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Related Music Theory Alchemy

The chord progression for verse 3 of Led Zeppelin’s “Stairway to Heaven” utilizes multiple techniques to create a rich and emotive sound. These techniques include diatonic chords, borrowed chords, and extended harmony. The progression follows a general pattern, with a repeated structure that helps unify the verse.

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The chord progression in the verse of Tyler, The Creator’s “Earfquake” is primarily based on a simple alternation between two chords, Bbmaj7 and Am7, with a brief excursion to Gm7 before returning to Am7. The simplicity and repetition of the progression creates a feeling of comfort and stability, while the use of major 7th and minor 7th chords adds a touch of sophistication and smoothness. The progression doesn’t follow a traditional functional harmony, but it effectively supports the melody and the overall vibe of the song.

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“With a Little Help from My Friends” is a song by the Beatles from their 1967 album ‘Sgt. Pepper’s Lonely Hearts Club Band’. It features Ringo Starr who sings the song in the role of ‘Billy Shears’, a fictional character from the ‘Sgt. Pepper’ album. It was composed by Paul McCartney and John Lennon.

The full chord sequence you provided represents the verse. The song itself is predominantly in E Major, but contains several borrowed chords and modal exchanges. As was common with Beatles’s compositions, they often incorporated intricate chord progressions and did not strictly adhere to traditional key signatures.

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Led Zeppelin – Stairway To Heaven – Verse 1

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Chord Progression

[‘Am,
Ammaj9,
Am7,
D/F#,
Fmaj7,
G,
Am,
Am,
Ammaj9,
Am7,
D/F#,
Fmaj7,
G,
Am,
C,
D/F#,
C,
G,
D’]

Chord Progression Analysis

“`
A minor (i),
A minor major 9 (iMaj9),
A minor 7 (i7),
D major/F# (IV6),
F major 7 (VI7),
G major (VII),
A minor (i)
–(x2)
C major (III),
D major/F# (IV6),
C major (III),
G major (VII),
D major (IV)
“`
`Borrowed chord: [‘D major/F# (IV6)`’]

Similar Chord Progressions

1. Pink Floyd – “Breathe”
“`
D7sus2/G (IV7sus2/III),
Gmaj7 (IVmaj7),
A7sus4 (V7sus4),
A7 (V7),
“`

2. Jethro Tull – “Aqualung”
“`
Fmaj7 (VI7),
Dm (iv),
G7sus4 (VII7sus4),
G7 (VII7)
“`

3. Genesis – “Firth of Fifth”
“`
Cmaj7 (III7),
Ebmaj7 (bV7),
Fmaj7 (VI7),
G#maj7 (bVII7),
Abmaj7 (bVIM7)
“`

Musical Analysis

The verse begins with a tonic A minor chord, establishing the tonal center of the piece. The progression then moves through Ammaj9 and Am7, creating a chromatic descent in the melody. The borrowed chord, D major/F# (IV6), adds tension and intrigue to the progression, serving as a secondary dominant leading back to the relative major, Fmaj7.

The use of the Fmaj7 and G chords adds a sense of resolution to the progression, leading back to the tonic A minor. The inclusion of the C major (III) and D major (IV) chords in the latter part of the verse adds further interest and movement, while G major (VII) serves as a dominant function leading back to the tonic.

Overall Analysis

“Stairway to Heaven” is a progressive rock song by Led Zeppelin, released in 1971. The song showcases a movement between different styles and musical settings, as it starts with a gentle, fingerpicked acoustic section and gradually evolves into a powerful and climactic electric guitar solo, finishing with a full-band finale. The song is characterized by its ascending progression and intricate chord changes, which contribute to its unique and haunting atmosphere. The verse 1 chord progression features a blend of diatonic and chromatic elements, borrowed chords, and inversions, which create a sense of tension and resolution throughout the progression.

Style Analysis

“Stairway to Heaven” is a fusion of progressive rock, folk, and hard rock, as it combines intricate acoustic fingerpicking with powerful guitar solos and a highly dynamic arrangement. The chord progression in the verse reflects an eclectic mix of diatonic, chromatic, and borrowed chords that are typical of progressive rock, contributing to the song’s atmospheric quality.

Chords in the Verse 1 section of Stairway To Heaven by Led Zeppelin are:

[‘Am,
Ammaj9,
Am7,
D/F#,
Fmaj7,
G,
Am,
Am,
Ammaj9,
Am7,
D/F#,
Fmaj7,
G,
Am,
C,
D/F#,
C,
G,
D’]