Music Theory Alchemy

Search

Related Music Theory Alchemy

The chord progression for verse 3 of Led Zeppelin’s “Stairway to Heaven” utilizes multiple techniques to create a rich and emotive sound. These techniques include diatonic chords, borrowed chords, and extended harmony. The progression follows a general pattern, with a repeated structure that helps unify the verse.

The chord progression in verse 4 of “Since I’ve Been Loving You” has a striking mix of diatonic chords and chromatic chords that borrow from different modes, creating a unique and expressive progression found in the blues rock style. The progression features a predominantly minor tonality, with some tension points provided by the dominant seventh and major seventh chords.

The chord progression in Weezer’s “Perfect Situation” is a simple and repetitive progression that cycles through three chords, G, D, and Am, with D being used as a transitional or “passing” chord. This progression is based on the I – V – ii structure in the key of G major.

The chord progression in the verse of Radiohead’s “Nude” sets a contemplative and emotive atmosphere. It features a mix of diatonic and borrowed chords, which creates unexpected harmonic shifts that evoke feelings of melancholy. This distinctive harmonic language can be associated with the band’s signature moody sound and has been influential in the indie and alternative rock genres.

**

“Riptide,” by Vance Joy has a classic, highly repetitive chord progression that creates the folk/pop character of the song. It is written in the key of C Major and uses the simplified I-IV-vi progression, which is also widely used in pop music. In addition, it has a common modulated transition via V chord (G) to the vi chord (Am). There are no borrowed chords in this progression. This repetitive structure can be appealing due to its simplicity and familiarity.

**

Led Zeppelin – Stairway To Heaven – Verse 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘Am,
Ammaj9,
Am7,
D/F#,
Fmaj7,
G,
Am,
Am,
Ammaj9,
Am7,
D/F#,
Fmaj7,
G,
Am,
C,
D/F#,
C,
G,
D’]

Chord Progression Analysis

“`
A minor (i),
A minor major 9 (iMaj9),
A minor 7 (i7),
D major/F# (IV6),
F major 7 (VI7),
G major (VII),
A minor (i)
–(x2)
C major (III),
D major/F# (IV6),
C major (III),
G major (VII),
D major (IV)
“`
`Borrowed chord: [‘D major/F# (IV6)`’]

Similar Chord Progressions

1. Pink Floyd – “Breathe”
“`
D7sus2/G (IV7sus2/III),
Gmaj7 (IVmaj7),
A7sus4 (V7sus4),
A7 (V7),
“`

2. Jethro Tull – “Aqualung”
“`
Fmaj7 (VI7),
Dm (iv),
G7sus4 (VII7sus4),
G7 (VII7)
“`

3. Genesis – “Firth of Fifth”
“`
Cmaj7 (III7),
Ebmaj7 (bV7),
Fmaj7 (VI7),
G#maj7 (bVII7),
Abmaj7 (bVIM7)
“`

Musical Analysis

The verse begins with a tonic A minor chord, establishing the tonal center of the piece. The progression then moves through Ammaj9 and Am7, creating a chromatic descent in the melody. The borrowed chord, D major/F# (IV6), adds tension and intrigue to the progression, serving as a secondary dominant leading back to the relative major, Fmaj7.

The use of the Fmaj7 and G chords adds a sense of resolution to the progression, leading back to the tonic A minor. The inclusion of the C major (III) and D major (IV) chords in the latter part of the verse adds further interest and movement, while G major (VII) serves as a dominant function leading back to the tonic.

Overall Analysis

“Stairway to Heaven” is a progressive rock song by Led Zeppelin, released in 1971. The song showcases a movement between different styles and musical settings, as it starts with a gentle, fingerpicked acoustic section and gradually evolves into a powerful and climactic electric guitar solo, finishing with a full-band finale. The song is characterized by its ascending progression and intricate chord changes, which contribute to its unique and haunting atmosphere. The verse 1 chord progression features a blend of diatonic and chromatic elements, borrowed chords, and inversions, which create a sense of tension and resolution throughout the progression.

Style Analysis

“Stairway to Heaven” is a fusion of progressive rock, folk, and hard rock, as it combines intricate acoustic fingerpicking with powerful guitar solos and a highly dynamic arrangement. The chord progression in the verse reflects an eclectic mix of diatonic, chromatic, and borrowed chords that are typical of progressive rock, contributing to the song’s atmospheric quality.

Chords in the Verse 1 section of Stairway To Heaven by Led Zeppelin are:

[‘Am,
Ammaj9,
Am7,
D/F#,
Fmaj7,
G,
Am,
Am,
Ammaj9,
Am7,
D/F#,
Fmaj7,
G,
Am,
C,
D/F#,
C,
G,
D’]