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Related Music Theory Alchemy

The chord progression for verse 3 of Led Zeppelin’s “Stairway to Heaven” utilizes multiple techniques to create a rich and emotive sound. These techniques include diatonic chords, borrowed chords, and extended harmony. The progression follows a general pattern, with a repeated structure that helps unify the verse.

“Kashmir” is often regarded as one of Led Zeppelin’s greatest creations, featuring a unique chord progression, distinctive rhythmic patterns, and a fusion of Eastern and Western musical elements. Composed in DADGAD tuning, the song is in the key of D Mixolydian and reflects the band’s experimental approach to songwriting and genre-blending. Although the chord progression may be seen as unconventional in rock music, it is effective in establishing a hypnotic and evocative atmosphere.

“Time To Pretend” features a simple and repetitive chord progression in the key of D major. The chord progression in the verse is characterized by a repeated pattern of D – G – D – Dsus2. The style of the song can be described as psychedelic synth-pop, with its electronic synth sounds and dream-like atmosphere. MGMT’s music often features catchy melodies and harmonies, which can also be heard in this song.

“Eleanor Rigby’” is a song by The Beatles, released on their 1966 album “Revolver”. Being unusually somber and profound for a pop song, it showcases The Beatles’ expanding musical palette and their desire to move past the conventional parameters of popular music at the time. The song itself is crafted entirely around the key of E minor, with only occasional diversions to the IV chord (C Major). It strongly exhibits the use of Aeolian mode (commonly known as the ‘natural’ minor) and employs string quartet instrumentation, a unique stylistic pattern at that time.

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“Good Vibrations” by The Beach Boys employs a series of chord progressions that echo the rising tension and resolution in the song’s narrative. The song is primarily in the key of D minor, with moments of temporary modulation, which allows for colorful and unexpected harmonies to emerge. This harmonic and melodic complexity is one of the defining characteristics of Brian Wilson’s writing style, highlighting his ability to push the boundaries of pop music.

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Led Zeppelin – Stairway To Heaven – Verse 1

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Chord Progression

[‘Am,
Ammaj9,
Am7,
D/F#,
Fmaj7,
G,
Am,
Am,
Ammaj9,
Am7,
D/F#,
Fmaj7,
G,
Am,
C,
D/F#,
C,
G,
D’]

Chord Progression Analysis

“`
A minor (i),
A minor major 9 (iMaj9),
A minor 7 (i7),
D major/F# (IV6),
F major 7 (VI7),
G major (VII),
A minor (i)
–(x2)
C major (III),
D major/F# (IV6),
C major (III),
G major (VII),
D major (IV)
“`
`Borrowed chord: [‘D major/F# (IV6)`’]

Similar Chord Progressions

1. Pink Floyd – “Breathe”
“`
D7sus2/G (IV7sus2/III),
Gmaj7 (IVmaj7),
A7sus4 (V7sus4),
A7 (V7),
“`

2. Jethro Tull – “Aqualung”
“`
Fmaj7 (VI7),
Dm (iv),
G7sus4 (VII7sus4),
G7 (VII7)
“`

3. Genesis – “Firth of Fifth”
“`
Cmaj7 (III7),
Ebmaj7 (bV7),
Fmaj7 (VI7),
G#maj7 (bVII7),
Abmaj7 (bVIM7)
“`

Musical Analysis

The verse begins with a tonic A minor chord, establishing the tonal center of the piece. The progression then moves through Ammaj9 and Am7, creating a chromatic descent in the melody. The borrowed chord, D major/F# (IV6), adds tension and intrigue to the progression, serving as a secondary dominant leading back to the relative major, Fmaj7.

The use of the Fmaj7 and G chords adds a sense of resolution to the progression, leading back to the tonic A minor. The inclusion of the C major (III) and D major (IV) chords in the latter part of the verse adds further interest and movement, while G major (VII) serves as a dominant function leading back to the tonic.

Overall Analysis

“Stairway to Heaven” is a progressive rock song by Led Zeppelin, released in 1971. The song showcases a movement between different styles and musical settings, as it starts with a gentle, fingerpicked acoustic section and gradually evolves into a powerful and climactic electric guitar solo, finishing with a full-band finale. The song is characterized by its ascending progression and intricate chord changes, which contribute to its unique and haunting atmosphere. The verse 1 chord progression features a blend of diatonic and chromatic elements, borrowed chords, and inversions, which create a sense of tension and resolution throughout the progression.

Style Analysis

“Stairway to Heaven” is a fusion of progressive rock, folk, and hard rock, as it combines intricate acoustic fingerpicking with powerful guitar solos and a highly dynamic arrangement. The chord progression in the verse reflects an eclectic mix of diatonic, chromatic, and borrowed chords that are typical of progressive rock, contributing to the song’s atmospheric quality.

Chords in the Verse 1 section of Stairway To Heaven by Led Zeppelin are:

[‘Am,
Ammaj9,
Am7,
D/F#,
Fmaj7,
G,
Am,
Am,
Ammaj9,
Am7,
D/F#,
Fmaj7,
G,
Am,
C,
D/F#,
C,
G,
D’]