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“Time to Pretend” by MGMT is a psychedelic pop/rock song that incorporates elements of electronic and indie rock music. The chord progression in the pre-chorus, which we will specifically analyze, shows MGMT’s experimentation with harmonic structure, drawing influences from both traditional classical and popular music techniques.

The chord progression of MGMT’s “Electric Feel” outro is in E Minor, and it features a combination of diatonic chords and a borrowed chord from the parallel major key. The progression creates a sense of tension and resolution, giving the outro a captivating and memorable quality. The song itself is a psychedelic, funk-infused electro-pop track, which enhances the trippy, mesmerizing vibe of the progression.

“Castles Made of Sand” is a song by Jimi Hendrix, found on his 1967 album “Axis: Bold as Love.” The song is in the key of G major and features a chord progression that is both simple and innovative in its use of borrowed chords and voice leading. The progression can be seen as an indirect approach to the IV chord (C) which gives the progression a sense of unresolved tension. The overall sound of the song is characterized by its dreamy, psychedelic atmosphere.

The song “1979” by The Smashing Pumpkins has a chord progression that can be considered experimental for Pop and Rock music, which typically tend to use simple and easily predictable progressions. In this song, the progression is notably more complex and unpredictable, shifting between ‘E’ and ‘Emaj7’ gives this track a moody feel, and the Amaj7 gives it another color. This progression is in the key of E major.

“Good Old Fashioned Lover Boy” by Queen exhibits rich harmonic complexity that falls within the signature rock style of the band. This is evident in the fluctuation between major and minor chord quality, frequent use of 7th chords as well as borrowed chords from the parallel minor. The progression moves fluidly between the tonics, subdominants, and dominants, with a strong cadential movement towards the end that resolves the tension built upon earlier in the piece.

MGMT – Time To Pretend – Chorus 1

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Chord Progression

A, F#m, G, A, D, G, D, G, D, G, D

Chord Progression Analysis

“`
A Major (V) – F# Minor (iii) – G Major (IV♭) – A Major (V) – D Major (I) – G Major (IV♭) – D Major (I) – G Major (IV♭) – D Major (I) – G Major (IV♭) – D Major (I)
“`

Similar Chord Progressions

1. “Let It Be” by The Beatles:
“`
C Major (I) – G Major (V) – A Minor (vi) – F Major (IV) – C Major (I) – G Major (V) – F Major (IV) – C Major (I)
“`

2. “Champagne Supernova” by Oasis:
“`
A Major (I) – E Major (V) – F# Minor (vi) – D Major (IV) – G Major (♭VII) – A Major (I)
“`

While these examples may not have the exact same chord progressions as “Time To Pretend,” they share similar elements of modal mixture and non-conventional arrangements that contribute to their distinct and memorable sound.

Musical Analysis

The progression begins with A Major (V), the dominant of the key, creating a sense of tension before resolving to F# Minor (iii), the relative minor. The G Major (IV♭) is borrowed from the D Mixolydian mode. This chord achieves harmonic interest and adds a touch of instability, further highlighted by the return to the A Major (V) chord.

After the first four chords, the progression continues to D Major (I) – G Major (IV♭), reinforcing the tonality in D Major and continuing the mixture of the D Mixolydian mode. This alternation between I and IV♭ reiterates the foundation, providing a sense of grounding amidst the modal mixture.

Overall Analysis

“Time To Pretend” by MGMT features a non-conventional and interesting chord progression. The progression can be primarily analyzed in the key of D Major with a brief modulation to the relative minor (F#m). The chords are not sophisticated in terms of extensions, but the arrangement and harmonic movement provide a unique and memorable melody. This chorus is an example of diatonic and modal mixture, using chords not only from the primary key but also borrowing chords from other modes.

Style Analysis

“Time To Pretend” showcases MGMT’s distinct blend of psychedelic and indie rock. The chord progression reflects this style by incorporating elements of unpredictability and uniqueness. Synth-driven and with a clean mix, the looped chorus chords give a dreamy and atmospheric feel. This sound is reminiscent of some of the influential bands of the late 2000s.

Chords in the Chorus 1 section of Time To Pretend by MGMT are:

A, F#m, G, A, D, G, D, G, D, G, D