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Related Music Theory Alchemy

The given chord progression is the Pre-Chorus section of “After The Storm” by Kali Uchis. The chords in this progression are predominantly built on the 1st and 2nd degrees of the minor scale. The recurring use of the Eaug chord injects an interesting and stylish twist into the music.

The chord progression in the bridge of Kali Uchis’ “After The Storm” consists of two alternating chords, Amaj7 and Dmaj7, played repeatedly. This progression is simple yet effective, creating a smooth and mellow atmosphere that matches well with the song’s overall neo-soul and R&B vibe. The arrangement is in the key of A Major and has a diatonic structure without any borrowed chords.

“Iris” by the Goo Goo Dolls is well-known for its unique tuning and chords which adds a certain tenderness and emotional depth to the song. The song is in D Major and utilizes a repeated chord progression that is relatively simple but effective.

“Boulevard of Broken Dreams” by Green Day, released in 2004, is an alt-rock anthem that largely follows a 4-chord progression throughout the song. The key signature of the song is E minor (derived from the root chord), and essentially all chords used in the song are diatonic, meaning they are derived from the scales of the key. The chorus shifts to a progression in C Major. However, it returns to E minor at the end.

The chorus of “Right Where It Belongs” by Nine Inch Nails is built upon a repeating four-chord progression of Gm-Bb-F-C. This song is in the key of Bb major (with two flats in the key signature, Bb and Eb). All the chords used in this song are derived from the Bb major scale, which makes this a diatonic chord progression. There is no borrowed or chromatic harmony in this song.

Kali Uchis – After The Storm – Chorus

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Chord Progression

Am7, Bm7, Eaug, Am7, Bm7, Eaug, Am7, Bm7, Eaug, Am7, Bm7, Eaug

Chord Progression Analysis

“`
– Am7 (i7)
– Bm7 (ii7)
– Eaug (V+)
– Am7 (i7)
– Bm7 (ii7)
– Eaug (V+)
– Am7 (i7)
– Bm7 (ii7)
– Eaug (V+)
– Am7 (i7)
– Bm7 (ii7)
– Eaug (V+)
“`

Similar Chord Progressions

1. Erykah Badu – “On & On”
“`
Am7 (i7)
Bm7 (ii7)
Gmaj7 (VII)
Dmaj7 (IVmaj7)
“`

2. D’Angelo – “Brown Sugar”
“`
Am7 (i7)
E7 (V7)
Dm7 (iv7)
Am7 (i7)
E7 (V7)
Dm7 (iv7)
D7 (IV7)
“`

3. Robert Glasper – “Afro Blue”
“`
Am7 (i7)
E7(#9) (V7#9)
Bmin7(b5) (IIø7)
E7(b13) (V7b13)
“`

While the exact chord progression in “After The Storm” may not be mirrored in these examples, all of the songs mentioned above make use of minor seventh chords and interesting harmonic choices. Each progression showcases the influence of jazz, R&B, and soul in their respective styles.

Musical Analysis

The progression begins with a series of minor seventh chords (Am7 and Bm7) which give the music a jazzy, R&B sound. The Eaug chord, which serves as a dominant V+ chord, creates tension before resolving back to the Am7 chord, giving the progression a sense of forward momentum and instability. The repetition of this progression helps to establish a hypnotic and dreamy quality to the music.

Overall Analysis

The chord progression in the chorus of Kali Uchis’ “After The Storm” features a repeating progression of Am7, Bm7, and Eaug that occurs three times, with slight variations in harmony and tonality. It is a unique and interesting progression that creates tension through the use of both minor 7th and augmented chords. The overall style evokes a dreamy, jazzy atmosphere with elements of R&B and soul.

Style Analysis

Kali Uchis’ “After The Storm” is rooted in the contemporary R&B and neo-soul genres, while also incorporating elements of jazz harmony and Latin music. The use of minor seventh chords in the progression is a characteristic of these styles, and the inclusion of the Eaug chord adds an unexpected twist to the harmony, giving the song its unique sound.

Chords in the Chorus section of After The Storm by Kali Uchis are:

Am7, Bm7, Eaug, Am7, Bm7, Eaug, Am7, Bm7, Eaug, Am7, Bm7, Eaug