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The piece, ‘1979’ by The Smashing Pumpkins follows an overarching structure with a mix of major and minor chords, what stand out are the rich extended chords, ‘Emaj7’ and ‘Amaj7’. The piece displays a balance between tonic chords and dominant chords, expressing a classic pop-rock style whilst frequent usage of maj7 chords adding a distinctive jazziness to the tune.

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“1979” by The Smashing Pumpkins is a classic alternative rock song that cleverly uses uncommon, sophisticated chords to evoke an emotional, melancholic atmosphere.

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“Time To Pretend” by MGMT features a non-conventional and interesting chord progression. The progression can be primarily analyzed in the key of D Major with a brief modulation to the relative minor (F#m). The chords are not sophisticated in terms of extensions, but the arrangement and harmonic movement provide a unique and memorable melody. This chorus is an example of diatonic and modal mixture, using chords not only from the primary key but also borrowing chords from other modes.

The progression for the song is tuned to a standard E Standard (E A D G B E) and it is in the key of G.

“Castles Made of Sand” is a song by Jimi Hendrix, found on his 1967 album “Axis: Bold as Love.” The song is in the key of G major and features a chord progression that is both simple and innovative in its use of borrowed chords and voice leading. The progression can be seen as an indirect approach to the IV chord (C) which gives the progression a sense of unresolved tension. The overall sound of the song is characterized by its dreamy, psychedelic atmosphere.

The Smashing Pumpkins – 1979 – Chorus 1

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Chord Progression

[‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘F#m7’, ‘B’, ‘Emaj7’, ‘E’]

Chord Progression Analysis

Chorus:
“`
1. E (I)
2. Emaj7 (I7)
3. Amaj7 (IV7)
4. E (I)
5. Emaj7 (I7)
6. Amaj7 (IV7)
7. E (I)
8. Emaj7 (I7)
9. Amaj7 (IV7)
10. F#m7 (ii7)
11. B (V)
12. Emaj7 (I7)
13. E (I)
“`

Similar Chord Progressions

Although unique in many ways, the chord progression of “1979” can be compared to that of “Life in Technicolor” by Coldplay. The song also has an unconventional progression with multiple seventh chords. The progression starts on D (I), moving to G (IV), Bm7 (vi7), G (IV) and A (V). This progression shows similar use of major seventh chords, and ends on a dominant chord, as does “1979”.

Musical Analysis

The song begins and ends with the ‘Emaj7’ chord (I7), which signifies a certain resolve, but within the progression there is a noticeable tension, particularly when it transitions to the ‘Amaj7’ (IV7) chord, which is a major seventh in place of a more typical major or minor chord. In addition, the chord progression includes the ‘F#m7’ (ii7) and ‘B’ (V), a common sequence that creates a cadence back to the ‘E key’.

Overall Analysis

The song “1979” by The Smashing Pumpkins has a chord progression that can be considered experimental for Pop and Rock music, which typically tend to use simple and easily predictable progressions. In this song, the progression is notably more complex and unpredictable, shifting between ‘E’ and ‘Emaj7’ gives this track a moody feel, and the Amaj7 gives it another color. This progression is in the key of E major.

Style Analysis

Known for their grungy sound and complex guitar work, The Smashing Pumpkins push the boundaries of typical chord progressions with songs like “1979”. The band often uses seventh chords and unexpected chord changes to create an unique and interesting sound. The use of ‘Emaj7’ and ‘Amaj7’ gives the song its distinctive, melancholy sound that sets it apart from other songs in the same genre.

Chords in the Chorus 1 section of 1979 by The Smashing Pumpkins are:

[‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘F#m7’, ‘B’, ‘Emaj7’, ‘E’]