Search

Related Music Theory Alchemy

“When You Die” by MGMT features a fairly unconventional chord progression that mixes elements of rock, pop, and classic psychedelia. The progression creates tension and intrigue through the use of extended harmonies, chromaticism, and borrowed chords. The distinctiveness of this progression contributes to the song’s unique sound.

“Time To Pretend” by MGMT features a non-conventional and interesting chord progression. The progression can be primarily analyzed in the key of D Major with a brief modulation to the relative minor (F#m). The chords are not sophisticated in terms of extensions, but the arrangement and harmonic movement provide a unique and memorable melody. This chorus is an example of diatonic and modal mixture, using chords not only from the primary key but also borrowing chords from other modes.

“Goodbye Blue Sky” by Pink Floyd is a beautifully haunting piece with a chord progression that demonstrates their innovative use of borrowed chords and modulation to explore various tonal centers. The song is generally in the key of A minor.

The chord progression in Beck’s “Nobody’s Fault But My Own” from Verse 1 features a mix of diatonic and borrowed chords, primarily from the D Major scale but also incorporating chords from the parallel minor and other related keys. This gives the progression a unique and fresh sound that sets it apart from more traditional progressions. Notably, there are several pedal points using the D root throughout the progression, which helps maintain a sense of tonal center.

“Just The Two of Us” by Grover Washington Jr. is an easy-listening song, falling under R&B and jazz genres. It’s a classic example of the use of major 7th, dominant 7th, and minor 7th chords to create a rich, smooth harmonic texture. The chord progression is quite repetitive and follows a mixture of diatonic and chromatic movement.

MGMT – When You Die – Verse 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

G, Em, F#m, Bm, G, F#m, Bm, E, A

Chord Progression Analysis

G Major (I) – Em (vi) – F#m (♯vii°) – Bm (iii) – G Major (I) – F#m (♯vii°) – Bm (iii) – E Major (VI) – A Major (II)

“`
F#m (♯vii°) – Borrowed chord from G Lydian
E Major (VI) – Borrowed chord from G Mixolydian
A Major (II) – Borrowed chord from G Mixolydian
“`

Similar Chord Progressions

1. Radiohead – “Paranoid Android”
[‘G’, ‘Fsus2’, ‘Em’, ‘A’, ‘Dm’, ‘Bb’, ‘C’]

2. The Beatles – “Strawberry Fields Forever”
[‘A’, ‘G’, ‘D’, ‘E’, ‘F#m’, ‘F’, ‘D’]

These examples showcase similar uses of borrowed chords, surprising modulations, and interesting harmonic movements, drawing on different modal elements and chromaticism to create an engaging listening experience.

Musical Analysis

The verse begins with the I-vi progression, which is a common move in pop and rock music to create a sense of stability. The progression then takes a surprising turn with the appearance of the borrowed F#m chord, which introduces a level of dissonance and tension. This tension is continued with the Bm chord and then resolved by returning to the G major.

The progression moves through another F#m-Bm sequence before a modulation occurs to the relative minor key of E minor. In this section, E major and A major chords are introduced, both borrowed chords from the G Mixolydian mode. This creates an effective contrast with the initial part of the verse, and introduces an additional dimension in the harmony.

Overall Analysis

The chord progression in the verse of “When You Die” by MGMT can be analyzed as a blend of traditional diatonic harmony and chromaticism. The song is in the key of G major with elements of modal interchange and a brief modulation to the relative minor key, E minor. The progression features a mix of both major and minor chords and gives the piece a sense of melancholy and uncertainty.

Style Analysis

As an indie rock/electronic fusion band, MGMT often experiments with different harmonic textures and structures. The chord progression in “When You Die” is a good example of this, as it combines familiar diatonic harmonic movement with chromaticism and modal interchange. This blending of styles keeps the music fresh and engaging while retaining a strong emotional message. The inclusion of borrowed chords adds to the overall melancholic and atmospheric tone that is characteristic of MGMT’s work.

Chords in the Verse 1 section of When You Die by MGMT are:

G, Em, F#m, Bm, G, F#m, Bm, E, A