Music Theory Alchemy

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“Kashmir” is often regarded as one of Led Zeppelin’s greatest creations, featuring a unique chord progression, distinctive rhythmic patterns, and a fusion of Eastern and Western musical elements. Composed in DADGAD tuning, the song is in the key of D Mixolydian and reflects the band’s experimental approach to songwriting and genre-blending. Although the chord progression may be seen as unconventional in rock music, it is effective in establishing a hypnotic and evocative atmosphere.

“Stairway to Heaven” is a progressive rock song by Led Zeppelin, released in 1971. The song showcases a movement between different styles and musical settings, as it starts with a gentle, fingerpicked acoustic section and gradually evolves into a powerful and climactic electric guitar solo, finishing with a full-band finale. The song is characterized by its ascending progression and intricate chord changes, which contribute to its unique and haunting atmosphere. The verse 1 chord progression features a blend of diatonic and chromatic elements, borrowed chords, and inversions, which create a sense of tension and resolution throughout the progression.

“Think I’m In Love” by Beck is a pop-infused indie rock piece that features an easy-going, catchy melody and a simple yet effective chord progression. The use of repetitive chords throughout the Outro creates a sense of stability and familiarity. The Outro builds upon the tonal center of F Major established earlier in the song and prolongs the tonic, adding to the song’s overall sense of closure and resolution.

The song “3 Libras Acoustic Live” by A Perfect Circle oscillates between an A major and a C# minor structure, with a D major introduced at the end of the progression. The dominant chords are A (represented as Asus2) and C# (represented as C#m). The final D chord can be seen as a modulation, adding a somewhat unexpected resolution that doesn’t adhere to the traditional rules of tonic-dominant resolution in either major or minor keys.

“Yellow” by Coldplay is in the key of G major and employs a mix of diatonic chords, extended chords such as the seventh chords, and the occasional borrowed chord from G minor. The progression presents variations of a common IV-V-I pattern seen in pop and rock music.

Led Zeppelin – Kashmir – Outro

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Chord Progression

G, A, G, A, G, A, G, A, G, A, G, A, G, A, G, A, G

Chord Progression Analysis

G major (bVII) – A major (I)

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Borrowed Chord: None in this progression
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Similar Chord Progressions

1. The Beatles – “Eleanor Rigby”
Chord progression: C major (I) – E minor (iii) – C major (I)

2. The Rolling Stones – “Gimme Shelter”
Chord progression: C# minor (i) – B major (VII) – A major (VI)

3. David Bowie – “Heroes”
Chord progression: D major (I) – G major (IV) – A major (V)

These examples provide a taste of similar two-chord or unresolved progressions in other classic rock songs. While they may not be exact matches to the Kashmir outro, they share some structural similarities within their respective context, showcasing how simple chord progressions can be effective.

Musical Analysis

This simple two-chord progression creates an interesting harmonic landscape as it avoids traditional resolutions expected in tonal music. The choice to emphasize an ascent from G major to the A major chord, rather than following a more typical resolution from the dominant chord (E major), provides the track with a distinct modal quality. This harmonic ambiguity is a signature of Eastern music influences, which are quite prevalent in Led Zeppelin’s work.

Overall Analysis

The outro of “Kashmir” by Led Zeppelin features a simple alternating chord progression between G major and A major, which creates tension by avoiding a resolution to the tonic or dominant chords. This makes the progression sound unstable, yet well defined as it repeats. The recurring ascending motion creates a sense of lift throughout the outro, while the lack of a true resolution maintains a feeling of unease. This progression is notable for its simplicity, as well as how it invokes a modal sound that is characteristic of the mixolydian mode often used in rock music.

Style Analysis

The signature sound of “Kashmir” stems largely from Led Zeppelin’s ability to blend Western rock with Eastern elements, such as the drone-like quality of this outro. Though the chords themselves are relatively simple, the arrangement and instrumentation are what make this progression shine. The driving percussion, layered strings, and guitar embellishments give this simple progression a powerful, even hypnotic, quality.

Chords in the Outro section of Kashmir by Led Zeppelin are:

G, A, G, A, G, A, G, A, G, A, G, A, G, A, G, A, G