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Related Music Theory Alchemy

The chord progression in the intro of “After the Storm” by Kali Uchis showcases a mix of diatonic and chromatic movements, borrowing elements from jazz and R&B. The use of 7th chords and an augmented chord suggests a harmonically rich and colorful tonality, creating an intriguing atmosphere that captures the listener’s attention.

The chord progression in the outro of “After The Storm” by Kali Uchis is a relatively simple and concise one, having just three chords: G#m7, A#m7, and D#aug. Considering that the key of this song is G# minor, the progression makes use of diatonic and non-diatonic chords. Moreover, incorporating an augmented chord lends a feeling of tension and anticipation that makes the outro stand out.

The chord progression in the chorus of Muse’s “Megalomania” features a blend of major and minor chords, as well as the use of the dominant 7th chord (B7) to create tension and resolution. This progression provides a harmonic foundation for the powerful and emotional vocals, giving it an intense and memorable feel.

“Sour Times” by Portishead is characterized by dark, brooding sounds and melancholic melodies that gives the song its distinct feel, largely due to the specific chord progression that is used throughout the song. Written in the key of E major, the song makes use of a diverse selection of chords that offers a wider blend of harmonic options to navigate through different moods and tonal landscapes.

“For No One” is a song from The Beatles’ album Revolver, released in 1966. The song has a melancholic theme, represented quite well through a sophisticated chord progression that features significant use of the minor scale and infrequent use of chord extensions, such as 7th and suspended chords. It’s written primarily in C Major, but the chorus alternates between D Minor and A7, an interesting modal shift (Using structural chords from different modes).

Kali Uchis – After The Storm – Chorus

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Chord Progression

Am7, Bm7, Eaug, Am7, Bm7, Eaug, Am7, Bm7, Eaug, Am7, Bm7, Eaug

Chord Progression Analysis

“`
– Am7 (i7)
– Bm7 (ii7)
– Eaug (V+)
– Am7 (i7)
– Bm7 (ii7)
– Eaug (V+)
– Am7 (i7)
– Bm7 (ii7)
– Eaug (V+)
– Am7 (i7)
– Bm7 (ii7)
– Eaug (V+)
“`

Similar Chord Progressions

1. Erykah Badu – “On & On”
“`
Am7 (i7)
Bm7 (ii7)
Gmaj7 (VII)
Dmaj7 (IVmaj7)
“`

2. D’Angelo – “Brown Sugar”
“`
Am7 (i7)
E7 (V7)
Dm7 (iv7)
Am7 (i7)
E7 (V7)
Dm7 (iv7)
D7 (IV7)
“`

3. Robert Glasper – “Afro Blue”
“`
Am7 (i7)
E7(#9) (V7#9)
Bmin7(b5) (IIø7)
E7(b13) (V7b13)
“`

While the exact chord progression in “After The Storm” may not be mirrored in these examples, all of the songs mentioned above make use of minor seventh chords and interesting harmonic choices. Each progression showcases the influence of jazz, R&B, and soul in their respective styles.

Musical Analysis

The progression begins with a series of minor seventh chords (Am7 and Bm7) which give the music a jazzy, R&B sound. The Eaug chord, which serves as a dominant V+ chord, creates tension before resolving back to the Am7 chord, giving the progression a sense of forward momentum and instability. The repetition of this progression helps to establish a hypnotic and dreamy quality to the music.

Overall Analysis

The chord progression in the chorus of Kali Uchis’ “After The Storm” features a repeating progression of Am7, Bm7, and Eaug that occurs three times, with slight variations in harmony and tonality. It is a unique and interesting progression that creates tension through the use of both minor 7th and augmented chords. The overall style evokes a dreamy, jazzy atmosphere with elements of R&B and soul.

Style Analysis

Kali Uchis’ “After The Storm” is rooted in the contemporary R&B and neo-soul genres, while also incorporating elements of jazz harmony and Latin music. The use of minor seventh chords in the progression is a characteristic of these styles, and the inclusion of the Eaug chord adds an unexpected twist to the harmony, giving the song its unique sound.

Chords in the Chorus section of After The Storm by Kali Uchis are:

Am7, Bm7, Eaug, Am7, Bm7, Eaug, Am7, Bm7, Eaug, Am7, Bm7, Eaug