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Related Music Theory Alchemy

The second guitar solo in “Comfortably Numb” by Pink Floyd is based on a simple five-chord progression, spanning two diatonic tonalities (i.e., B minor and G major). This progression heavily relies on the B Aeolian mode (or natural minor scale) and showcases the band’s affinity for modal interchange and progressive rock elements.

“Time” by Pink Floyd is a progressive rock piece characterized by its reflective lyrics, syncopated rhythms, and distinctive use of chromaticism and modality. This chord progression takes place in the third verse of the song, where the harmonic structure is more complex and features borrowed chords, creating a sense of tension and resolution, reflecting the lyrics and conveying emotions of nostalgia and regret.

“Closer” by Nine Inch Nails is a song in the key of B minor, although it freely borrows chords from the parallel major key. The song’s structure is as follows: Verse – Pre-Chorus – Chorus – Verse – Pre-Chorus – Chorus – Bridge – Chorus – Instrumental.

“Bennie And The Jets” by Elton John, released in 1973, features a distinctive chord progression that exemplifies Elton’s advanced harmonic sensibility and taste for grand piano-based balladry. The song is mainly in the key of G Major.

Muse’s “Can’t Take My Eyes Off You” is a rock interpretation of the classic 1967 pop song “Can’t Take My Eyes Off You” by Frankie Valli, which has been covered by various artists in different styles. The chord progression of the chorus is characterized by a series of diatonic chords, predominant in Western pop music. This progression follows a typical 1950’s “doowop” pattern present in countless pop and rock songs, utilizing the familiar circle of fourths movement (Dm-G-C) and establishing a straightforward harmonic rhythm.

Chord Progression Analysis with Roman Numerals (borrowed chords in code block):

D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major (I) – A major (V/vi) – D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major 7 (Imaj7) – C7 (I7) – C6 (I6) – C major (I) – Ab major (*bVI) – C major (I)

`* Ab major (bVI) is a borrowed chord from the parallel minor key (C minor).`

Pink Floyd – Comfortably Numb – Chorus

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Chord Progression

D, A, D, A, G/B, C, G, G/B, C, G, D, A, D, A, G/B, C, G, G/B, C, G, Asus4, A, G/B, Cadd9, G, D

Chord Progression Analysis

D Major (I), A Major (V), D Major (I), A Major (V), G/B (IV6), C Major (bVII), G Major (IV), G/B (IV6), C Major (bVII), G Major (IV), D Major (I), A Major (V), D Major (I), A Major (V), G/B (IV6), C Major (bVII), G Major (IV), G/B (IV6), C Major (bVII), G Major (IV), A sus4 (V sus4), A Major (V), G/B (IV6), Cadd9 (bVII add9), G Major (IV), D Major (I)

`Borrowed Chords: bVII (C Major)`

Similar Chord Progressions

1. The Beatles – “Let It Be”
Chord progression: C Major (I), G Major (V), A minor (vi), F Major (IV), C Major (I), G Major (V), F Major (IV), C Major (I)

2. Oasis – “Wonderwall”
Chord progression: E minor7 (vi7), G Major (I), D sus4 (IV sus4), A7 sus4 (V7 sus4), E minor7 (vi7), G Major (I), D sus4 (IV sus4), A7 sus4 (V7 sus4)

3. Radiohead – “Karma Police”
Chord progression: A minor (i), A minor/F# (i7), A minor/F (i6), E minor (iv), D Major (VII), G Major (VI), C Major (III), B Major (II), A minor (i)

Musical Analysis

The chorus predominantly features a repetition of the I-V progression between D Major and A Major, which provides a strong foundation for the overall harmonic structure. The borrowed chord from the parallel minor, bVII (C Major), is introduced alongside the IV (G Major) and IV6 (G/B) chords, adding contrast and a subtle touch of unease to the soothing progression. The use of the A sus4 transitioning into the A Major chord further enhances the harmonic interest.

Overall Analysis

The chorus of Pink Floyd’s “Comfortably Numb” is a perfect example of their signature sound, combining both rock and progressive elements. The harmonic structure is simple yet effective, providing a sense of resolution and stability throughout the progression. This, combined with the smooth melodic lines, gives listeners a feeling of being “comfortably numb.”

Style Analysis

“Comfortably Numb” seamlessly fuses rock with progressive elements, a hallmark of Pink Floyd’s music. The chord progression is relatively simple, yet the inclusion of the borrowed chord and suspended chord adds depth and complexity. David Gilmour’s distinctive guitar work and solos elevate the track, giving it an ethereal and timeless quality.

Chords in the Chorus section of Comfortably Numb by Pink Floyd are:

D, A, D, A, G/B, C, G, G/B, C, G, D, A, D, A, G/B, C, G, G/B, C, G, Asus4, A, G/B, Cadd9, G, D