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The second guitar solo in “Comfortably Numb” by Pink Floyd is based on a simple five-chord progression, spanning two diatonic tonalities (i.e., B minor and G major). This progression heavily relies on the B Aeolian mode (or natural minor scale) and showcases the band’s affinity for modal interchange and progressive rock elements.

“Another Brick In The Wall Part 2” is a song by Pink Floyd from their 1979 album “The Wall.” It is a rock song with elements of funk and progressive rock, featuring a catchy guitar riff, memorable bassline, and a guitar solo. The song is characterized by its anti-establishment message and satirical lyrics about the educational system, and it explores themes of isolation and conformity. The music provides a strong foundation for the message, with a somewhat ominous tone that complements the lyrics’ dark subject matter.

The progression for the chorus of “Sometimes It Snows In April” by Prince exhibits a rich mixture of non- diatonic chords and borrowed chords. The tonal center of the song is A, but it doesn’t strictly follow a specific major or minor scale, creating an interesting blend of light and dark tonalities. This characteristic is a common feature in Prince’s works, showing his notable talent for blending the traditional with the unconventional.

“Get You” by Daniel Caesar is a soulful R&B ballad featuring a smooth and emotive chord progression that is both melancholic and uplifting. The progression is derived from the key of D major, but features a borrowed chord from its parallel minor key, D minor, which adds a unique flair to the song. Daniel Caesar’s vocal performance, accompanied by soulful instrumentation, creates a sense of nostalgia and emotional evocation that is characteristic of the R&B genre.

The chord progression in the chorus of “Lost Cause” by Beck showcases a simple yet effective pattern utilizing major chords and a dominant seventh chord, which creates tension and resolution throughout the progression. The song is in C major, and the chords predominantly follow the diatonic harmony of the key. The style is reminiscent of folk and alternative rock, with the harmony playing a significant role in evoking a sense of melancholy in the listener.

Pink Floyd – Comfortably Numb – Chorus

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Chord Progression

D, A, D, A, G/B, C, G, G/B, C, G, D, A, D, A, G/B, C, G, G/B, C, G, Asus4, A, G/B, Cadd9, G, D

Chord Progression Analysis

D Major (I), A Major (V), D Major (I), A Major (V), G/B (IV6), C Major (bVII), G Major (IV), G/B (IV6), C Major (bVII), G Major (IV), D Major (I), A Major (V), D Major (I), A Major (V), G/B (IV6), C Major (bVII), G Major (IV), G/B (IV6), C Major (bVII), G Major (IV), A sus4 (V sus4), A Major (V), G/B (IV6), Cadd9 (bVII add9), G Major (IV), D Major (I)

`Borrowed Chords: bVII (C Major)`

Similar Chord Progressions

1. The Beatles – “Let It Be”
Chord progression: C Major (I), G Major (V), A minor (vi), F Major (IV), C Major (I), G Major (V), F Major (IV), C Major (I)

2. Oasis – “Wonderwall”
Chord progression: E minor7 (vi7), G Major (I), D sus4 (IV sus4), A7 sus4 (V7 sus4), E minor7 (vi7), G Major (I), D sus4 (IV sus4), A7 sus4 (V7 sus4)

3. Radiohead – “Karma Police”
Chord progression: A minor (i), A minor/F# (i7), A minor/F (i6), E minor (iv), D Major (VII), G Major (VI), C Major (III), B Major (II), A minor (i)

Musical Analysis

The chorus predominantly features a repetition of the I-V progression between D Major and A Major, which provides a strong foundation for the overall harmonic structure. The borrowed chord from the parallel minor, bVII (C Major), is introduced alongside the IV (G Major) and IV6 (G/B) chords, adding contrast and a subtle touch of unease to the soothing progression. The use of the A sus4 transitioning into the A Major chord further enhances the harmonic interest.

Overall Analysis

The chorus of Pink Floyd’s “Comfortably Numb” is a perfect example of their signature sound, combining both rock and progressive elements. The harmonic structure is simple yet effective, providing a sense of resolution and stability throughout the progression. This, combined with the smooth melodic lines, gives listeners a feeling of being “comfortably numb.”

Style Analysis

“Comfortably Numb” seamlessly fuses rock with progressive elements, a hallmark of Pink Floyd’s music. The chord progression is relatively simple, yet the inclusion of the borrowed chord and suspended chord adds depth and complexity. David Gilmour’s distinctive guitar work and solos elevate the track, giving it an ethereal and timeless quality.

Chords in the Chorus section of Comfortably Numb by Pink Floyd are:

D, A, D, A, G/B, C, G, G/B, C, G, D, A, D, A, G/B, C, G, G/B, C, G, Asus4, A, G/B, Cadd9, G, D