Search

Related Music Theory Alchemy

The song “Hurt” by Nine Inch Nails mainly consists of a six-chord progression (Bm, G, D, A, Bm, G), repeating four times in the chorus. The sixth repetition alters the ending (Bm, G, A, B), and the key of the song is B Minor.

The chorus of “Closer” by Nine Inch Nails is built around a progression that oscillates between a single major chord, F, and a single minor seventh chord, Cm7. This is quite minimalistic. Major chords usually have a happy, positive feel, while minor chords induce a somewhat sad, introspective mood. The use of C minor 7th gives a particular color to the progression: it’s a minor chord with an added minor seventh, which means it’s a bit less stable than a regular minor chord.

**

“Landslide” by The Smashing Pumpkins, originally by Fleetwood Mac, is written in the key of G major. The song features simple, but effective, chord progressions that are common in the folk and rock genres. The progression utilizes primary chords in the key (G, D, and C), along with some modal mixture via the borrowing of the minor iv chord (C) and minor vi chord (Am) from the parallel minor key (G minor). The secondary dominant D/F# creates tension and movement towards the Em chord. There is also the use of a G6 chord which adds color to the piece.

**

**

“Little Sister” by Queens of the Stone Age is based in the rock genre, featuring a simple melody with strong rhythmic components, built on a mix of power, suspended and major chords. The use of the C#5 and G#5/D# chords in the verses and the F#sus4-E-G#sus4 repetition in the chorus indicate an overall key signature of F# minor.

**

“I Guess That’s Why They Call it the Blues” is a well-known hit by Elton John from the album “Too Low for Zero” released in 1983. The song is a blend of pop, rock and blues styles and showcases Elton John’s proficiency in blending different music genres. The verse uses a straightforward I-V-vi-IV progression which is a common progression in pop music.

The Chorus’s

Nine Inch Nails – Hurt – Chorus

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

Bm, G, D, A, Bm, G, D, A, Bm, G, D, A, Bm, G, A, B

Chord Progression Analysis

B minor (i) – G major (VI) – D major (III) – A major (VII)

Similar Chord Progressions

1. “Creep” by Radiohead
Chord progression: G major (I) – B major (III) – C major (IV) – C minor (iv)

2. “Mad World” by Tears for Fears
Chord progression: F minor (i) – A♭ major (III) – B♭ major (IV) – D♭ major (VI)

Note that these songs utilize different keys and may not have the exact same progression as “Hurt,” but they follow a similar pattern and emotional feel due to the use of borrowed chords and related techniques. The shared aesthetic among these songs lies in their emotional depth and introspective lyricism.

Musical Analysis

The foundation of the chord progression is built around the tonic (Bm – i), submediant (G – VI), and mediant (D – III). The A major chord (VII) comes from the parallel major key (B major), which is considered a borrowed chord. This borrowed chord introduces an unexpected major quality into the progression, which adds to the emotional impact of the chorus.

Overall Analysis

“Hurt” by Nine Inch Nails features a melancholic and introspective chord progression. The song is predominantly in the key of B minor. The verse and outro sections revolve around the Bm, D, and E chords, while the chorus uses a progression of Bm, G, D, A. The use of borrowed chords enriches the harmonic landscape, adding depth to the composition.

Style Analysis

“Hurt” showcases the signature style of Nine Inch Nails, characterized by introspective lyricism, dark ambiance, and emotional vulnerability. The chord progression complements this aesthetic, evoking a sense of longing, melancholy, and regret. The song also incorporates experimental and electronic elements, along with a simple yet impactful melody.

Chords in the Chorus section of Hurt by Nine Inch Nails are:

Bm, G, D, A, Bm, G, D, A, Bm, G, D, A, Bm, G, A, B