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“Fake Plastic Trees” by Radiohead is a haunting and introspective ballad that features an evocative chord progression. The progression appears to have been influenced by alternative rock and combines elements of both major and minor tonalities, as well as non-diatonic and diatonic chords. This blend of harmonic flavors creates an unforgettable sound that is melancholic, yet beautiful.

“Exit Music (For a Film)” by Radiohead is a song characterized by a strong sense of melancholy and dark ambiance. The harmonic movement creates tension through the use of chromaticism, borrowed chords, and non-diatonic notes. In the verse progression, there is a mixture of minor and major chords, along with added tones that enhance the complexity and mood of the music.

The song “1979” by The Smashing Pumpkins has a chord progression that can be considered experimental for Pop and Rock music, which typically tend to use simple and easily predictable progressions. In this song, the progression is notably more complex and unpredictable, shifting between ‘E’ and ‘Emaj7’ gives this track a moody feel, and the Amaj7 gives it another color. This progression is in the key of E major.

“Good Old Fashioned Lover Boy” by Queen exhibits rich harmonic complexity that falls within the signature rock style of the band. This is evident in the fluctuation between major and minor chord quality, frequent use of 7th chords as well as borrowed chords from the parallel minor. The progression moves fluidly between the tonics, subdominants, and dominants, with a strong cadential movement towards the end that resolves the tension built upon earlier in the piece.

The progression for the song is tuned to a standard E Standard (E A D G B E) and it is in the key of G.

Radiohead – Fake Plastic Trees – Chorus 1

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Chord Progression

Bm7add11, A, Bm7add11, A, Asus4

Chord Progression Analysis

Bm7add11 (ii7add11), A (I), Bm7add11 (ii7add11), A (I), Asus4 (I4)

Borrowed Chord:
`None`

Similar Chord Progressions

1. Coldplay – “The Scientist” (Dm9, Bb, F, C, Csus4)
2. Jeff Buckley – “Hallelujah” (C, Am, C, Am, F, G, C, G, C)

These other compositions don’t follow the exact same chord progression as “Fake Plastic Trees,” but they share similar elements and characteristics, such as the use of add11 and sus4 chords to add flavor and tension to their progressions. Both songs, like “Fake Plastic Trees,” are in a major key and feature emotive vocal performances and memorable melodies.

Musical Analysis

The song starts with a Bm7add11 chord, which adds a touch of dissonance and tension as it includes the 11th (E note), creating an unresolved feeling. This tension is released when the progression moves to the A major chord, providing a sense of resolution before returning to the Bm7add11 chord for continued tension. The last chord, Asus4, serves as a slight variation to the A major chord and adds even more color and character to the progression, as it replaces the major third (C#) with a perfect fourth (D).

Overall Analysis

“Fake Plastic Trees” by Radiohead is in the key of A major and features an alternative rock style with a strong emphasis on the melody and a hauntingly beautiful vocal progression. The song contains a unique mix of simple and complex chords that give it a sense of tension and unease.

Style Analysis

Radiohead is known for their innovative and experimental approach to songwriting, which is evident in “Fake Plastic Trees.” The chord progression in the chorus is simple yet engaging, with the use of Bm7add11 and Asus4 chords adding depth and character to the otherwise straightforward I-ii progression. The verses feature simpler chords, allowing the focus to be on Thom Yorke’s emotive vocal performance. The strophic form used in the song creates a feeling of continuity, with each verse and chorus telling different parts of the same story.

Chords in the Chorus 1 section of Fake Plastic Trees by Radiohead are:

Bm7add11, A, Bm7add11, A, Asus4