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Related Music Theory Alchemy

This mid-section of “Kashmir” by Led Zeppelin features a mixolydian/modal feel, which is mostly characterized by the use of the bVII chord (D major). The chord progression primarily revolves around a simple G and A alternation, which manifests an ♭II chord (A Major) borrowed from the Phrygian mode. Following this alternation, the chord progression ascends through a series of major chords before resolving back to A Major.

“Whole Lotta Love” by Led Zeppelin is characterized by its distinctive blues-rock style and its highly memorable, driving riff. The bulk of the song revolves around the E5 (E power) chord, with occasional transitions to the D5 chord at the beginning of each phrase, giving the song a simple yet highly effective chord progression. The song is in the key of E Mixolydian.

The outro of “Heart Is A Drum” by Beck features a non-diatonic chord progression that includes a mixture of major, minor, and suspended chords. This chord progression results in a sense of longing and unresolved tension that is appropriate for an outro section. Additionally, the progression includes a borrowed chord, the Eb6sus2, which is borrowed from the parallel minor key and contributes to the unique, emotional quality of the song.

“Somewhere Only We Know” by Keane is a softly and tenderly written song that rests primarily on the key of C Major. However, it uses a fair amount of borrowed chords from the parallel minor key, giving it a warm, melancholic tone, which is typical of many pop ballads.

“Island in the Sun” by Weezer is in the key of G major and features a simple yet catchy chord progression in its outro. The progression is characterized by its bright, uplifting sound and follows a common pop/rock formula. It also has a nostalgic, summery feel, making it a perfect fit for the song’s title and theme.

Led Zeppelin – Kashmir – Outro

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Chord Progression

G, A, G, A, G, A, G, A, G, A, G, A, G, A, G, A, G

Chord Progression Analysis

G major (bVII) – A major (I)

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Borrowed Chord: None in this progression
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Similar Chord Progressions

1. The Beatles – “Eleanor Rigby”
Chord progression: C major (I) – E minor (iii) – C major (I)

2. The Rolling Stones – “Gimme Shelter”
Chord progression: C# minor (i) – B major (VII) – A major (VI)

3. David Bowie – “Heroes”
Chord progression: D major (I) – G major (IV) – A major (V)

These examples provide a taste of similar two-chord or unresolved progressions in other classic rock songs. While they may not be exact matches to the Kashmir outro, they share some structural similarities within their respective context, showcasing how simple chord progressions can be effective.

Musical Analysis

This simple two-chord progression creates an interesting harmonic landscape as it avoids traditional resolutions expected in tonal music. The choice to emphasize an ascent from G major to the A major chord, rather than following a more typical resolution from the dominant chord (E major), provides the track with a distinct modal quality. This harmonic ambiguity is a signature of Eastern music influences, which are quite prevalent in Led Zeppelin’s work.

Overall Analysis

The outro of “Kashmir” by Led Zeppelin features a simple alternating chord progression between G major and A major, which creates tension by avoiding a resolution to the tonic or dominant chords. This makes the progression sound unstable, yet well defined as it repeats. The recurring ascending motion creates a sense of lift throughout the outro, while the lack of a true resolution maintains a feeling of unease. This progression is notable for its simplicity, as well as how it invokes a modal sound that is characteristic of the mixolydian mode often used in rock music.

Style Analysis

The signature sound of “Kashmir” stems largely from Led Zeppelin’s ability to blend Western rock with Eastern elements, such as the drone-like quality of this outro. Though the chords themselves are relatively simple, the arrangement and instrumentation are what make this progression shine. The driving percussion, layered strings, and guitar embellishments give this simple progression a powerful, even hypnotic, quality.

Chords in the Outro section of Kashmir by Led Zeppelin are:

G, A, G, A, G, A, G, A, G, A, G, A, G, A, G, A, G