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The chord progression in the verse 1 of “Whole Lotta Love” by Led Zeppelin features just two chords: D and E. This fairly simple progression, used repetitively throughout the verse, creates a strong and energetic foundation for the song. The style of the song reflects 1960s heavy rock, and the simplicity of the chord progression adds to the rawness and drive of the music.

“Stairway to Heaven” by Led Zeppelin is a classic and iconic rock song released in 1971, as part of their fourth studio album, Led Zeppelin IV. The song is considered one of the greatest rock songs of all time, featuring an intricate chord progression, a memorable melody, and folk-inspired acoustic guitar work. The verse you provided is the second verse of the song, which shares a similar, but not identical chord progression to the other verses. The song is in the key of A minor, and the chord progression showcases a mix of diatonic and borrowed chords, along with a couple of chromatic alterations.

The progression for the song is tuned to a standard E Standard (E A D G B E) and it is in the key of G.

The chord progression in the chorus of “Breathe” by Pink Floyd is a non-diatonic progression, meaning it does not strictly follow a specific key. The progression features some borrowed chords and a dominant seventh alteration. The style is influenced by blues and jazz, with a relaxed and reflective mood.

Chorus 1

“Time To Pretend” by MGMT features a non-conventional and interesting chord progression. The progression can be primarily analyzed in the key of D Major with a brief modulation to the relative minor (F#m). The chords are not sophisticated in terms of extensions, but the arrangement and harmonic movement provide a unique and memorable melody. This chorus is an example of diatonic and modal mixture, using chords not only from the primary key but also borrowing chords from other modes.

Led Zeppelin – Whole Lotta Love – Chorus 1

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Chord Progression

E, D, E, D, E, D, E, D, E

Chord Progression Analysis

E Major (I), D Major (bVII)

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Borrowed Chord: D Major (bVII) is borrowed from the E Mixolydian mode.
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Similar Chord Progressions

1. “Sweet Home Alabama” by Lynyrd Skynyrd
Chord progression: D Major (I), C Major (bVII), G Major (IV)

2. “All Right Now” by Free
Chord progression: A Major (I), G Major (bVII), D Major (IV)

These chord progressions follow the same format of Whole Lotta Love, incorporating the I, bVII, and sometimes the IV chords. They demonstrate the commonality of this pattern in rock music and showcase how these chords are combined to create an infectious and memorable harmony.

Musical Analysis

The chorus section of “Whole Lotta Love” features a simple but effective two-chord progression, E Major and D Major. The use of the bVII (D Major) creates a sense of tension and release between the chords. This alternation between chords works well with the song’s blues rock style, emphasizing the mixture of blues and hard rock.

The chords are played in a straight, staccato rhythm, giving the chorus a strong sense of drive and energy. The chorus can be harmonically described as being centered around the E Mixolydian mode, since the bVII chord (D Major) is borrowed from that mode.

Overall Analysis

“Whole Lotta Love” by Led Zeppelin is a classic rock song that was released in 1969. The song features a signature riff that has become an iconic part of rock and roll history. The chorus of the song features a chord progression based on the alternating pattern of E and D Major chords, creating a groove that is both driving and catchy.

Style Analysis

The style of “Whole Lotta Love” can be described as blues rock and hard rock. It features distorted electric guitar riffs played by Jimmy Page, a driving rhythm section led by drummer John Bonham and bassist John Paul Jones, as well as powerful vocals from lead singer Robert Plant. The driving rhythm, heavy use of power chords, and propulsive drumming are representative of the hard rock genre popular at the time.

Chords in the Chorus 1 section of Whole Lotta Love by Led Zeppelin are:

E, D, E, D, E, D, E, D, E