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Related Music Theory Alchemy

“When You Die” by MGMT features a fairly unconventional chord progression that mixes elements of rock, pop, and classic psychedelia. The progression creates tension and intrigue through the use of extended harmonies, chromaticism, and borrowed chords. The distinctiveness of this progression contributes to the song’s unique sound.

The chord progression in Verse 3 of “Congratulations” by MGMT features a mix of diatonic and non-diatonic chords. The song appears to be in G major, and the progression showcases several common techniques such as the use of inversions (G/F#), borrowed chords (Dsus4), and extended chords (Em7).

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“With a Little Help from My Friends” is a song by the Beatles from their 1967 album ‘Sgt. Pepper’s Lonely Hearts Club Band’. It features Ringo Starr who sings the song in the role of ‘Billy Shears’, a fictional character from the ‘Sgt. Pepper’ album. It was composed by Paul McCartney and John Lennon.

The full chord sequence you provided represents the verse. The song itself is predominantly in E Major, but contains several borrowed chords and modal exchanges. As was common with Beatles’s compositions, they often incorporated intricate chord progressions and did not strictly adhere to traditional key signatures.

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The given chord progression of Weezer’s “California Kids” features a verse in the key of C major. The progression primarily uses diatonic chords, with a more unconventional movement that features the use of a C/B chord, or I chord with the bass note played in the seventh degree (leads to tonicization of the vi chord). The progression also features a common IV-V movement that is a characteristic of pop and rock music.

“Roads” by Portishead is set in the key of Am, also known as A minor. In the verse, there is an interesting use of the flat major 7 (Fmaj7) chord. This chord is not typically found within the natural minor key but is considered a borrowed chord from the A major key. Thus, this use of said borrowed chord and its resolution to the E7 dominants gives the song a unique feel, contributing to its mesmerizing and emotive ambience. Portishead tends to blend the use of A minor and A Dorian modality in their music, especially apparent in this composition.

MGMT – When You Die – Verse 1

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Chord Progression

G, Em, F#m, Bm, G, F#m, Bm, E, A

Chord Progression Analysis

G Major (I) – Em (vi) – F#m (♯vii°) – Bm (iii) – G Major (I) – F#m (♯vii°) – Bm (iii) – E Major (VI) – A Major (II)

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F#m (♯vii°) – Borrowed chord from G Lydian
E Major (VI) – Borrowed chord from G Mixolydian
A Major (II) – Borrowed chord from G Mixolydian
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Similar Chord Progressions

1. Radiohead – “Paranoid Android”
[‘G’, ‘Fsus2’, ‘Em’, ‘A’, ‘Dm’, ‘Bb’, ‘C’]

2. The Beatles – “Strawberry Fields Forever”
[‘A’, ‘G’, ‘D’, ‘E’, ‘F#m’, ‘F’, ‘D’]

These examples showcase similar uses of borrowed chords, surprising modulations, and interesting harmonic movements, drawing on different modal elements and chromaticism to create an engaging listening experience.

Musical Analysis

The verse begins with the I-vi progression, which is a common move in pop and rock music to create a sense of stability. The progression then takes a surprising turn with the appearance of the borrowed F#m chord, which introduces a level of dissonance and tension. This tension is continued with the Bm chord and then resolved by returning to the G major.

The progression moves through another F#m-Bm sequence before a modulation occurs to the relative minor key of E minor. In this section, E major and A major chords are introduced, both borrowed chords from the G Mixolydian mode. This creates an effective contrast with the initial part of the verse, and introduces an additional dimension in the harmony.

Overall Analysis

The chord progression in the verse of “When You Die” by MGMT can be analyzed as a blend of traditional diatonic harmony and chromaticism. The song is in the key of G major with elements of modal interchange and a brief modulation to the relative minor key, E minor. The progression features a mix of both major and minor chords and gives the piece a sense of melancholy and uncertainty.

Style Analysis

As an indie rock/electronic fusion band, MGMT often experiments with different harmonic textures and structures. The chord progression in “When You Die” is a good example of this, as it combines familiar diatonic harmonic movement with chromaticism and modal interchange. This blending of styles keeps the music fresh and engaging while retaining a strong emotional message. The inclusion of borrowed chords adds to the overall melancholic and atmospheric tone that is characteristic of MGMT’s work.

Chords in the Verse 1 section of When You Die by MGMT are:

G, Em, F#m, Bm, G, F#m, Bm, E, A