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Related Music Theory Alchemy

The chord progression in the verse of “Time To Pretend” by MGMT is primarily built around the key of D major. It features a simple and repetitive structure, with some variations. The chords used are mainly triads and simple extensions, with the occasional use of suspended chords (Dsus2) to create tension and release. The progression showcases the band’s ability to create an engaging and immersive soundscape, while keeping the harmony relatively simple.

The chord progression for the verse of “Electric Feel” by MGMT is based in the key of C major. The progression mainly revolves around the use of i, v, VI, and VII chords. The song has a hypnotic, cyclic feel that is characteristic of the neo-psychedelic genre, with touches of funk and dance music elements.

The song “1979” by The Smashing Pumpkins has a chord progression that can be considered experimental for Pop and Rock music, which typically tend to use simple and easily predictable progressions. In this song, the progression is notably more complex and unpredictable, shifting between ‘E’ and ‘Emaj7’ gives this track a moody feel, and the Amaj7 gives it another color. This progression is in the key of E major.

“Whole Lotta Love” by Led Zeppelin is a classic rock song that was released in 1969. The song features a signature riff that has become an iconic part of rock and roll history. The chorus of the song features a chord progression based on the alternating pattern of E and D Major chords, creating a groove that is both driving and catchy.

The chorus of “Give Me The Night” by George Benson features a smooth chord progression that explores both diatonic and borrowed chords, creating a sophisticated sound that is characteristic of the jazz and R&B styles prevalent in the late 1970s and early 1980s. The progression is comprised of chords that stem from the Fm7 key but also includes a borrowed Dbmaj7 chord.

MGMT – Time To Pretend – Chorus 1

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Chord Progression

A, F#m, G, A, D, G, D, G, D, G, D

Chord Progression Analysis

“`
A Major (V) – F# Minor (iii) – G Major (IV♭) – A Major (V) – D Major (I) – G Major (IV♭) – D Major (I) – G Major (IV♭) – D Major (I) – G Major (IV♭) – D Major (I)
“`

Similar Chord Progressions

1. “Let It Be” by The Beatles:
“`
C Major (I) – G Major (V) – A Minor (vi) – F Major (IV) – C Major (I) – G Major (V) – F Major (IV) – C Major (I)
“`

2. “Champagne Supernova” by Oasis:
“`
A Major (I) – E Major (V) – F# Minor (vi) – D Major (IV) – G Major (♭VII) – A Major (I)
“`

While these examples may not have the exact same chord progressions as “Time To Pretend,” they share similar elements of modal mixture and non-conventional arrangements that contribute to their distinct and memorable sound.

Musical Analysis

The progression begins with A Major (V), the dominant of the key, creating a sense of tension before resolving to F# Minor (iii), the relative minor. The G Major (IV♭) is borrowed from the D Mixolydian mode. This chord achieves harmonic interest and adds a touch of instability, further highlighted by the return to the A Major (V) chord.

After the first four chords, the progression continues to D Major (I) – G Major (IV♭), reinforcing the tonality in D Major and continuing the mixture of the D Mixolydian mode. This alternation between I and IV♭ reiterates the foundation, providing a sense of grounding amidst the modal mixture.

Overall Analysis

“Time To Pretend” by MGMT features a non-conventional and interesting chord progression. The progression can be primarily analyzed in the key of D Major with a brief modulation to the relative minor (F#m). The chords are not sophisticated in terms of extensions, but the arrangement and harmonic movement provide a unique and memorable melody. This chorus is an example of diatonic and modal mixture, using chords not only from the primary key but also borrowing chords from other modes.

Style Analysis

“Time To Pretend” showcases MGMT’s distinct blend of psychedelic and indie rock. The chord progression reflects this style by incorporating elements of unpredictability and uniqueness. Synth-driven and with a clean mix, the looped chorus chords give a dreamy and atmospheric feel. This sound is reminiscent of some of the influential bands of the late 2000s.

Chords in the Chorus 1 section of Time To Pretend by MGMT are:

A, F#m, G, A, D, G, D, G, D, G, D