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Kali Uchis

The chord progression in the outro of “After The Storm” by Kali Uchis is a relatively simple and concise one, having just three chords: G#m7, A#m7, and D#aug. Considering that the key of this song is G# minor, the progression makes use of diatonic and non-diatonic chords. Moreover, incorporating an augmented chord lends a feeling of tension and anticipation that makes the outro stand out.

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Kali Uchis

The chord progression in the bridge of Kali Uchis’ “After The Storm” consists of two alternating chords, Amaj7 and Dmaj7, played repeatedly. This progression is simple yet effective, creating a smooth and mellow atmosphere that matches well with the song’s overall neo-soul and R&B vibe. The arrangement is in the key of A Major and has a diatonic structure without any borrowed chords.

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Muse

Muse’s “Can’t Take My Eyes Off You” is a rock interpretation of the classic 1967 pop song “Can’t Take My Eyes Off You” by Frankie Valli, which has been covered by various artists in different styles. The chord progression of the chorus is characterized by a series of diatonic chords, predominant in Western pop music. This progression follows a typical 1950’s “doowop” pattern present in countless pop and rock songs, utilizing the familiar circle of fourths movement (Dm-G-C) and establishing a straightforward harmonic rhythm.

Chord Progression Analysis with Roman Numerals (borrowed chords in code block):

D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major (I) – A major (V/vi) – D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major 7 (Imaj7) – C7 (I7) – C6 (I6) – C major (I) – Ab major (*bVI) – C major (I)

`* Ab major (bVI) is a borrowed chord from the parallel minor key (C minor).`

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Tyler, The Creator

The chord progression in Tyler, The Creator’s “Gone Gone” is a mix of diatonic and non-diatonic chords, making it an interesting and unique progression. It features a combination of major, minor, and an altered seventh chord, adding to the overall complexity of the progression. The style is reminiscent of jazz and R&B, where more complex harmonic structures are often used. Some borrowings from different modes and chromaticism also contribute to its richness and distinct sound.

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Nine Inch Nails

The chorus of “Closer” by Nine Inch Nails is built around a progression that oscillates between a single major chord, F, and a single minor seventh chord, Cm7. This is quite minimalistic. Major chords usually have a happy, positive feel, while minor chords induce a somewhat sad, introspective mood. The use of C minor 7th gives a particular color to the progression: it’s a minor chord with an added minor seventh, which means it’s a bit less stable than a regular minor chord.

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Kali Uchis – After The Storm – Chorus

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Chord Progression

Am7, Bm7, Eaug, Am7, Bm7, Eaug, Am7, Bm7, Eaug, Am7, Bm7, Eaug

Chord Progression Analysis

“`
– Am7 (i7)
– Bm7 (ii7)
– Eaug (V+)
– Am7 (i7)
– Bm7 (ii7)
– Eaug (V+)
– Am7 (i7)
– Bm7 (ii7)
– Eaug (V+)
– Am7 (i7)
– Bm7 (ii7)
– Eaug (V+)
“`

Similar Chord Progressions

1. Erykah Badu – “On & On”
“`
Am7 (i7)
Bm7 (ii7)
Gmaj7 (VII)
Dmaj7 (IVmaj7)
“`

2. D’Angelo – “Brown Sugar”
“`
Am7 (i7)
E7 (V7)
Dm7 (iv7)
Am7 (i7)
E7 (V7)
Dm7 (iv7)
D7 (IV7)
“`

3. Robert Glasper – “Afro Blue”
“`
Am7 (i7)
E7(#9) (V7#9)
Bmin7(b5) (IIø7)
E7(b13) (V7b13)
“`

While the exact chord progression in “After The Storm” may not be mirrored in these examples, all of the songs mentioned above make use of minor seventh chords and interesting harmonic choices. Each progression showcases the influence of jazz, R&B, and soul in their respective styles.

Musical Analysis

The progression begins with a series of minor seventh chords (Am7 and Bm7) which give the music a jazzy, R&B sound. The Eaug chord, which serves as a dominant V+ chord, creates tension before resolving back to the Am7 chord, giving the progression a sense of forward momentum and instability. The repetition of this progression helps to establish a hypnotic and dreamy quality to the music.

Overall Analysis

The chord progression in the chorus of Kali Uchis’ “After The Storm” features a repeating progression of Am7, Bm7, and Eaug that occurs three times, with slight variations in harmony and tonality. It is a unique and interesting progression that creates tension through the use of both minor 7th and augmented chords. The overall style evokes a dreamy, jazzy atmosphere with elements of R&B and soul.

Style Analysis

Kali Uchis’ “After The Storm” is rooted in the contemporary R&B and neo-soul genres, while also incorporating elements of jazz harmony and Latin music. The use of minor seventh chords in the progression is a characteristic of these styles, and the inclusion of the Eaug chord adds an unexpected twist to the harmony, giving the song its unique sound.

Chords in the Chorus section of After The Storm by Kali Uchis are:

Am7, Bm7, Eaug, Am7, Bm7, Eaug, Am7, Bm7, Eaug, Am7, Bm7, Eaug

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