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Related Music Theory Alchemy

“Time to Pretend” by MGMT is a psychedelic pop/rock song that incorporates elements of electronic and indie rock music. The chord progression in the pre-chorus, which we will specifically analyze, shows MGMT’s experimentation with harmonic structure, drawing influences from both traditional classical and popular music techniques.

The chord progression in the refrain of MGMT’s “Weekend Wars” is an intriguing combination of diatonic and borrowed chords. It primarily features chords from the key of A minor and C major, with some noticeable out-of-key chords that add color and tension to the progression.

The song “1979” by The Smashing Pumpkins has a chord progression that can be considered experimental for Pop and Rock music, which typically tend to use simple and easily predictable progressions. In this song, the progression is notably more complex and unpredictable, shifting between ‘E’ and ‘Emaj7’ gives this track a moody feel, and the Amaj7 gives it another color. This progression is in the key of E major.

The chord progression in the chorus of “Breathe” by Pink Floyd is a non-diatonic progression, meaning it does not strictly follow a specific key. The progression features some borrowed chords and a dominant seventh alteration. The style is influenced by blues and jazz, with a relaxed and reflective mood.

Chorus 1

“Fake Plastic Trees” by Radiohead is in the key of A major and features an alternative rock style with a strong emphasis on the melody and a hauntingly beautiful vocal progression. The song contains a unique mix of simple and complex chords that give it a sense of tension and unease.

MGMT – Time To Pretend – Chorus 1

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Chord Progression

A, F#m, G, A, D, G, D, G, D, G, D

Chord Progression Analysis

“`
A Major (V) – F# Minor (iii) – G Major (IV♭) – A Major (V) – D Major (I) – G Major (IV♭) – D Major (I) – G Major (IV♭) – D Major (I) – G Major (IV♭) – D Major (I)
“`

Similar Chord Progressions

1. “Let It Be” by The Beatles:
“`
C Major (I) – G Major (V) – A Minor (vi) – F Major (IV) – C Major (I) – G Major (V) – F Major (IV) – C Major (I)
“`

2. “Champagne Supernova” by Oasis:
“`
A Major (I) – E Major (V) – F# Minor (vi) – D Major (IV) – G Major (♭VII) – A Major (I)
“`

While these examples may not have the exact same chord progressions as “Time To Pretend,” they share similar elements of modal mixture and non-conventional arrangements that contribute to their distinct and memorable sound.

Musical Analysis

The progression begins with A Major (V), the dominant of the key, creating a sense of tension before resolving to F# Minor (iii), the relative minor. The G Major (IV♭) is borrowed from the D Mixolydian mode. This chord achieves harmonic interest and adds a touch of instability, further highlighted by the return to the A Major (V) chord.

After the first four chords, the progression continues to D Major (I) – G Major (IV♭), reinforcing the tonality in D Major and continuing the mixture of the D Mixolydian mode. This alternation between I and IV♭ reiterates the foundation, providing a sense of grounding amidst the modal mixture.

Overall Analysis

“Time To Pretend” by MGMT features a non-conventional and interesting chord progression. The progression can be primarily analyzed in the key of D Major with a brief modulation to the relative minor (F#m). The chords are not sophisticated in terms of extensions, but the arrangement and harmonic movement provide a unique and memorable melody. This chorus is an example of diatonic and modal mixture, using chords not only from the primary key but also borrowing chords from other modes.

Style Analysis

“Time To Pretend” showcases MGMT’s distinct blend of psychedelic and indie rock. The chord progression reflects this style by incorporating elements of unpredictability and uniqueness. Synth-driven and with a clean mix, the looped chorus chords give a dreamy and atmospheric feel. This sound is reminiscent of some of the influential bands of the late 2000s.

Chords in the Chorus 1 section of Time To Pretend by MGMT are:

A, F#m, G, A, D, G, D, G, D, G, D