

“Every Day Is Exactly The Same” by Nine Inch Nails is primarily composed in the key of E minor. The song consists of four sections: Verse 1, Chorus, Verse 2, and Bridge. The chord progressions in the song are relatively simple, with a distinct alternation between E and C chords in the verses, while the chorus and bridge sections feature a broader range of chords such as A, C, and G.

Chord Progression Analysis (Verse 2):
E minor (i), C major (VI), E minor (i), C major (VI), E minor (i), C major (VI), G major (III), F major (♭VII; borrowed chord from E Phrygian), E minor (i)

*G major (III) and F major (♭VII) are both non-diatonic chords in E minor, with the F major chord being borrowed from the E Phrygian mode.

“A Star Is Born – Shallow” by Misc Soundtrack uses common chords found in pop music and combines them in a fresh way. The progression makes use of diatonic chords and even includes a borrowed chord from the parallel minor key. It showcases a feasible balance of tension and resolution, often transitioning through a variety of chord inversions to add color and depth to the harmonies. The song moves around the circle of fifths, which allows for smooth transitions between keys.

The chord progression in Verse 2 of Beck’s “Say Goodbye” showcases a unique blend of chords that are not commonly heard together in popular music. The mix of major, minor, and borrowed chords creates an interesting and engaging sound. Its distinctive quality can be found in the use of the A# major chord, which is not diatonic to the key of G major.

Pink Floyd – Wish You Were Here – Verse 2

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Chord Progression

C, D/F#, Am/E, G, D/F#, C, Am, G

Chord Progression Analysis

C Major (‘I’), D Major/F# (‘V/V’), A minor/E (‘vi’), G Major (‘V’), D Major/F# (‘V/V’), C Major (‘I’), A minor (‘vi’), G Major (‘V’)

Borrowed Chord:
`D Major/F# (‘V/V’)`

Similar Chord Progressions

1. The Beatles – “While My Guitar Gently Weeps”
Progression: Am (‘vi’), G (‘V’), Am/G (‘vi/V’), Am/F# (‘vi/♯IV’), Am/F (‘vi/IV’), Am/E (‘vi’), D (‘II’), E (‘III’)

2. Led Zeppelin – “Stairway To Heaven”
Progression: Am (‘vi’), G (‘V’), F (‘IV’), Am (‘vi’), G (‘V’), F (‘IV’), C (‘I’), D (‘II’)

Note that these progressions share some similarities but are not identical to the chord progression in “Wish You Were Here.” The main aspect they have in common is the usage of secondary dominants or borrowed chords, and the general classic rock aesthetic.

Musical Analysis

The song is in the key of C Major. The progression begins with the tonic chord, C Major (‘I’), providing a sense of stability. It then moves to D Major/F# (‘V/V’), which is a secondary dominant chord that borrows from the parallel key (C Lydian or G Major, depending on interpretation). This borrowed chord sets up an expectation for the resolution to the G Major chord (the V of C Major), however, the progression instead moves to A minor/E (‘vi’)—a deceptive resolution—creating a sense of longing in the music. Finally, the G Major (‘V’) chord appears and resolves back to the C Major (‘I’) chord, completing the progression.

The presence of the slash chords (D/F# and Am/E) adds a smoothness in the bass line movement and increases harmonic interest, while maintaining an overall sense of consonance.

Overall Analysis

“Wish You Were Here” by Pink Floyd is a classic rock ballad from their 1975 album of the same name. The song features an introspective and expressive melody with a predominantly acoustic instrumentation. The chord progression for Verse 2 demonstrates a blend of diatonic and non-diatonic chords, with borrowed chords from parallel modes, which adds to the emotional depth of the piece.

Style Analysis

Pink Floyd’s “Wish You Were Here” is noted for its introspective lyrics and mellow, almost melancholic style. This is creatively reflected in the chord progression, which combines conventional diatonic chords with the secondary dominant D Major/F# to add a level of sophistication and depth. The combination of acoustic guitar and the chord progression creates an intimate and emotional atmosphere, in line with the reflective nature of the lyrics.

Chords in the Verse 2 section of Wish You Were Here by Pink Floyd are:

C, D/F#, Am/E, G, D/F#, C, Am, G