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Related Music Theory Alchemy

“Nothings Gonna Change My Love For You” is a romantic ballad featuring a smooth and melodic chord progression characteristic of the pop and jazz fusion genres. The Verse’s chord progression contains some elements of a standard jazz progression while also making use of several borrowed chords. The chords contribute to the warm and sentimental atmosphere that captures the essence of the song’s theme.

“Give Me The Night” is a smooth jazz, R&B, and funk-infused composition by George Benson. The pre-chorus is particularly interesting, as it features a brief but captivating chord progression that navigates through a variety of moods before looping back to the main progression or chorus of the song.

The song “Viva La Vida” by Coldplay is in the key of G major and follows a fairly simple chord progression in the pop/rock genre. This progression particularly makes use of the I, IV, V, and vi chords in this key, which is a typical pop progression.

“Bennie And The Jets” by Elton John, released in 1973, features a distinctive chord progression that exemplifies Elton’s advanced harmonic sensibility and taste for grand piano-based balladry. The song is mainly in the key of G Major.

The “Glory Box” by Portishead chorus progression is based in D minor and moves between this primary D minor chord and three other chords: Dm/C, Bm7b5, and Bbmaj7. The Dm/C chord is the same as the D minor, but with a different note in the bass (C). The Bm7b5 is a half-diminished chord. The Bbmaj7 is major seventh chord.

George Benson – Nothings Gonna Change My Love For You – Chorus

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Chord Progression

Db, Gbmaj7, Ab, F7, Bbm, Eb7, Gb, Ab7, Db, Gbmaj7, Ab, F7, Bbm, Eb7, Gb, Ab, Db, Gbmaj7, Ab, F7, Bbm, Eb7, Gb, Ab7, Db

Chord Progression Analysis

Db Major (I) – Gbmaj7 (iv7) – Ab Major (V) – F7 (VI7) – Bbm (ii) – Eb7 (II7) – Gb Major (IV) – Ab7 (V7)
Db Major (I) – Gbmaj7 (iv7) – Ab Major (V) – F7 (VI7) – Bbm (ii) – Eb7 (II7) – Gb Major (IV) – Ab Major (V)
Db Major (I) – Gbmaj7 (iv7) – Ab Major (V) – F7 (VI7) – Bbm (ii) – Eb7 (II7) – Gb Major (IV) – Ab7 (V7)
Db Major (I)

Similar Chord Progressions

1. “Just the Two of Us” by Bill Withers and Grover Washington Jr.
Bbmaj7 (I7) – Gm7 (vi7) – Am7 (ii7) – Abmaj7 (bVII7) – Gm7 (vi7) – C7 (V7)

2. “Killing Me Softly with His Song” by Roberta Flack
F#m7 (ii7) – B7 (V7) – E Major (I) – A7 (IV7) – Am7 (iv7) – B7 (V7) – E Major (I)

These songs feature similar chord progressions that mix diatonic, borrowed, and secondary-dominant chords, creating a harmonic richness and emotional appeal. They showcase sophisticated harmonies and smooth transitions, demonstrating the influence of jazz and pop styles in their composition.

Musical Analysis

The chorus begins with a tonic chord, Db Major, followed by a borrowed chord, Gbmaj7 (iv7), which introduces a smooth and emotional transition. The piece then moves to Ab Major (V), building towards the dominant function. The F7 (VI7) is a borrowed secondary dominant chord that adds a touch of bluesy tension before resolving to the Bbm (ii) chord.

The following Eb7 (II7) is a secondary dominant chord that prepares for the Gb Major (IV) chord. The progression moves back to Ab7 (V7), creating a strong dominant to tonic resolution to Db Major (I), which firmly re-establishes the tonic. The progression then repeats, with its expressive harmonies, offering stability and a sense of conclusion.

Overall Analysis

“Nothings Gonna Change My Love For You” by George Benson is a romantic ballad in the key of Db major. The piece features a soothing and harmonically rich chord progression that is characteristic of the pop/jazz fusion style popular in the late 70s and 80s. The chorus features a mix of diatonic, borrowed, and secondary-dominant chords, creating an expressive palette of colors and tensions. This progression shares similarities with other ballads and pop songs from the era.

Style Analysis

Benson’s chord progression exhibits stylistic elements of both pop and jazz fusion. The combination of diatonic, borrowed, and secondary dominant chords showcases sophisticated harmony and creates a lush and colorful sonic landscape. Such harmonic richness is a hallmark of jazz fusion, while the resolution of tension and repetition of the progression are pop music traits.

Chords in the Chorus section of Nothings Gonna Change My Love For You by George Benson are:

Db, Gbmaj7, Ab, F7, Bbm, Eb7, Gb, Ab7, Db, Gbmaj7, Ab, F7, Bbm, Eb7, Gb, Ab, Db, Gbmaj7, Ab, F7, Bbm, Eb7, Gb, Ab7, Db