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“Kashmir” is often regarded as one of Led Zeppelin’s greatest creations, featuring a unique chord progression, distinctive rhythmic patterns, and a fusion of Eastern and Western musical elements. Composed in DADGAD tuning, the song is in the key of D Mixolydian and reflects the band’s experimental approach to songwriting and genre-blending. Although the chord progression may be seen as unconventional in rock music, it is effective in establishing a hypnotic and evocative atmosphere.

“Whole Lotta Love” by Led Zeppelin is a classic rock song with a strong blues influence. It features a heavy riff-based progression and a powerful vocal performance by Robert Plant. The song is in the key of E Mixolydian, a mode based on the fifth degree of the A Major scale, and exhibits a heavy use of syncopation, pentatonic scales, and chromaticism throughout its structure. The rich harmonic language and distorted guitar tone makes the song an excellent example of the emerging Hard Rock and Heavy Metal styles of the late 1960s and early 1970s.

Led Zeppelin – Kashmir – Mid-section

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Chord Progression

G, A, G, A, G, A, G, A, G, A, A, A#, B, C, D, A, A#, B, C, D

Chord Progression Analysis

“`
G major (I), A major (bII), G major (I), A major (bII), G major (I), A major (bII), G major (I), A major (bII), G major (I), A major (bII), A major (bII), A# major (bIII), B major (IV), C major (V), D major (bVII), A major (bII), A# major (bIII), B major (IV), C major (V), D major (bVII)
“`

Similar Chord Progressions

1. “Helter Skelter” by The Beatles:
“`
E7#9 (I), A7 (IV), E7#9 (I), A7 (IV), E7#9 (I), A7 (IV)
“`

2. “Gimme Shelter” by The Rolling Stones:
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C# minor (i), B major (VII), A major (VI)
“`

3. “Time” by Pink Floyd
“`
F# minor (i), F major (bII), F# minor (i), E minor (vii), F# minor (i), F major (bII), F# minor (i), E major (V)
“`

Although the above examples may not feature the exact chord progression as “Kashmir,” they demonstrate the use of modal harmony and similar techniques used by Led Zeppelin, resulting in a similar sound or feeling.

Musical Analysis

The G and A alternation creates an exotic or modal sound, as well as tension and anticipation. Climbing the chromatically ascending chords (A, A#, B, C, D) adds dramatic effect, and the resolution back to the A major chord provides a sense of closure before repeating the mid-section or moving on to other sections.

Overall Analysis

This mid-section of “Kashmir” by Led Zeppelin features a mixolydian/modal feel, which is mostly characterized by the use of the bVII chord (D major). The chord progression primarily revolves around a simple G and A alternation, which manifests an ♭II chord (A Major) borrowed from the Phrygian mode. Following this alternation, the chord progression ascends through a series of major chords before resolving back to A Major.

Style Analysis

In “Kashmir” by Led Zeppelin, the frequent use of modal mixtures – particularly borrowing from the Phrygian mode – gives the song a distinctive and unique sound. The style can be characterized as Eastern-influenced rock, with elements of progressive rock and hard rock. The power of the chords and the driving rhythm contribute to the song’s overall epic and grandiose nature.

Chords in the Mid-section section of Kashmir by Led Zeppelin are:

G, A, G, A, G, A, G, A, G, A, A, A#, B, C, D, A, A#, B, C, D