Search

Related Music Theory Alchemy

“Time to Pretend” by MGMT is a psychedelic pop/rock song that incorporates elements of electronic and indie rock music. The chord progression in the pre-chorus, which we will specifically analyze, shows MGMT’s experimentation with harmonic structure, drawing influences from both traditional classical and popular music techniques.

The chord progression for the verse of “Kids” by MGMT is a simple and diatonic progression in the key of A major, following the vi-IV-I-V pattern. It is common in pop music and creates a sense of tension and release throughout the progression. The chords are played using predominantly major and minor triads, with an inversion in the V chord (E/G#).

The song “1979” by The Smashing Pumpkins has a chord progression that can be considered experimental for Pop and Rock music, which typically tend to use simple and easily predictable progressions. In this song, the progression is notably more complex and unpredictable, shifting between ‘E’ and ‘Emaj7’ gives this track a moody feel, and the Amaj7 gives it another color. This progression is in the key of E major.

The progression for the song is tuned to a standard E Standard (E A D G B E) and it is in the key of G.

“Strawberry Fields Forever” by The Beatles is an iconic psychedelic rock track marked with rich harmonies and sophisticated musical elements. The song is primarily constructed around the key of A, but it employs several modal mixtures and non-diatonic chords, contributing to its intriguing tonality.

MGMT – Time To Pretend – Chorus 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

A, F#m, G, A, D, G, D, G, D, G, D

Chord Progression Analysis

“`
A Major (V) – F# Minor (iii) – G Major (IV♭) – A Major (V) – D Major (I) – G Major (IV♭) – D Major (I) – G Major (IV♭) – D Major (I) – G Major (IV♭) – D Major (I)
“`

Similar Chord Progressions

1. “Let It Be” by The Beatles:
“`
C Major (I) – G Major (V) – A Minor (vi) – F Major (IV) – C Major (I) – G Major (V) – F Major (IV) – C Major (I)
“`

2. “Champagne Supernova” by Oasis:
“`
A Major (I) – E Major (V) – F# Minor (vi) – D Major (IV) – G Major (♭VII) – A Major (I)
“`

While these examples may not have the exact same chord progressions as “Time To Pretend,” they share similar elements of modal mixture and non-conventional arrangements that contribute to their distinct and memorable sound.

Musical Analysis

The progression begins with A Major (V), the dominant of the key, creating a sense of tension before resolving to F# Minor (iii), the relative minor. The G Major (IV♭) is borrowed from the D Mixolydian mode. This chord achieves harmonic interest and adds a touch of instability, further highlighted by the return to the A Major (V) chord.

After the first four chords, the progression continues to D Major (I) – G Major (IV♭), reinforcing the tonality in D Major and continuing the mixture of the D Mixolydian mode. This alternation between I and IV♭ reiterates the foundation, providing a sense of grounding amidst the modal mixture.

Overall Analysis

“Time To Pretend” by MGMT features a non-conventional and interesting chord progression. The progression can be primarily analyzed in the key of D Major with a brief modulation to the relative minor (F#m). The chords are not sophisticated in terms of extensions, but the arrangement and harmonic movement provide a unique and memorable melody. This chorus is an example of diatonic and modal mixture, using chords not only from the primary key but also borrowing chords from other modes.

Style Analysis

“Time To Pretend” showcases MGMT’s distinct blend of psychedelic and indie rock. The chord progression reflects this style by incorporating elements of unpredictability and uniqueness. Synth-driven and with a clean mix, the looped chorus chords give a dreamy and atmospheric feel. This sound is reminiscent of some of the influential bands of the late 2000s.

Chords in the Chorus 1 section of Time To Pretend by MGMT are:

A, F#m, G, A, D, G, D, G, D, G, D