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Related Music Theory Alchemy

“Hurt”, written by Nine Inch Nails, exudes melancholy and despair through a slow progression that weaves intricate melodies between the chords. The tonality is primarily in B minor, but introduces D, E, A, and G chords throughout, indicating some mode mixture or borrowed chord use.

“Right Where It Belongs” by Nine Inch Nails features a melancholic and somewhat unconventional chord progression that moves between different tonal centers. The base key can be identified as F major from the frequency of F major chords in the progression.

The chord progression in the chorus of Kali Uchis’ “After The Storm” features a repeating progression of Am7, Bm7, and Eaug that occurs three times, with slight variations in harmony and tonality. It is a unique and interesting progression that creates tension through the use of both minor 7th and augmented chords. The overall style evokes a dreamy, jazzy atmosphere with elements of R&B and soul.

“Tonight, Tonight” by The Smashing Pumpkins draws from the band’s unique style of alternative rock influenced by a distinct palette of harmonic choices. Particularly in the songwriting of Billy Corgan (the band’s primary songwriter), the band tends to use a mix of common and uncommon chords, together with a tendency of exploring different tonalities. Often, the chord changes are driven by guitar inversions, suspensions, or additions.

“Every Day Is Exactly The Same” by Nine Inch Nails utilizes a unique four-chord cycle in its chorus – ‘E’, ‘A’, ‘C’, ‘G’. The song is in the key of E minor, and therefore, the functional analysis would interpret this progression as i-IV-bVI-III. The bVI and III are borrowed chords from the parallel major scale. This chord progression creates a moody atmosphere that aligns with the overall melancholic and introspective theme of the song.

Nine Inch Nails – Hurt – Chorus

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Chord Progression

Bm, G, D, A, Bm, G, D, A, Bm, G, D, A, Bm, G, A, B

Chord Progression Analysis

B minor (i) – G major (VI) – D major (III) – A major (VII)

Similar Chord Progressions

1. “Creep” by Radiohead
Chord progression: G major (I) – B major (III) – C major (IV) – C minor (iv)

2. “Mad World” by Tears for Fears
Chord progression: F minor (i) – A♭ major (III) – B♭ major (IV) – D♭ major (VI)

Note that these songs utilize different keys and may not have the exact same progression as “Hurt,” but they follow a similar pattern and emotional feel due to the use of borrowed chords and related techniques. The shared aesthetic among these songs lies in their emotional depth and introspective lyricism.

Musical Analysis

The foundation of the chord progression is built around the tonic (Bm – i), submediant (G – VI), and mediant (D – III). The A major chord (VII) comes from the parallel major key (B major), which is considered a borrowed chord. This borrowed chord introduces an unexpected major quality into the progression, which adds to the emotional impact of the chorus.

Overall Analysis

“Hurt” by Nine Inch Nails features a melancholic and introspective chord progression. The song is predominantly in the key of B minor. The verse and outro sections revolve around the Bm, D, and E chords, while the chorus uses a progression of Bm, G, D, A. The use of borrowed chords enriches the harmonic landscape, adding depth to the composition.

Style Analysis

“Hurt” showcases the signature style of Nine Inch Nails, characterized by introspective lyricism, dark ambiance, and emotional vulnerability. The chord progression complements this aesthetic, evoking a sense of longing, melancholy, and regret. The song also incorporates experimental and electronic elements, along with a simple yet impactful melody.

Chords in the Chorus section of Hurt by Nine Inch Nails are:

Bm, G, D, A, Bm, G, D, A, Bm, G, D, A, Bm, G, A, B