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The song “Hurt” by Nine Inch Nails is in the key of B minor. The verse has a simple yet effective chord progression that revolves mainly around the i, III, and IV chords with a slight deviation towards the end. The chorus is characterized by a i-VII-III-VI progression with a slight extension. The outro mostly repeats the verse progression but is shorter.

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“Closer” by Nine Inch Nails is a repetitive, hypnotic song that relies on a dark tonality and electronic elements to create its unique sound. This is achieved with the use of only two chords: Cm7 and F. Notably, a distinctive feature of this song is the lack of chordal diversity which aids in creating a minimal, industrial vibe.

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The Beach Boys’ “Good Vibrations” presents an interesting mix of major and minor chords with excellent use of chord inversions and borrowings. The song is harmonically adventurous, showcasing the band’s pop mastery with Brian Wilson’s unmatched compositional skills. This song is primarily in the key of A Major, with many borrowed chords and modulation that creates its unique feel.

“I Guess That’s Why They Call it the Blues” is a well-known hit by Elton John from the album “Too Low for Zero” released in 1983. The song is a blend of pop, rock and blues styles and showcases Elton John’s proficiency in blending different music genres. The verse uses a straightforward I-V-vi-IV progression which is a common progression in pop music.

The Chorus’s

The given chord progression is from the chorus of “Earfquake” by Tyler, The Creator, a contemporary hip-hop and neo-soul artist. The progression features a smooth and mellow tonality, characterized by the use of 7th chords. The chord progression is in the key of Bb Major and showcases the use of mostly diatonic chords with a repetition that contributes to the song’s catchy nature.

Nine Inch Nails – Hurt – Chorus

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Chord Progression

Bm, G, D, A, Bm, G, D, A, Bm, G, D, A, Bm, G, A, B

Chord Progression Analysis

B minor (i) – G major (VI) – D major (III) – A major (VII)

Similar Chord Progressions

1. “Creep” by Radiohead
Chord progression: G major (I) – B major (III) – C major (IV) – C minor (iv)

2. “Mad World” by Tears for Fears
Chord progression: F minor (i) – A♭ major (III) – B♭ major (IV) – D♭ major (VI)

Note that these songs utilize different keys and may not have the exact same progression as “Hurt,” but they follow a similar pattern and emotional feel due to the use of borrowed chords and related techniques. The shared aesthetic among these songs lies in their emotional depth and introspective lyricism.

Musical Analysis

The foundation of the chord progression is built around the tonic (Bm – i), submediant (G – VI), and mediant (D – III). The A major chord (VII) comes from the parallel major key (B major), which is considered a borrowed chord. This borrowed chord introduces an unexpected major quality into the progression, which adds to the emotional impact of the chorus.

Overall Analysis

“Hurt” by Nine Inch Nails features a melancholic and introspective chord progression. The song is predominantly in the key of B minor. The verse and outro sections revolve around the Bm, D, and E chords, while the chorus uses a progression of Bm, G, D, A. The use of borrowed chords enriches the harmonic landscape, adding depth to the composition.

Style Analysis

“Hurt” showcases the signature style of Nine Inch Nails, characterized by introspective lyricism, dark ambiance, and emotional vulnerability. The chord progression complements this aesthetic, evoking a sense of longing, melancholy, and regret. The song also incorporates experimental and electronic elements, along with a simple yet impactful melody.

Chords in the Chorus section of Hurt by Nine Inch Nails are:

Bm, G, D, A, Bm, G, D, A, Bm, G, D, A, Bm, G, A, B